Event Preview: NATPE's Animation & Special Effects Expo
Renowned drawing instructor Glenn Vilppu continues with his ninth "sketching on location" teaching installment. This month we learn about creating a silhouette and the importance of positive and negative shapes.
Editor's Notebook: A Word on Music and Animation
A Word on Music and Animation
Voice Acting 101
Animation World Magazine, issue 2.1, April 1997, Music and Sound Design for Animation
Letters to the Editor
The Thief and the Cobbler Having read the review of The Thief and the Cobbler by Alex Williams and your own editorial on the matter, I thought you ought to read [the] article by Mike Dobbs [in] Animato magazine ["An Arabian Knight-mare," that appeared in the issue #35, summer 1996, and which was posted by Dobbs on the rec.arts.animation user group]. Mr. Dobbs had interviewed Fred Calvert, so in a sense the article is "Calvert's side of the story." In it a good and believable case is made that Mr. Calvert was indeed sensitive to the beauty of the...
An Interview With Mark Hammil
Animation World Magazine, issue 2.1, April 1997, Music and Sound Design for Animation
The Ink and Paint of Music
Amin Bhatia recounts a day in his life as an "electronic composer" for animated TV shows, explaining his tools and techniques.
Software Review: Web Painter
One of Totally Hip's "Hip Clips"In the last issue, I looked at Macromedia's Flash, a program that allows you to do animation for the Web. This month, I tested out Totally Hip Software's WebPainter, a program with the same general purpose as Flash, but aimed at a different market. While Flash works with vector-based images and allows a considerable amount of interactivity for a rather high price; WebPainter allows you to easily create GIF animations, and is inexpensive, but lacks the interactivity and more professional look that Flash is capable of.
If you already have a program like...
Dirdy Birdy
Gene Walz offers a look back at Canadian commercial studio Phillips, Gutkin and Associates.
Carl Stalling and Humor in Cartoons
Daniel Goldmark shows how Carl Stalling, who may have been the most skilled and clever composer of cartoon music Hollywood ever had, used music to create gags and help tell a story at the same time.
Desert Island Series....If a Tree Falls on a Desert Island, Does Anyone Hear It?
Alf Clausen, Howie Mandel, Will Ryan and Luc Hamet.
Who's Afraid of ASCAP? Popular Songs in the Silly Symphonies
From 1929 to 1939, Disney's Silly Symphonies united animation with a rich array of music, including such songs as "Who's Afraid of the Big Bad Wolf." J.B. Kaufman reports.
"A Screw Here, a Crank There"e;: Payut Ngaokrachang and the Origins of Thai Animation
!["A Screw Here, a Crank There"e;: Payut Ngaokrachang and the Origins of Thai Animation](https://www.awn.com/sites/default/files/styles/small_featured/public/image/featured/819-screw-here-crank-therequote-payut-ngaokrachang-and-origins-thai-animation.jpg?itok=k3PGDb5g "\"A Screw Here, a Crank There"e;: Payut Ngaokrachang and the Origins of Thai Animation")
!["A Screw Here, a Crank There"e;: Payut Ngaokrachang and the Origins of Thai Animation](https://www.awn.com/sites/default/files/styles/tiny_featured/public/image/featured/819-screw-here-crank-therequote-payut-ngaokrachang-and-origins-thai-animation.jpg?itok=VlwkQyhZ "\"A Screw Here, a Crank There"e;: Payut Ngaokrachang and the Origins of Thai Animation")
The father of Thai animation, Payut Ngaokrachang, tells John A. Lent how he got his start through a set of fortuitous circumstances.
The Burgeoning of a Project: Pierre Hébert's La Plante humaine
Andrea Martignoni delves into Pierre Hert's radical method for marrying animation with music.
La crescita di un progetto: La Plante humaine di Pierre Hébert
Andrea Martignoni delves into Pierre Hert's radical method for marrying animation with music.
The Dream of Color Music, And Machines That Made it Possible
William Moritz gives a quick and dazzling historical overview attempts to create visual music using "color organs."
The Influence of Religion on Early European Animation
P. Pluie-Toile expounds on the mysteries and surprising richness of religious imagery found in the fledgling works of various European animation industries.
Reviews in Brief
Wendy Jackson reports on new animation music, video and book releases.
Yvonne Anderson: Profile of a Pioneer
Wendy Jackson details the career of Yvonne Andersen, founder of the Yellow Ball Workshop, and pioneer of teaching animation to children.
Editor's Notebook
The Thief and the Cobbler: A Modest Proposal
The Oscars are Coming!
Wendy Jackson reports on new animation music, video and book releases.
Kids Making Animation: A Sampling of Children's Animation Workshops Around the World
A look at what's going on in a selection of children's animation workshops in North and South America, Europe and Israel.
16e Festival du Dessin animé de Bruxelles
Logo du festival par Johan DeMoor.La seizie ition du Festival du Dessin animde Bruxelles, organis par Folioscope se tenait du 4 au 16 frier, piode de congscolaire du Mardi Gras.
Mis part une rrospective sur les pionniers du genre au Mus du Cina, la manifestation belge ait circonscrite cette ann dans une unique salle (celle du Passage 44). L'organisateur en effet, n'ait pas parvenu reconduire un accord satisfaisant avec le "Botanique" (centre...
Trees for Life: Making Life Better Through Fruit Trees and Animation
Heather Kenyon reports how Balbir Mathur and his organization, Trees for Life, with help from Frick Back, are using animation in to help people in the third world plant trees.
Going on Their Own in Vancouver
With animation booming in Vancouver, Sean Maclennan Murch explains how and why studios there are trying to sashay out of contract work and into their own properties.
Children's Animation, a Universal Language?
The BBC's Theresa Plummer-Andrews provides a light-hearted look at the problems and peccadilloes of producing animated children's programming for the international marketplace.
