Dirdy Birdy
A international selection of filmmakers, executives and others share their thoughts about why animators should consider sending their works to festivals.
A international selection of filmmakers, executives and others share their thoughts about why animators should consider sending their works to festivals.
Michael Frierson provides an in-depth look at the animated short that brought Tim Burton his first inkling of fame.
A personal memoir by Linda Jones of how she and her father got started in producing and selling animation art.
A sampling of what some of the leading lights in interactive animation have to say about what the future has in store.
Frankie Kowalski takes a loving peek at the Christmas classic on the occasion of its 30th anniversary.
Filmmaker, teacher and animation historian, John Canemaker has been called animation's ambassador at large. Mike Lyons explains why.
Philippe Moins takes a look at one of the oldest and most respected animation schools in continental European.
Philippe Moins takes a look at one of the oldest and most respected animation schools in continental European.
Judith Shane reports on what goes on behind the scenes at one of the leading video game producers and of the latest escapades of Leisure Suit Larry and Jolly Al.
Andrew Zucker provides a blow-by-blow description of the fate of "new media," from computer animation to interactive CD-ROMs.
Las Vegas' Freemont Street Experience boasts of the world's largest electric sign and Jane Baer explains to Frankie Kowalski how one does animation for a 5 screen panel that is almost 1,400 feet long.
Robin Allan examines how Disneyland, the progenitor of today's theme parks, came into being and the role animation had in it.
John Canemaker relates how Otto Messmer, the creator of Felix the Cat, got into directing animated films for a Times Square landmark.
Philippe Moins takes a look at one of the oldest and most respected animation schools in continental European.
Judith Shane reports on what goes on behind the scenes at one of the leading video game producers and of the latest escapades of Leisure Suit Larry and Jolly Al.
Festivals are wonderful places to discover the like-minded and the like-minded wannabes. The debut of the Brisbane Animation Festival, cheekily entitled Celluloid Briefs, drew the vibrant Queensland animation community and the lovers of animation to revel in two days of flickering projected images. And, it appears from the success of this first time out, it will be, as the organizers have promised, a biennial event.
Brisbane, a city of about one and a half million has a surprisingly active animation group. With 260 members in the Queensland Animators Group, the organization is certainly on...
The unexpected success of Britain's new national lottery can be a means of mitigating the dire results of privatization in funding animated films. Jill McGreal explains.
Judith Rubin surveys what's going on in animated ridefilms at theme parks and other venues around the world and who's making them.
BRC Imagination Arts, one of the oldest and largest producers of animated and live-action ridefilms is profiled by Rita Street.
Bob Swain interviews director Jim Cameron's reworking of Terminator 2 for Universal Studios theme park in Orlando, Terminator 2-3D .