Red Giant Releases New Seth Worley Short, ‘Old/New’
Short film narrated by Patton Oswalt is chock-full of visual effects both obvious and subtle, all powered by Red Giant technology.
Short film narrated by Patton Oswalt is chock-full of visual effects both obvious and subtle, all powered by Red Giant technology.
Autodesk acquires Tweak’s image and sequence playback tool RV; Tweak and Shotgun teams to work together to advance review and collaboration technology.
Multimillion dollar deal will see Deluxe take over Sony’s 4K 14,000-square-foot post facility based on the Sony lot in Culver City.
Did we utilize 3D scanning and printing to create a high-end party favor? Yes, but if the sex industry can do it, so can we.
LAIKA’s CEO discusses the Portland-based studio’s groundbreaking, Oscar-nominated stop-motion masterpiece.
Red Giant’s Magic Bullet Suite 12 delivers GPU-accelerated, real-time color correction and grading, 198 new Looks presets, Streamlined UI and UX, and an all-new Magic Bullet film.
Toronto-based visual effects shop provides feature-quality effects on a television budget with the use of Blackmagic Design’s Fusion Studio.
Upgrade includes new automated render technology designed to provide a seamless experience with simplified workflow and faster upload and download times.
Conference on Animation, Effects, Games and Transmedia to explore the impact of immersive technologies on financing, content creation, distribution and viewing behavior across different platforms.
The Foundry promotes Jon Wadelton, known as ‘Mr. Nuke,’ to chief technology officer and head of media production.
The Hollywood Post Alliance invites engineering, technology and strategic business leaders join top creative talent to explore and debate the most compelling topics facing the media and entertainment industry today.
Actors Robbie and Teller to host the Academy of Motion Picture Arts and Sciences’ Scientific and Technical Awards Presentation on Saturday, February 7.
Oscar winner Daniel Junge and Johnny Knoxville’s feature, ‘Being Evel,’ was shot using Blackmagic Design cameras, while more than 20 films at this year’s festival were color graded using DaVinci Resolve.
Media & Entertainment Track at GTC 2015 to highlight breakthroughs in GPU technology across broadcast, video, and filmmaking
The Room founder Ben Murray assumes new role as VP of Creative Services at Technicolor-PostWorks NY.
Vicon T40 cameras enable VFX house Framestore to carry out quality previsualization for marmalade loving bear Paddington.
Honorees for the Academy’s 87th Scientific & Technical Awards include Dolby's David Gray, recipient of the Gordon E. Sawyer Award, and Larry Hornbeck, a key inventor behind Texas Instruments’ DLP Cinema.
The Weta Digital visual effects supes discuss the intricacies of motion-capture and Andy Serkis’ outstanding performance in Matt Reeves ‘Planet of the Apes’ sequel.
Directors Phil Lord and Chris Miller discuss how the artists at Animal Logic created the wild, mixed-media hybrid world of the fourth-highest grossing film of 2014.
Capable of shooting at 4K/UltraHD and 2K/HD resolutions, CION is the only camera on the market that captures internally to 12-bit ProRes 444.
VFX supervisor Doug Bloom breaks down the final battle of Brett Ratner’s mythological action-adventure.
Kidscreen Summit 2015 announces Malik Ducard as the keynote speaker and the official conference schedule.
The Hollywood Post Alliance announces the lineup for the HPA Tech Retreat taking place February 9th to the 13th in Palm Springs.