Illumination Entertainment's ‘Minions’ beats the lifetime totals of ‘Despicable Me 2’ ($975.5 million) and ‘The Lion King’ ($987.5 million) to become the third-highest-grossing animated film of all time worldwide.
Tagged With: Marvel
Other featured talks at VIEW 2015 to include Blue Sky’s Scott Carroll on ‘The Peanuts Movie,’ Pixar’s Kim White on ‘Inside Out’ and Sony’s Michael Kurinsky on production design for ‘Hotel Transylvania 2.’
Universal's N.W.A. biopic ‘Straight Outta Compton’ leads the pack at the North American box office with a $60.2 million debut, helping to push Universal past the $2 billion mark domestically.
After being rejected by critics and audiences alike, 20th Century Fox's ‘Fantastic Four’ sees one of the lowest openings of all time for a big-budget studio super hero movie.
Previs supervisor Jim Baker walks us through The Third Floor’s key previs and postvis efforts on the latest Marvel feature.
Prime Focus World’s senior stereo supervisor Richard Baker reveals how the team worked with miniature scale in Marvel’s latest superhero blockbuster “Ant-Man,’ starring Paul Rudd.
Dneg VFX supervisor Alex Wuttke talks lighting, camera arrays and macro photography on Marvel’s latest superhero movie.
Paramount Pictures and Skydance Productions’ $150 million tentpole feature launches to $65 million overseas for an early total of $121 million worldwide.
VFX supervisor Greg Steele talks about bringing ants, wasps and a tiny superhero to the big screen in Marvel’s new action adventure.
VFX supervisor Trent Claus discusses aging and de-aging the character of Dr. Hank Pym in Marvel’s new superhero feature.
Two weeks after its release, Marvel’s ‘Ant-Man’ narrowly beats out Sony’s new action-comedy ‘Pixels’ at the North American box office.
Led by VFX/CG Supervisor Timothy Hanson, ZOIC Studios employs RealFlow to help create simulations for Marvel blockbuster ‘Avengers: Age of Ultron,’ completing nearly 100 shots for the movie.
Chicago-based creative studio builds on its past successes with Marvel’s ‘Guardians of the Galaxy’ and ‘Captain America: The Winter Soldier.’
Peyton Reed’s ‘Ant-Man’ makes $58 million domestic debut, the second-lowest bow for Marvel Studios since ‘The Incredible Hulk’ opened to $55.4 million in 2008.
Japanese animated feature ‘Miss Hokusai,’ winner of the Jury Award at Annecy 2015 from director Keiichi Hara and Production I.G., and Marvel’s ‘Ant-Man’ set to open Fantasia 2015.
Universal's ‘Jurassic World’ holds off Pixar’s ‘Inside Out’ for the third weekend in a row; Paramount's ‘Terminator Genisys’ sees third place debut with $28.7 million from 3,758 locations.
SIGGRAPH announces the complete lineup for this year’s Production Sessions program for its 42nd annual conference, set for August 9-13 at the Los Angeles Convention Center.
ILM VFX supervisor Ben Snow discusses the enormity, complexity and challenges of the work his team wrestled with on Marvel’s latest superhero adventure.
Universal's ‘Jurassic World’ holds off Pixar’s ‘Inside Out’ for the second weekend in a row; Seth MacFarlane R-rated comedy sequel ‘Ted 2’ underwhelms with $33 million debut.
Universal and Legendary Pictures’ ‘Jurassic World’ ends Pixar's number-one opening winning streak, but ‘Inside Out’ exceeds expectations to score the top debut of all time for an original Pixar title.
Universal’s long-awaited dinosaur feature beats out the May 2012 launch of ‘The Avengers’ with a $208.8 million domestic debut, and becomes the first film to cross $500 million worldwide in a single weekend.
Supervisor Gerardo Ramirez discusses key facets of The Third Floor’s previs, postvis and techvis efforts on Marvel’s latest superhero blockbuster.
Lola VFX supervisor Trent Claus talks about capturing Paul Bettany’s performance as Vision in Marvel’s latest blockbuster movie.
Industrial Light & Magic helps Iron Man handle The Incredible Hulk with a new armoured suit in Marvel’s ‘Avengers: Age of Ultron.’