Editor's Notebook
Editor's Notebook by Harvey Deneroff.
In ANIMATIONWorld | Columns: Desert
All AWN Content
Dirdy Birdy
Judith Shane reports on what goes on behind the scenes at one of the leading video game producers and of the latest escapades of Leisure Suit Larry and Jolly Al.
Desert Island Series....Please keep your arms in the vehicle while the ride is in motion!
Scott Ross, Jane Baer and Bob Rogers.
Brisbane Animation Festival
Festivals are wonderful places to discover the like-minded and the like-minded wannabes. The debut of the Brisbane Animation Festival, cheekily entitled Celluloid Briefs, drew the vibrant Queensland animation community and the lovers of animation to revel in two days of flickering projected images. And, it appears from the success of this first time out, it will be, as the organizers have promised, a biennial event.
Brisbane, a city of about one and a half million has a surprisingly active animation group. With 260 members in the Queensland Animators Group, the organization is certainly on...
The National Lottery: A Polemic
The unexpected success of Britain's new national lottery can be a means of mitigating the dire results of privatization in funding animated films. Jill McGreal explains.
Something's Wrong With Our Ship: Animated Motion-Simulator Films in Theme Parks
Judith Rubin surveys what's going on in animated ridefilms at theme parks and other venues around the world and who's making them.
BRC Imagination Arts
BRC Imagination Arts, one of the oldest and largest producers of animated and live-action ridefilms is profiled by Rita Street.
T2-3D
Bob Swain interviews director Jim Cameron's reworking of Terminator 2 for Universal Studios theme park in Orlando, Terminator 2-3D .
Contracts for Original Works Published on Internet
Attorney Nicolas Valluet explores the whys and wherefores of having your work put on the Internet.
Les Contrats d'Exploitation d'Oeuvres Originales Sur l'Internet
Attorney Nicolas Valluet explores the whys and wherefores of having your work put on the Internet.
Ottawa International Animation Festival
If you like to second-guess jury decisions, Ottawa '96 was the perfect animation festival for you. Almost as good as the O.J. Simpson trial. Even the Grand Prize Winner engaged in some public secondguessing.Ottawa award winners, Igor Kovalyov, Pritt Parn and Paul Dressien.When Russian animator Igor Kovalyov came forward to accept his best film of the festival trophy for Bird in the Window, he was suitably gracious if somewhat stunned. He thought Priit Parn would win it for his film 1895.
This was the perfect ending to an enjoyable animation festival that featured some peculiar choices for...
Reynard the Fox and the Jew Animal
The Dutch film industry's most ambitious production during World War II was an anti-Semitic sequel to Reynard the Fox. Egbert Barten and Gerard Groeneveld detail the fascinating story behind the film's production.
Icelandic Animation
Animation in Iceland is a relatively recent (and mostly hidden) phenomenon. Giannalberto Bendazzi provides an look at frame-by-frame filmmaking in the island nation.
Dirdy Birdy
Attorney Nicolas Valluet explores the whys and wherefores of having your work put on the Internet.
Desert Island Series....The Pragmatic Voice of Kibitzing?!?
Tom Sito, June Foray and Bob Basler.
The View From Hollywood
Raimund Krumme, one of Germany's top independent animators who is now working on a feature version of a children's classic, talks about Hollywood and the challenges posed by his new project.
The Politics of Protectionism: The Cartoon Forum
Jill McGreal discusses the politics of funding for animation via the European Union's CARTOON initiative, which is trying to create the infrastructure for a transnational industry.
The Case of Hans Fischerkoesen
Hans Fischerkoesen, Germany's leading producer of animated commercials, was ordered to make theatrical cartoons by the government in World War II, as William Moritz notes, he produced a trio of remarkable films which were not exactly Nazi propaganda.
Momotaro's Gods-Blessed Sea Warriors: Japan's Unknown Wartime Feature
Fred Patten takes a look at Japan's first animated feature, a propaganda tract made at the behest of the country's military government.
Leaving Home
Linda Simensky ruminates on the political and other consequences of changing jobs amidst today's boom times in the animation industry.
Fight To The Death, But Don't Hurt Anybody! Memories of Political Correctness
Tom Sito, fresh from his gig as head of story on Disney's Pocohantas, details his experiences over the years trying to be politically correct.
Editor's Notebook
Editor's Notebook October 1996: Politics & Propaganda
In ANIMATIONWorld | Columns: Editor
Images From Hiroshima '96
The International Animation Festival in Hiroshima is often referred to as the most organized animation festival in the world, and for good reason. Every screening, symposium, publication, party, exhibition, press conference and ceremony of the festival was expertly timed, translated and presented by a dedicated group of staff members and volunteers. For details on specific programs, please read Monique Renault's personal account of the week's events elsewhere in this issue.
What is really so unique about Hiroshima is its simultaneous dedication to the art of animation and the promotion of...
Desert Island Series....Be sure to bring a power source for TV!
Clare Kitson, John Coates, Gerry Travers, Fred Seibert, and Phil Roman
Larry Jordan
Jackie Leger surveys the films of Larry Jordan, surrealist and master of collage animation.
