Tim Clark and Karine Lafranchise are selected as trainee animators and will be joining the feature animation team at Cinesite’s Montréal studios to work on ‘Charming.’
Blackmagic digital film cameras were used to shoot scenes and stunt work in ‘Mad Max: Fury Road’ and ‘Avengers: Age of Ultron,’ while Fusion Studio was used for compositing and to help create action sequences for ‘Spy’ and ‘Barely Lethal.’
Helping bring all the mayhem and madness of ‘Mad Max: Fury Road’ to the screen was Iloura’s Sydney studio, led by VFX supervisor Tom Wood. With two major sequences – a toxic sandstorm and evil warlord Immortan Joe’s stronghold, The Citadel – plus hundreds of stunts and vehicle crashes to contend with, Iloura was involved in more than 1,700 VFX shots. Here’s a selection of some of their great work on the film.
Production designer Mike Kurinsky gives an exclusive look at how all the details came together for the ‘Hotel Transylvania 2’ teaser trailer.
The three most important elements of a screenplay are theme, character and plot. If you get these three elements working smoothly with one another then you will get a good story.
Following seven years leading business development at Imaginary Forces, creative, production and design industry vet founded representation firm iartists in 2012.
The veteran Pixar producer discusses the dynamic working alongside director Pete Docter on the studio’s long awaited feature.
CSU Animation and Visual Effects is proud to present the 12th Anniversary of the Australian International Animation Festival. This internationally renowned event features over 120 prestigious films adeptly selected from more than 3,500 submissions from all around the world. The range of styles, genres and techniques is testament to the vibrancy and relevance of creative animation and the premiere screening of this highly acclaimed collection is happening right here in Wagga Wagga!
First proprietary preschool series for BBC Kids, “Nico Can Dance!” features traditional 2D animation and a live action host.
Indie filmmaker Alex Ross Perry set to write the script for the live-action adaption of ‘Winnie the Pooh,’ while Elizabeth Martin and Lauren Hynek are hired to write the script for the adaptation of ‘Mulan.’
Don Parker, senior director on Autodesk’s Shotgun team, talks about the software’s use on 300: Rise of an Empire as well as how integrating production technologies impacts a studio’s ability to manage movie production as part of AWN’s series of exclusive video interviews from FMX 2014.
Chris DeFaria, President, Animation, Digital Production and Visual Effects at Warner Bros., discusses the success of ‘Gravity,’ assessing a film’s marketability, and more as part of AWN’s series of exclusive video interviews from FMX 2014.
Led by newly-elected president Mark Ulano, new board represents a cross-section of experienced production and post-production sound professionals.
Unmatched toolset for VFX/Games/Animation tracking and review brings world-class production pipelines to studios of all sizes.
Sales and marketing specialist Thayer Jester joins award-winning production company specializing in virtual production and visual effects.
Gaumont Animation set to finance, produce and distribute all-new 2D animated series based on classic characters Laurel & Hardy.
Michelle Melanson Cuperus is promoted to Executive Producer; Emmy-winning producer Susie Grondin is hired as Supervising Producer.
Animated television has changed dramatically since I began writing, I'm happy to say for the better...
Mexican culture, super heroes and a look inside Japan’s famed Studio Ghibli all team up on store shelves for this week's home entertainment releases on Blu-Ray and DVD.
When toy companies have hot-selling toys they often decide to turn them into animated series or feature films. Here are some tips on how to do it successfully...