Search form

Tagged With: BlueBolt

Give Us More Ethan Hunt! VFXWorld

Declassifying the VFX of ‘Mission: Impossible - Dead Reckoning Part One’

ILM, led by Simone Coco and Jeff Sutherland, delivered between 1,100-1,200 shots on the Christopher McQuarrie spy thriller, including a gunfight in an Abu Dhabi desert sandstorm, a Rome car chase, and fight atop a speeding train, and star Tom Cruise’s famed motorbike cliff jump.

VFX for features Headline News

VFX Breakdown: BlueBolt Creates 1793 ‘Napoleon’ Battlegrounds

Studio delivered 126 VFX shots to help realize Ridley Scott’s vision of Napoleon’s 1793 Siege of Toulon and his violent suppression of the Paris riots two years later. 

Skol! VFXWorld

BlueBolt’s 'Viking VFX' Quest Ends with ‘The Last Kingdom: Seven Kings Must Die’

After eight years, five seasons and a concluding feature film, VFX supervisor Richard Frazer laughs at the notion he’s earned a PhD in 10th century British history; as the sole visual effects vendor for the entire run, BlueBolt handled historically accurate CG characters, massive armies, and gory combat on the Netflix series and feature.

People Headline News

BlueBolt Expands Senior Management Team

With co-founders Lucy Ainsworth-Taylor and Angela Barson stepping down from day-to-day operations, the studio welcomes new board members Tracy McCreary, Henry Badgett, and Nic Birmingham.

VFX for television Headline News

VFX Breakdown: BlueBolt Adds Futuristic Visuals to ‘The Peripheral’

The studio transforms London into a dilapidated landscape dwarfed by towering statues of Greek Gods, creating the backdrop for the sci-fi series starring Jack Reynor and Chloë Grace Moretz, now streaming on Prime Video.

Feature Film VFX Headline News

VFX Breakdown: BlueBolt Delivers 1950s Nostalgia to ‘The Policeman’

Challenged with creating accurate portrayals of Brighton Beach across 2 timelines, the studio’s team delivers 152 seamless VFX shots; breakdown reel highlights the studio’s visual effects work creating the backdrop for the romantic drama, which spans decades.

TV VFX Headline News

BlueBolt Shares VFX Breakdown Reel from ‘The Last Kingdom’ Season 5

By Dan Sarto | Friday, June 3, 2022 at 3:16pm

Visual effects studio delivers 782 shots as the lead vendor on the final season of the hit Netflix series, filled with sprawling CG armies, historically accurate CG ships, environments, and of course, bloody Saxon battles.

People Headline News

BlueBolt Names Lucy Tait Finance Director

In new leadership role, she will continue supporting the VFX house’s on-going expansion; studio’s slate of film and TV projects includes The Northman, The Great Season 2, Becoming Elizabeth, Suspicion and The Last Kingdom Season 5. 

People Headline News

BlueBolt Names Tracy McCreary Managing Director

VFX house promotes seasoned EP who will help push the active production slate; film and TV projects including ‘The Northman,’ ‘The Great - Season 2, and ‘Becoming Elizabeth.’

Virtual Festivals Headline News

Escape Studios’ VFX Festival Returns in March

The all-virtual 9th edition’s theme is ‘Limitless Creativity;’ event features various talks, presentations, and career advice aimed at students, emerging talent, and industry professionals.

A Great Catherine the Great! Headline News

WATCH: BlueBolt’s VFX Breakdown Reel for Hulu's ‘The Great’

Studio delivers over 300 shots for satirical comedic drama about the fictionalized rise of Catherine the Great, which required extensive on-location collaboration to create large scale environment extensions for Caserta Palace and the military camp at the Russian Front.