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In a stunt to bring attention to her legal battles with the studio, publicist/cartoonist/fashion designer Ivy Supersonic chartered a plane to fly a 100-foot banner emblazed with her topless image over the 20th Century Fox headquarters in Los Angeles for eight hours on Dec. 19, 2005.

Supersonic commented, "Fox wants the shirt off my back so badly I've decided to give it to them. This woman warrior doesn't scare so easily."

The Edinburgh College of Art has swept the RTS Scotland Student Awards, reports Scotsman.com. Hosted by the Royal Television Society Scotland, the event awarded the animation prize to Asaf Agranat for the film A BUS RIDE AND FLOWERS IN HER HAIR. Gunhild Enger won both the factual and non-factual categories with the films BARGAIN and WAITING FOR HAPPINESS, respectively.

The ION Festival is now over. The winners of the second ION International Animation, Games & Short Film Festival include:

ION International Animation Of The Year AwardTHE MANTIS PARABLE, Josh Staub (USA)

ION International Short Film Of The Year Award ANTEBODY, James P. Gleason (USA)

ION International Music Video Of The Year Award CON TODA PALABRA, Brigitte Henry, Ralph Dfouni (Canada)

ION International Game Of The Year Award CALL OF DUTY 2, Activision (USA)

Special-effects veteran Stan Winston was awarded the Tesla Award for visionary achievement in filmmaking technology from the International Press Academy on Dec. 17, 2005, reports SCI FI WIRE.

Winston responded by saying, "This award is for technical innovation, and it's interesting that I'm getting this award, because I really don't know much about technology, and, in fact, I'm techno-ignorant. I am an artist... Any technology I created for special effects I was forced to develop in order to do the things I love... I created it for the characters in the movies."

Coming out in the same year as Barbara Stanwyck’s wonderful turn in THE LADY EVE, this film is just as hilarious and just as fun.

Written by Billy Wilder and Charles Brackett and directed by Howard Hawks, the film has eight stodgy professors living in one big house working for years on an epic encyclopedia. Leading the group of scholars is the youngest of them — linguist Bertram Potts (Gary Cooper, MEET JOHN DOE). One day the garbageman (Allen Jenkins, DESTRY RIDES AGAIN) comes in to ask them to answer some questions on a quiz he’s trying to win and they are fascinated with his use of new slang. Potts realizes that his chapter on slang is woefully out of date and has to venture out into the world to discover the current data on the ever-changing topic.

Haunting is the only way to explain this methodically paced picture. This film from Japan looks into the lives of four abandoned children. The film begins with their mother (You) moving them into a new apartment by smuggling three of the children in under the noses of the landlord.

Akira (Yuya Yagira) is eldest and the designated caretaker of the children when their mother disappears. Next in line is the sad Kyoko (Ayu Kitaura), who dreams of one day buying a real piano. Following them is silly and mischievous Shigeru (Hiei Kimura) and the adorable 5-year-old Yuki (Momoko Shimizu).

The best part about the film is that the mother isn’t painted out like an arch-villain like a character Shelley Winters would have played in the 1960s. She’s not evil; she’s just very, very selfish. She keeps the kids from attending school and then leaves them for long stretches of time to fend for themselves. One time she leaves for over a month and then comes back with presents like it was no big deal.

You will never look at a person in a wheelchair the same after seeing this documentary. It’s fun, exciting, humorous, moving and badass.

The central story of the film deals with quadriplegics who play full-contact wheelchair rugby, leading up to the Paralympic Games in Athens, Greece. The central characters are Mark Zupan, the grumpy goatee sporting tough guy from Team USA, and Joe Soares, the bitter, arrogant coach of Team Canada, who use to play for Team USA before he got too old and was cut. Both of these men have dynamic testosterone-fueled personalities and can be total jerks. This is the most joyous thing about the film, which shows quadriplegics as human beings that have varying emotions and personalities.

The history of this film will become legend. Director Paul Schrader (AUTO FOCUS) was asked to do a prequel to THE EXORCIST. When he turned in his moody dramatic piece the studio decided they wanted something more commercial and hired a new director to virtually redo the entire film with more conventional scares. That movie was EXORCIST: THE BEGINNING and it stank. After it bombed in the theaters, the studio decided to release Schrader’s version to help recoup the costs of making two films.

The core idea of the films is relatively the same, but they couldn’t be anymore different. Schrader’s film is more of a dramatic ode to spiritual doubt and the presence of evil in the world than a scare-fest. Father Lankester Merrin (Stellan Skarsgard, GOOD WILL HUNTING) goes on sabbatical from the Catholic Church after an incident during World War II emotionally scars him. He is involved in an archeological dig in Africa where they find a church buried in the sand.