Jay Redd and the Complex VFX of ‘Alice Through the Looking Glass’
Veteran Sony Pictures Imageworks VFX supervisor discusses Disney’s latest fantasy-adventure, the largest and most sophisticated project of his career.
Veteran Sony Pictures Imageworks VFX supervisor discusses Disney’s latest fantasy-adventure, the largest and most sophisticated project of his career.
Veteran Illumination Entertainment director shares his insights on their brand-new animated feature hitting theatres internationally today.
VFX supervisor Alan Torres explains his studio’s work on key UI and HUD displays for Marvel’s latest action-adventure feature.
TTF previs and postvis supervisors Gerardo Ramirez and Austin Bonang discuss key fight sequence visualization efforts on Marvel’s hit superhero feature.
Veteran Disney animator and first-time director discusses his experiences helming Sony Pictures and Rovio Animation’s hotly-anticipated animated feature film.
MPC VFX supervisor describes the studio’s innovative efforts handling 1200 shots alongside Rob Legato on Disney and Jon Favreau’s blockbuster family adventure hit.
CG supervisor Oded Raz and assistant VFX supervisor Jared Simeth discuss the making of Iron Man’s new glove, the Stark Protective Gauntlet, and other visual effects work the Santa Monica-based studio handled on Marvel’s latest super hero blockbuster.
Director Andrew Stanton and producer Lindsey Collins’ honest yet sensitive approach to Baby Dory’s traumatic back story both enriches and grounds Pixar’s poignant new film.
Oscar-winning VFX supervisor breaks down his work designing and filming Jon Favreau and Disney’s hit action-adventure feature.
Disney’s latest animated blockbuster shows audiences do enjoy stories without princes or royalty of either gender.
‘Superjail!’ and ‘Ugly Americans’ veteran animation director launches Indiegogo campaign to complete his epic indie feature.
'The Peanuts Movie' director Steve Martino discusses the creative and production challenges he faced making the studio's hit animated feature.
According to the director of Disney’s latest hit feature, ‘The Jungle Book’ could be called both live-action and animated.
For director Andrew Stanton and producer Lindsey Collins, ‘Finding Nemo’s eternally upbeat memory-impaired blue tang fish has a compelling and important journey of her own worth sharing.
Coinciding with the film's DVD & Blu-ray release, the veteran Industrial Light & Magic VFX supervisors discuss the importance of lighting and practical in-camera shooting on Disney and J.J. Abrams' epic space adventure.
Co-director of Pixar’s Oscar-winning animated feature ‘Inside Out’ discusses the “Pixar Way” of patience and trusting the process.
Overall VFX supervisor dishes on his stunning Academy Award win for best achievement in visual effects on Alex Garland’s sci-fi thriller.
Veteran animator and story artist discusses the challenges of helming DreamWorks Animation’s latest hit in the ‘Kung Fu Panda’ feature film franchise.
ILM animation supervisor discusses the wide range of complicated shots that kept his team scrambling for two years on J.J. Abrams’ blockbuster sci-fi action film.
A major late-in-production story shift and co-director addition are all in a day’s work for the veteran Walt Disney Animation Studios producer.