Every year the Visual Effects Society’s Awards committee refines the rules and procedures to hone the experience for the VFX community.
Tagged With: Visual Effects
New trailer for the forthcoming ‘Star Wars’ feature, ‘The Force Awakens,’ is the very first video content to be showcased using Instagram’s new landscape orientation.
First-ever Mac-compatible release of visual effects and motion graphics software to be followed by a public beta for Fusion 8 Studio, which adds stereoscopic 3D tools and is designed for multi-user workgroups.
BAFTA Award-winning boutique visual effects studio relies on Thinkbox Software's Deadline for scalable high-volume compute management across projects and locations.
Intensive 10-week Introduction to Compositing for Feature Films to be taught by RSP senior compositor Paul Kirwan using The Foundry’s NUKE.
Award-winning character animation and special effects house appoints longtime producer Scott Coulter as vice president & executive producer of visual effects.
Teaming with agency Heat and award-winning director Wayne McClammy of prodco hungry man, MPC LA’s team of world-renowned artists provides VFX and post services for a new trailer for EA’s ‘Madden NFL 16.’
Twenty scientific and technical achievements involving 11 distinct investigations are selected for further consideration for 2015 Academy Awards.
District Judge Lucy Koh rejects the requests of Disney, DreamWorks, Pixar, Sony and other Hollywood studios to dismiss claims the companies violated antitrust laws by conspiring to suppress the wages of animation and VFX artists.
VES guidelines for the usage and release of work-for-hire materials presented as part of a demo reel portfolio by VFX facilities and practitioners are aimed at providing reasonable access for artists to showcase their work while protecting the ownership rights of studios and producers.
Other featured talks at VIEW 2015 to include Blue Sky’s Scott Carroll on ‘The Peanuts Movie,’ Pixar’s Kim White on ‘Inside Out’ and Sony’s Michael Kurinsky on production design for ‘Hotel Transylvania 2.’
VFX studio Luma helps Tool of North America create an immersive virtual driving experience, “A Drive Through Time,” for Infiniti.
Former VP of Production at Sony Pictures Imageworks takes the helm of FuseFX’s Vancouver operation, which is currently producing visual effects for shows for FOX, A&E, Syfy and CBS.
Fully-integrated ray-traced rendering now available for The Foundry's industry-standard compositing tool.
A 30-year industry veteran, Welch has extensive experience in Visual Effects and Production management, and knows the entertainment business on a ground-up operational and financial basis.
Steward Burris, Zach Tucker, George Saavedra, Brian Broussard, Matthew Maude and Charles Trippe add major firepower to MPC LA Advertising 3D division.
Animatrik Film Design and D14D collaborate to offer a new mo-cap experience to the VFX and video game communities across North America.
Directed by Tim Miller with VFX from Blur Studio, 20th Century Fox’s ‘Deadpool’ arrives in theaters on February 12, 2016.
Previs supervisor Jim Baker walks us through The Third Floor’s key previs and postvis efforts on the latest Marvel feature.
This year’s Studio spotlights projects in alternative fields involving new foundations in computer graphics, particularly those using interesting UIs to interact with the physical world.