Animating the Punchy Electro Beats of 1788-L’s ‘Automaton’
The acclaimed producer’s new music video, animated by FISE and GASOLINE, captures the experimental bass and exciting, Daft Punk-like melody from the track off his new ‘Parallel:S’ EP.
The acclaimed producer’s new music video, animated by FISE and GASOLINE, captures the experimental bass and exciting, Daft Punk-like melody from the track off his new ‘Parallel:S’ EP.
Composer Daniel Rojas discusses how music is at the heart of DreamWorks Animation’s animated adventure that celebrates diversity, nature, and the bond between friends-turned-family.
Moving away from videography during the pandemic, members of the company’s inhouse creative group embraced new digital tools, including After Effects, to produce captivating video content that often provided fans their first visual representation of a new song.
The husband-and-wife team move from orchestra to rock, electronic, and hip-hop as they score the hit DreamWorks Animation series, working to ensure the music sounds similar, but not the same, as the huge ‘Fast & Furious’ feature film franchise that started it all.
Debuting today, the latest collaboration from noise-electro/classical composer Elizabeth Joan Kelly and avant-garde slide-guitarist Geiger von Müller gets surreal with public domain NASA images, Cinema 4D, and After Effects.
For executive producer Tom Rogers, his ‘egg-citing’ new series, premiering today, about three chicken siblings and their rescue dog mentor, is all about having fun and learning how to help your friends, neighbors, and family.
The event kicked off May 10 with a full slate of online and onsite events including meetings, conferences, workshops, and presentations; the Best Shorts finalists will be available for home viewing through May 23 via the Retiana Latina and Filmin platforms.
To celebrate the legendary Ella Fitzgerald’s 104th birthday, director Wendy Cong Zhao and Verve Records have produced a whimsical 2D music video that captures the magic of the singer and Louis Armstrong’s classic recording.
Christine Fellows uses cut-out collage and stop-motion to animate Suzie Ungerleider's new song about releasing the hold traumatic events have on our lives.
Animated by JJ the Icon and debuting today along with the DJ/jazz pianist’s new ‘Too Close to Love’ EP, 2D short envisions a tender dialogue between a woman and nature as they eventually become one.
Artist Yemi Faleti used Premiere Pro with Boris FX’s Sapphire and Red Giant’s VFX suite to produce the rapid cuts and melting colors in his CG piece for Universal Music Group’s °1824 division.
Intellectual disability charity L’Arche, animation studio Tonic DNA, and musician Jordan Hart’s powerful new 2D film, ‘Freebird,’ asks the important question, “Why does the world assume that a disabled life is not profoundly beautiful?”
Inspired by his father’s illustrations and produced by the team behind the Oscar-nominated ‘I Met the Walrus’ short, the artist’s Canvas animation shorts celebrate today’s release of the 50th anniversary edition of ‘John Lennon/Plastic Ono Band.’
Artist Justin Moon used Blender, FLIP fluids plugin, and After Effects to produce the sterile imagery that’s gradually corrupted by seething anger in his CG music video for Universal Music Group’s °1824 division.
Furlicia throws it down in the wrestling ring in clip from animated musical about a wide-eyed half human half alligator boy who leaves the swamp and lands in New York City.
Netflix reveals series director and composer as well as character trailer of Leon and Claire, and zombies, as the White House suddenly goes dark; highly anticipated anime series to premiere exclusively on the streaming giant this July.
Filmed entirely on greenscreens, the feature film project took five years to write, choreograph, film, and produce; Renaissance Dance Theatre used Epic MegaGrant to bring classic artform into the virtual production age.
Ryan Crego spent over a decade developing his red-headed bayou crooner, who stars in a new animated musical alongside a group of misfits all looking for a place to belong, premiering on Netflix April 16.
Featuring Nickelodeon fan-favorite characters, the campaign is designed to help kids meet social and educational challenges; ‘Big Heart Beats’ album provides empowering and catchy songs to bolster the campaign’s messages, and will also be available Nick Jr. and the Nick Jr. YouTube channel.
Barbie’s youngest sister Chelsea and her friends jam away in CG video of lead track from the new film, launching this Friday on Netflix.
To capture the song’s beat and energy, artist Lauren Brems drew fast scribbles over video frames of her friends dancing, integrated with subtle word movement, in her 2D animation short for Universal Music Group’s °1824 division.
The most recent single from upcoming 70s-aesthetic album ‘Daddy’s Home’ features psychedelic 2D animation that is nostalgic yet gloomy.
To capture the lyrics’ dark gravity, artist Baptiste Leroux used hand-drawn frames in TV Paint for a textured, stop-motion look, in his short fan film for Universal Music Group’s °1824 division.
In the first of a five piece series on new animated shorts from Universal Music Group’s °1824 division, AWN shows how artist Carolyn Knapp used pieces of paper, gold foil, even her own clothes, along with Photoshop and After Effects, to create an innovative 2D film.
Based on the children’s books series by Doreen Cronin, new CG animated series follows a trio of chicken siblings and their dog, Captain Tully, who use teamwork and critical thinking skills to solve problems; digital soundtrack, ‘Disney Junior Music: The Chicken Squad,’ featuring music from the series, also drops on May 14.