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Rendercore Unveils Remote Rendering Solution for CINEMA 4D 9.5

Rendercore Inc. now has complete integration and support for MAXON CINEMA 4D 9.5 on Rendercores state-of-the-art render farm, based in downtown Los Angeles.

We integrated MAXONs latest release of CINEMA 4D 9.5 with our proprietary remote rendering management tool RenMan so that clients can automatically upload CINEMA 4D 9.5 project files for job submission and remote management, said Brian Kim, td for Rendercore. RenMan is the only solution in the market offering anywhere, anytime access, for monitoring and controlling of computer graphic files rendered over a distributed computing network for CINEMA 4D 9.5.

We strive to continue to expand and improve our remote rendering service ability and capacity to complement our cutting edge remote rendering infrastructure, Henry Choi, president of Rendercore said, This is the latest in a series of innovative tools we have developed and implemented for our creative clients. We are increasing capacity and the range of tools available, to enable our clients to work more efficiently and effectively.

Added Chris McBride, Computer & Video supervisor of U.K.-based AVC Prods., AVC was asked to produce the end title sequence for the movie DOOM. The three-minute animation was to invoke the sense and feeling of the game while still providing a creative new look. CINEMA 4D was used over Maya due to ease of use, we found we needed a large team of animators and modelers on the project and CINEMA 4D was a common skill base for our team. As the project progressed, we found the limitations of such a small render farm with single frames taking up to 16 hours to render. It was clear that we were going to need an external resource to help us render this out to meet our deadline. We were introduced to Rendercore by recommendation from a smaller farm in the UK. From the moment we contacted Rendercore, our worries about reaching the 10-day deadline were dispelled.

The team at Rendercore took us through the process step by step making it a painless process. Basing the render times on our previous experiences we were concerned about the deadline and constantly kept hounding the Rendercore team, I need not have worried, every day a status report was sent by email giving an accurate update of the render. From start to finish the project was completed within a week, an astonishing achievement. The icing on the cake was the delivery method, we needed to get the files over to NBC Universal in Los Angeles urgently, Rendercore was only too willing to help by copying the files onto an external hard drive and personally delivering the project to NBC Universal, typically summing up the ethos of Rendercore by always going the extra mile for the client.

Los Angeles-based Rendercore (www.rendercore.com) offers seamless remote rendering solution services with 400+ Intel Xeon 3.0X GHZ CPUs providing significant computing capacity for its cutting edge render farm infrastructure. The company developed industrys first remote rendering solutions software, and provides on-demand super-computing services and related consulting services such as 3D computer graphics rendering, implementation of customized render farms graphics and on-demand remote rendering services.

Bill Desowitz's picture

Bill Desowitz, former editor of VFXWorld, is currently the Crafts Editor of IndieWire.