New animated video reveals the origins of the playful, summer-loving snowman from Disney’s award-winning ‘Frozen’ franchise.
Reimagined Berlin tradition offers free 2-day livestream broadcast featuring conversations and talks with artists, animators, designers, activists, and academics.
VFXWorld and AWN break down the 10 shows nominated for Outstanding Special Visual Effects and Outstanding Special Visual Effects in a Supporting Role, and the studios behind their spectacular visuals.
Warner Bros. once more moves the release date - hopefully it sticks this time - of their highly anticipated kick-ass superhero film, directed by Patty Jenkins and starring Gal Gadot.
Riot Games teams up with digital production company We Are Royale on a high-octane trailer for the new first-person shooter’s ‘Glitchpop’ weapon skins.
StageCraft expansion plans include additional LED volume installations in LA, London and Australia, along with new Jedi Academy program aimed at underrepresented VFX talent.
Led by VFX supervisor Mitch Drain, the studio delivered a wide variety of visual effects shots across six episodes, including a crazy, shapeshifting creature inspired by Google DeepDream.
Famous sci-fi franchise’s sometime director Ridley Scott reveals ideas for new movie, which spells bad news for prequel trilogy.
Series creator Jon Favreau breaks down the show’s new format, hinting it could be the ‘Star Wars’ equivalent of ‘Game of Thrones’ when it premieres October 30th on Disney+.
The 9-time Oscar-winner will discuss his career, unique artistic vision, and answer conference attendee questions at the 21st edition of the annual conference, being held October 18-23, online and on-site in Torino, Italy.
VFX studio discusses its pre-pandemic move to a cloud-based pipeline, including establishment of best practices and standards, and how they will continue to invest in and expand their virtual, remote production efforts company-wide.
For AWS product manager Jay Maglione, the challenges of 2020 mean we must rethink creative studio norms and look to the cloud for the next workflow evolution.
Inspired by the life and work of artist Keith Knight, new series uses talking animated objects to illustrate the sudden awareness of racism by a newly ‘woke’ Black cartoonist.
10-year partnership will build regional gaming hub for industry offering a training and entrepreneurial platform for cultivating talent and launching new careers throughout Middle East and Africa.
‘Blade Runner 2049’ director Denis Villeneuve takes the helm of the latest big-screen adaptation of Frank Herbert’s classic sci-fi bestseller, and it looks dark, brooding and utterly inviting.
CBS All Access teases new season action and reveals key art at Star Trek Day celebration; series returns with new episodes October 15.
Move by Latin American animation studio, along with recent Saarinen & Pico and Sharon & Perry representation signings, boosts its presence in US commercial market.
Festival confirms its commitment to parity and inclusion with women filmmakers accounting for more than half the films screened.
Criticism continues to mount in response to the film’s end credits ‘special thanks’ to Xinjiang government organizations reportedly involved in refuting Western claims of massive forced incarceration and human rights abuses of over 1 million ethnic Uyghurs and other Muslim minorities.
Anime distributer and merchandiser will distribute 'Food Wars! The Fourth Plate,' 'Ascendance of a Bookworm,' 'Granbelm,' and 'World Trigger,' bringing anime to more fans in the U.S. and Canada.
Global virtual celebration of creators and talent from popular animated Rooster Teeth shows will stream live on RoosterTeeth.com and Rooster Teeth apps.
MGM drops the second action-packed trailer for their next highly anticipated iconic spy thriller franchise installment, ‘No Time To Die,’ though time will tell if, and when, its theatrical release is possible.
Overall VFX supervisor David Van Dyke and PXO VFX supervisor Nhat Phong Tran detail the production of the HBO series’ drug-induced gravity-defying spinning hall sequence from Episode 1.