Award-winning U.K. production company Darrall Macqueen will return to make 60 more episodes of the iconic show for DHX and CBeebies.
Animation Mentor co-founders Bobby Beck, Shawn Kelly and Carlos Baena launch groundbreaking distributed cloud-based production system.
Thirty-first London International Awards honoring excellence in Advertising, Production, Digital, Design, Music & Sound, and Technology to be held in Las Vegas on November 8.
Marc Weigert, CEO of Uncharted Territory, talks about economic realities, production strategies and the inherent difficulties in making a good VFX-driven film.
Max Solomon, an animation supervisor at Framestore, discusses his work as on 'Jupiter Ascending' and 'Gravity.'
Structure your screenplays faster, better and easier with the help of this outstanding new software!
Thirteen films, 23 series and three gaming and special projects selected to participate in the 10th anniversary edition of international co-production marketplace running April 28th & 29th alongside the Stuttgart Festival of Animated Film and FMX 2016.
Eric Roth, executive director of the Visual Effects Society, discusses recent entertainment industry business trends, how they impact artists and studios and how the VES is addressing membership regarding these critical issues.
People, Business, Production, SIM Digital, Graeme Parcher, James Martin, Ann DeGuire, Bling Digital, Chainsaw, Kodak, FujiFilm
Jon Peddie and Kathleen Maher discuss how computer graphics and VR technologies affect the entertainment industry.
Don Parker, senior director for Shotgun at Autodesk, discusses what the acquisition by Autodesk means for Shotgun and how Shotgun is solving operational problems within the production process.
Veteran animator and story artist discusses the challenges of helming DreamWorks Animation’s latest hit in the ‘Kung Fu Panda’ feature film franchise.
Rob Bredow, VFX supervisor and head of new media at Industrial Light & Magic / Lucasfilm, talks about the work his team is doing with virtual reality and what it means for the film industry.
ILM animation supervisor discusses the wide range of complicated shots that kept his team scrambling for two years on J.J. Abrams’ blockbuster sci-fi action film.
AWN editor-in-chief Dan Sarto reports on the backstage antics at the 88th Academy Awards, talking to Oscar winners Gabriel Osorio and Pato Escala, ‘Inside Out’s Pete Docter and Jonas Rivera, and ‘Ex Machina’ VFX supervisor Andrew Whitehurst.
Sneak preview presentation at Disney’s El Capitan Theater with director Jon Favreau and visual effects supervisor Rob Legato unveils stunning live-action/CG hybrid environments and characters.
Without a solid understanding of screenplay structure a producer has no way of knowing whether his screenplay is good or bad.
Industry veterans Rex Grignon and Jason Schleifer launch cost-effective global cloud-based production and community ecosystem filled with creative tools, support and distribution.
An array of products from Blackmagic Design were used in 2016 Oscar-nominated films including Blackmagic Cinema Cameras on ‘Mad Max: Fury Road’ and DaVinci Resolve Studio and Fusion Studio on ‘The Martian.’
CG-animated feature directed by ‘Despicable Me’ co-creator Sergio Pablos enters production at London-based VFX house’s animation division lodged in a new 54,000 square-foot studio located in downtown Montréal.
Technicolor Animation Productions and France’s TF1 to co-produce new CG-animated children’s series ‘Monchhichi’ in collaboration with Japan’s Sekiguchi.
French commissioning broadcasters secured for animated kids series based on the comic book series by Cazenove and William; Samka Productions and Bamboo Productions to serve as co-production partners.