Look dev artist for the Harry Potter franchise and lead compositor on the Oscar-winning ‘The Jungle Book’ to work across Framestore’s Advertising, Television and Immersive divisions.
Tagged With: ILM
Legendary ILM senior VFX supervisor and creative director will present this October at the Turin event.
Presentation on Warner Bros. upcoming action-adventure, featuring Jason Momoa as the aquatic DC Comics superhero, rocks the Hall H audience.
A behind-the-scenes look at blockbuster films and hit TV shows with Digital Domain, Method Studios, ILM and Scanline VFX among featured presenters.
Industrial Light & Magic animation supervisor Jance Rubinchik describes the joys of playing with dinosaurs for ‘Jurassic World: Fallen Kingdom.’
Industrial Light & Magic employs its traditional hybrid approach to combining practical and CG effects for grounded performances.
From in-camera effects to the latest virtual production techniques, Industrial Light and Magic’s newly appointed head rounds up more than 1,800 VFX shots for the Star Wars stand-alone anthology space western.
Method VFX supervisor Greg Steele oversees delivery of 430 shots for the culmination of the Marvel Cinematic Universe, including upgrades for Rocket and Groot featuring hand-keyed character animation.
Grant Walker and Ahmed Garraph join the leadership ranks for the studio’s advertising, television and immersive entertainment work.
TTF previs creative director Joshua Wassung, previs supervisor Todd Constantine, and storyboard head Doug Lefler collaborate with director Steven Spielberg on a host of visual gags for the sci-fi feature’s complex race scene.
Colorist Mitch Paulson creates custom looks for his second collaboration with director Ava DuVernay.
Industrial Light & Magic had a blast creating the virtual world of the OASIS and tripping down memory lane with spot-on recreations of the DeLorean from ‘Back to the Future’ or the T-Rex from ‘Jurassic Park,’ but the avatars were much more demanding.
Industrial Light & Magic Artists creates the virtual reality world the OASIS for director Steven Spielberg’s mind-bending joyride.
MPC CG supervisor Chris Downs details the production of 350 visual effects shots for director Ava DuVernay’s adaptation of ‘A Wrinkle in Time.’
Oscar-nominated VFX supervisor takes audiences on a quest through the universe for director Ava DuVernay’s adaptation of the sci-fi classic written by Madeleine L’Engle.
Overall VFX supervisor Peter Chiang talks previs, techvis, drones and Chinese sound stages on Steven DeKnight’s sequel to Guillermo del Toro’s 2013 sci-adventure romp.
Production VFX Supervisor Geoff Baumann assembled and managed the movie’s heavy-hitter vendor lineup to complete more than 2,000 visual effects shots for Marvel’s most recent hit.
Academy Award winner and visual effects supervisor of ‘Kong: Skull Island’ takes creative reins of ILM’s Canadian studio.
Group of 20 nominees draws on two decades of experience and technological advances, delivering shots that were previously unimaginable.
One of five films to receive a nomination for best visual effects in this year’s race for Oscar gold, ‘Episode VIII’ mixes new characters with those from the 1977-1983 films in wholly new environments.