Director Craig Gillespie Talks ‘Cruella’ VFX
Snarling dogs and moth-infested gowns highlight the film’s 1,850 visual effects shots, supervised by Max Wood, and produced with an eye towards speed and believability.
Snarling dogs and moth-infested gowns highlight the film’s 1,850 visual effects shots, supervised by Max Wood, and produced with an eye towards speed and believability.
Autodesk’s production planning platform allows VFX and animation facilities to scale and meet production demands more efficiently; resource planning views optimize artist resources, helping creative teams ramp up for production.
Latest VFX and animation reel showcases some of the year’s best work from film, tv and advertising; included are clips from feature films, ads and episodics from companies including Scanline VFX, Goodbye Kansas, and Blur Studio.
The leading visual effects studio delivers 450 shots, including key Time Variance Authority, Gobi Desert and The Expanse sequences requiring digital characters, CG set extensions and live-action plate integration, on Marvel Studios and Disney+’s raucous new MCU outing.
The streamer’s inaugural virtual fan event, coming September 25, will host 145 of its biggest stars and creators, with first looks and exclusives from over 70 series, films, and specials; check out the hour-by-hour breakdown so you don’t miss a beat.
Online gallery celebrates female artists from the VFX and animation industries; the Kunstmatrix presentation platform allows visitors to enjoy the exhibit at their leisure, in a 3D environment.
Popular Korean series leverages motion-capture as part of a new virtual production workflow; mocap actors can view shots as they are filmed, allowing for real-time collaboration with directors.
Series of interconnected co-located facilities will provide one-stop shopping for technology, talent and creativity servicing the entertainment, advertising, and brand experience industries; campuses coming soon to Soho, London, Soho, New York and Culver City, Los Angeles.
Disney releases high-definition special editions of its hit ‘101 Dalmatians’ prequel, starring Emma Stone and Emma Thompson, about the early days of the fashionable villain, Cruella de Vil; home entertainment versions feature an array of bonus features, deleted scenes and bloopers.
AWN’s Dan Sarto hosts Epic Games’ latest episode of ‘The Pulse,’ revealing innovative new paradigms for real-time animation production that far surpass the mere benefit of faster turnaround times.
The streaming giant unwraps the golden ticket, joining forces with the famed author’s IP rights company to create a unique universe across animated and live-action films and TV, bringing Dahl’s iconic stories and characters to more audiences in new formats.
The Oscar-Winning cinematographer, best known for ‘The Shawshank Redemption,’ ‘Blade Runner 2049,’ and ‘1917’ has been named the 2021 VIEW Visionary Award recipient; a special interview with Deakins and ‘How to Trail Your Dragon’ writer, director and producer Dean DeBlois is set for October 20.
All-new ‘Unlocking Story and Style’ episode of innovative series on interactive technology features DNEG’s David Prescott, BRON Digital’s Jason Chen, Chromosphere’s Kevin Dart, and Epic Games’ Karen Dufilho, hosted by AWN publisher Dan Sarto, coming Wednesday, September 29.
Inaugural 360-degree film festival and conference will feature 32 immersive films screened in a ‘fulldome’ venue; event features new technology presentations, industry panels, and interactive workshops.
The streamer’s inaugural epic virtual fan event, coming September 25, will host 145 of its biggest stars and creators, with first looks and exclusives from over 70 series, films, and specials.
Design and VFX studio delivers high-tech retro and futuristic time-travel 3D graphics on Marvel Studios and Disney+’s hit MCU series.
Strategic alliance with French visual effects house bolsters MPC’s global market presence, increasing the company’s international reach; the studio will continue to offer pre-production and VFX services for the French features and episodic industry.
Studio delivers 100+ visual effects shots, including a series of key raging fires, for Rodo Sayagues’ action-packed sequel to the 2016 thriller, ‘Don’t Breathe.’
‘Genndy Tartakovsky's Primal,’ ‘Love, Death + Robots,’ and ‘The Mandalorian’ are among the honorees at this weekend’s three separate awards ceremonies; FXX will broadcast edited highlights on Saturday, September 18, with the 73rd Emmys telecast airing September 19 on CBS.
As the main visual effects vendor, the company’s London studio creates a digital Trident nuclear sub and water effects for the BBC’s new conspiracy thriller series.
The award-winning studio announces UK operations will launch this month; former Framestore managing director will be joined in London by CEO Jonny Slow to directly support company’s VP services expansion in Europe.
Celebrating the company’s 25th anniversary, the online sessions will feature a peek at future product releases and innovations, including Nuke, Kitana, and Flix, as well as a look back at defining moments from the last quarter-century; registration is now open.
VFX supervisor Daniel Rauchwerger and his DNEG teams in London, Montreal, and Mumbai delivered 2,200 gravity defying visual effects shots, from flipping multiple trailers to shooting rocket car into space, in Justin Lin and Universal Pictures’ latest ‘Fast & Furious’ feature film franchise outing.
Other key appointments made by the MoCap Pro Glove creator include Chris Komatas as chief operating officer and Charles Pludthura as chief marketing officer; new team bolsters company’s emergence as a key player in motion capture animation, industry applications, and premium gaming glove technology.
Applications now open to build, promote and make MAX 2021 great – and get paid for it; artists are being sought in motion/animation, graphic design, 3D/AR and illustration.