Working with DNEG and Distillery VFX, visual effects supervisor Brian Connor delivered almost 700 shots depicting intense aerial combat and a defining set of crash sequences in J.D. Dillard’s epic drama, based on the lives of U.S. Navy officers Jesse Brown and Tom Hudner.
Visual effects supervisor Nikos Kalaitzidis discusses the studio’s work helping create incredible lightning effects for Dwayne Johnson’s titular Teth-Adam character, along with other powers, such as the zip effect, and an ‘electrocuted baddie,’ in the Warner Bros. DCEU action-adventure.
The ‘new chapter’ from the 1996 disaster movie is in development at Universal, with Lee Isaac Chung directing a script by Mark L. Smith.
Visual Effects Supervisor Jay Worth talks about the HBO sci-fi thriller’s fourth – and final – season, and his long tenure on the show, which set a new high production value bar for streaming series.
The founder of EDSTUDIOS shared his holiday-themed short ‘The Great Candy Inquisition,’ all completed in NVIDIA Omniverse Create App.
Top honors went go ‘BusLine35A,’ directed by Elena Felici, winner of the Grand Prize, with special jury awards going to ‘Canary’ and ‘Code Rose;’ save the date for VIEW Conference 2023, October 15-20 – see you in Turino!
Based on the critically acclaimed PlayStation video game franchise, the series follows God in exile Kratos, who stumbles into an epic adventure as he attempts to spread the ashes of his diseased wife with his estranged son.
Wētā FX’s 4-time Oscar-winning Senior Visual Effects Supervisor discusses his collaboration with director James Cameron on the highly anticipated ‘Avatar’ sequel, now in theaters.
Beginning his career as a Marketing Director in 1996, the EVP had a hand in the distribution and sales of some of the studio’s biggest franchises, including the DCU, ‘Harry Potter,’ ‘Game of Thrones,’ and ‘The Matrix.’
VFX category narrowed down to 10 films, while animated short category narrowed to 15; voting for nominations runs next month, January 12-17, with nomination announcements set for January 24.
The recent film’s star and producer Dwayne Johnson has confirmed the newly launched franchise will not continue in the new DCU, reassures there’s no bad blood with DC Studios co-CEO James Gunn.
After a comprehensive search by the VES Board of Directors, the organization’s previous Program and Development Director and Interim Executive Director steps into the official role following the retirement of Eric Roth.
The ‘South Park’ creators’ new company, Deep Voodoo, will focus on accelerating AI deepfake technology with the capital secured from Connect Ventures, a partnership between CAA and New Enterprise Associates (NEA).
The ‘Atlanta’ actor will not play Spidey himself, but rather the ‘70s supervillain Hypno-Hustler, who uses high tech musical instruments to hypnotize and rob audiences.
The VFX and animation studio collective announces new long term financing deal to continue its acquisition revenue growth, increase client offerings, capacity, and expand its global footprint; NatWest Corporate Bank led the financing alongside Barclays – the company’s longtime bankers.
In an AWN exclusive, see how the studio designed and produced the signature opening chase scene, where cops and robbers careen across Los Angeles, in the studio’s 3DCG action comedy about a crackerjack criminal crew of animal outlaws attempting to become model citizens, starring Sam Rockwell, Craig Robinson, and Awkwafina.
Both DC Films co-CEO James Gunn and the star have hinted heavily at the introduction of the badass interstellar mercenary and bounty hunter into the new DCU, with the actor likely assuming the role.
Major changes are coming to the superpowered studio now run by new co-CEOs James Gunn and Peter Safran; fans are worried their beloved character actors are in danger.
EARTHDAY.ORG’s ‘Voices For The Earth’ Award recognizes the message of environmental and cultural preservation in the Academy Award-winning filmmakers’ recently released ‘Avatar: The Way of Water.’
Director Todd Phillips revealed an image of the Oscar-winning thespian as Arthur Fleck receiving a seemingly unwanted shave in the ‘Joker’ sequel out October 4, 2024.
The studio harnessed Maya and Houdini to deliver 500 visual effects shots, creating backgrounds for the film’s finale aboard a futuristic Wakandan stealth ship; with Houdini’s crowd tools, CG digi-doubles based on live-action footage of 20 stunt performers translated to 100s of warriors on deck, on the hull, and in the water.
Working directly with visual effects vendors during pre-production and communicating constantly with those houses as well as the film’s three editors during the entire production through postvis, were key to helping director Ryan Coogler get his ‘Black Panther’ sequel to the screen.
In a wild game of musical ships, it seems as though the two fan-favorite actors are contending for the title of Captain.
No stranger to action adventure and franchises with large and demanding fanbases, the previous ‘Man of Steel’ and ‘The Witcher’ actor will now play an integral part in creating a live-action cinematic universe for the beloved tabletop and video game IP.
Plug-in allows easy integration and access to cloud-based resources enabling users to submit renders without leaving the app.
