Iconic seventies hit retooled by The Vamps is part of the soundtrack of DWA’s hit CG-animated three-quel, ‘Kung Fu Panda 3.’
Tagged With: Music Videos
Director Rok Predin uses MAXON Cinema 4D and Adobe After Effects to create an homage to the 1990s with the isometric look of early 16-bit video games such as ‘Street Fighter’ and ‘Sim City.’
Director Junior Martinez creates a poetic and unnerving music video for ‘Sweet 84,’ from composers Joe Wilson and Tom Kingston’s self-titled debut album.
Japan’s ‘Track’ by Tochka, Kazue Monno and Takeshi Nagata, wins the Grand Prix award in the non-narrative short category; ‘Cafard,’ directed by Jan Bultheel, is awarded the Grand Prix for feature animation; Nina Gantz wins the Grand Prix award in the student film category for ‘Edmond.’
‘Shaun The Sheep: The Movie’ wins Best Long Form Animation; Martin Freeman wins Best Voice Performance for ‘Stick Man’; ‘Stick Man’ and ‘The Amazing World of Gumball’ pick up two awards each.
Therapy Studios and Visual Creatures team with production company Bob Industries to help Grammy-winning musical artists create their most ambitious music video yet.
The daughter of pioneering animators Faith and John Hubley creates a new music video for ‘Call Back the Dogs,’ the new single from New York-based “dark-folk” musical artist Kate Vargas.
With more than 80 feature films spanning over a decade, Luma Pictures has made its mark with CG characters, simulations, and environments that have hit the big screen on tentpoles such as ‘Ant-Man,’ ‘Avengers: Age of Ultron’ and Pharrell William’s ‘Freedom’ music video.
Animated music video for ‘To My Surprise’ by James is inspired by elements of anime, propaganda art, Diego Rivera’s murals, and graffiti paintings.
Adobe Creative Resident Kelli Anderson uses a combination of After Effects, Photoshop and Illustrator to create a new stop-motion animated video for TMBG’s holiday cut, ‘Long White Beard.’
Directed by Mat Whitecross and produced by My Accomplice’s Hannah Clark, new video employs performance capture by Andy Serkis’s The Imaginarium and animation and VFX by Paris-based Mathematic.
After 14 years at Click 3X, Jason Mayo takes new path with fast growing integrated production and content creation studio – Humble.
Short film from Oscar-nominated director celebrating the Mexican holiday Día de los Muertos uses live-action puppetry and hand-cranked automata.
Russia’s Konstantin Bronzit wins award for Best Animated Short; Canadian ‘Fears,’ directed by Nata Metlukh of Vancouver Film School, awarded Best Student Film.
Trunk Animation directorial duo teams with Hipgnosis to create an animated video for David Gilmour’s ‘Rattle That Lock’ based on Gustave Doré’s mid-19th century illustrations for John Milton’s epic poem, ‘Paradise Lost.’
NYC-based previs studio stretches creative boundaries with ‘Bayonet’ music video tapping company’s strengths in motion capture, 3D animation, visual effects, editorial, and more.
‘Walkin' My Cat Named Dog’ marks Mixtape Club’s second collaboration with They Might Be Giants, including a suite of visual content for the band’s 2011 tour.
Former Light of Day creative director Leo Nguyen joins Carbon VFX with an impressive skillset that spans across art direction, illustration, 3D, motion graphics and editing.
London-based production company Agile signs Turkish directorial duo Luca&Sinem and Berlin-based design studio UHSLESS to its roster of animation talent.
Umberger amplifies live-action storytelling with dynamic effects to create a uniquely energetic visual extension of the music.
Legendary superstar rock band KISS to receive prestigious 2015 “Special Commissioner’s Award” from Japan’s International Short Shorts Asian Film Festival for “Samurai Son” music video.
Trunk Animation directors Layla Atkinson and Pete Mellor create a new animated music video for Blur’s latest single, ‘Ong Ong.’
Veteran Flame artist Toby Brockhurst has worked on effects-driven spots for major brands such as Kia, Guinness, Volvo, EA Sports and BMW.