NYC-based previs studio stretches creative boundaries with ‘Bayonet’ music video tapping company’s strengths in motion capture, 3D animation, visual effects, editorial, and more.
Tagged With: Previs
Previs supervisor Todd Constantine talks previsualization of earthquakes, tsunamis and bursting dams on the hit disaster movie ‘San Andreas.’
Tefft Smith II discusses the extensive use of pitchvis, previs, techvis and postvis on Brad Bird’s new fantasy adventure.
Supervisor Gerardo Ramirez discusses key facets of The Third Floor’s previs, postvis and techvis efforts on Marvel’s latest superhero blockbuster.
Non-profit organization dedicated to the advancement and development of previs across disciplines including feature film, television, commercials, games, visualization and architecture announces the first of many planned initiatives.
The VFX studio tackles Finnish director Jalmari Helander’s action adventure tale of a young boy who rescues the U.S. president.
The Third Floor studio manager Duncan Burbridge discusses the company’s previs business as well as their recent work on ‘300: Rise of an Empire.’
Proof Inc.’s Ron Frankel talks about the visualization house’s work on ‘Captain America: The Winter Soldier.’
David Morin, a driving force at Autodesk in virtual production standards and technology, talks about the growing significance and future role of virtual production technologies in moviemaking as part of AWN’s series of exclusive video interviews from FMX 2014.
Daniel Gregoire, CEO of leading previs firm Halon Entertainment, talks about the previs of World War Z, its vital role in story development, visual development and more as part of AWN’s series of exclusive video interviews from FMX 2014.
Company’s Los Angeles, London and Montreal studios collaborate on previs and virtual camera workflows.
A selection of concept art images showing various aspects of the creation of ancient Egypt from 20th Century Fox and Ridley Scott’s most recent epic, ‘Exodus: Gods and Kings.’
Latest version of markerless camera tracking and previs solution for real-time visual effects and on-set visualization to be showcased at Dubai conference.
Leading provider of high-quality visualization services provides extensive previs and postvis services for Oscar VFX nominees ‘Guardians of the Galaxy’ and ‘Captain America: The Winter Soldier.’
Vicon T40 cameras enable VFX house Framestore to carry out quality previsualization for marmalade loving bear Paddington.
Led by previs supervisor Eric Benedict, visualization house provides extensive previs and postvis services to 20th Century Fox’s latest release.
New wearable motion capture product line delivers fast, production-ready 3D data to professional animators at a more affordable price.
Leading visualization house provides extensive previs and postvis services to the new Marvel Studios motion picture ‘Guardians of the Galaxy.’
ZEUS:Scout is a one-stop app enabling users to travel through a “virtual set” while on location, providing a powerful suite of navigation, creative and technical tools.
MPC’s previs supervisor Duane Floch discusses three different POVs and lots of apes used to create the Colony Attack scene in Matt Reeves’ hit sequel.
The Third Floor supervisor Eric Carney walks us through the previs on Gareth Edwards’ hit reboot of the Japanese classic.
Previs supervisor Mark Nelson walks us through almost 18 months of previsualization on Rob Stromberg’s hit film.
Previs supervisor Austin Bonang explains the extensive use of previsualization on Bryan Singer's latest installment of the X-Men franchise.
The Third Floor’s previs supervisor discusses the extensive use of previs, techvis and postvis on Sony’s latest superhero hit.