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Nancy Denney-Phelps's Recent Posts

Blogs

I Suggest That You Check This Symposium Out

My friend, Otto Alder, Co Head of the Animation Department at Lucerne International Animation Academy, is organizing a symposium primarily directed at researchers, lecturers and students in the field of media.  He would like to encourage an environment for a theoretical debate about animation as an art form.  He has assembled an impressive roster of support from some of the top names in the field of animation.

Lucerne International Animation Academy 8-12 of December 2009


The institute Design of Lucerne University of Applied Sciences and Arts will organise the first Lucerne International Animation Academy from the 8–12 of December 2009. The goal of this Symposium is to encourage a theoretical debate about current and historical questions of animation as an independent form of the “Moving Picture Production” in Switzerland.

Blogs

DEATH OF THE ORPHANAGE



Seems like I have been writing too many obituaries in the last few month and even though losing dear human friends is very painful, sometimes the loss of a treasured company is just as sad.Any of us who lived in the Bay Area during the heyday of the Orphanage has fond memories of the great work they created and the exciting young animators who were given the chance to cut their teeth and expand their wings.

Today I had the heart-wrenching task of joining my co-founders Scott Stewart and Jonathan Rothbart in announcing that The Orphanage will be suspending operations indefinitely. We started the company ten years ago, tripled in size each year for our first three years, and worked on some of the biggest and best effects movies made. We produced shorts and even features, we spawned a commercial division and an animation company, and we hung out in the halls with Frank Miller, Ethan Hawke, and M.C. Hammer. We did DI before it was called DI, we gave birth to Magic Bullet, and we did really, really good work.
Blogs

FRIENDLY FIRE ACCEPTED AT TRICKFILM FESTIVAL

Nik and I just received word that German Director Andy Kaiser's animated film, FRIENDLY FIRE has been accepted for the TRICKFILM FESTIVAL, May 5 through 10 in Stuttgart, Germany. This is a major festival and we are very excited. Nik created the music and we send congratulations to Andy, Cadi Catlow, and all of the other people involved in this wonderful film about the horrors of war. If you are planning on attending the Festival be sure not to miss FRIENDLY FIRE.

Blogs

ANIMA 2009 February 20 through the 28th Brussels, Belgium

I always look forward to ANIMA BRUSSELS , not just because it is in Brussels which is only a 30 minute train ride from my home in Gent, but because it is a wonderful opportunity to see a wide array of animation.  The Festival, housed in the beautiful Art Deco Flagey building, takes place February 20 through the 28th, Carnival week vacation in the city, and features programs for all ages.From Hayao Miyazaki’s new masterpiece,  Ponyo on the Cliff by the Sea, which I was lucky enough to see earlier this year to a tribute to American film maker Ralph Bakshi there will be something for everyone at ANIMA BRUSSELS.   Bakshi created the first X rated animated film with his 1972 adaptation of R. Crumb’s emblematic underground comic strip Fritz the Cat.

Blogs

ARSENALS Film Festival - 12 through 21 September 2008

Riga, Latvia is one of my favorite cities.  The Daugava River running through the center of the city before it reaches the Baltic Sea makes it a wonderful city to walk through.  Riga is a historians delight, full of architecture that reflects the diversity of cultures, from the 12th Century German conquest and art nouveau delights to 1991, when the country won independence from the former Soviet Union.  The architecture of the Soviet period is still interesting to give you a feel of how the city was when it was still part of the Soviet Block.

Sergei Eisenstein was born in Riga and his father, a famous architect, designed many of the beautiful art nouveau buildings.  The city reminds me very much of St. Petersburg.  It has the same beautiful yellow and rose hues of paint and when the sun light hits at the right angle the city glows – sort of like those evenings in San Francisco when the sunset hits the windows of the buildings and they glow golden.

Blogs

Monstra 2009

MONSTRA ANIMATION FESTIVAL in Lisbon, Portugal is an event that Nik and I always look forward to.  This year the festival has moved dates from mid-May to the 9th through 15th of March.

The 2009 competition is open to feature films completed after January 1,2007 and student works made after January 1, 2008.

The festival treats work with the utmost respect and screening at the lovely, modern theatre are of the highest quality.  Nik and I have been invited to be guests at the festival again this year and I can whole heartedly encourage all feature film makers and those with student works fitting the qualifications to enter their film.

You can contact the festival for complete regulations and an application at:   festival@monstrafestival.com.
The deadline for submission is January 15, 2009. They accept DVD, VHS or mini-DV for selection purposes.

Blogs

16th International Trickfilm Festival - Stuttgart 2009

In 2008 Nik and I were guests at the 15th International Trickfilm Festival in Stuttgart.  We were invited to give a presentation of music for animation and Nik played on the big outdoor stage before SITA SINGS THE BLUES was screened as well as in the festival cafe.
I would encourage everyone to enter their film in this festival.  Your work will be treated with respect and if you are lucky enough to be able to attend you will be treated to lovely hospitality by a friendly, hard working staff.  You can also refer back to my article posted earlier this year for more details of our visit and some festival photos.

Just as an aside, the Stuttgart Festival staff throw one of the best parties at the Annecy Animation Festival which you can read about in my article about that festival.

workshops Blogs

ANIMART 2 IN MONODENDRI, GREECE By Nancy Denney-Phelps

The beautiful mountain town of Monodendri, Ioannina, Greece was the perfect setting for the 2nd annual Animart. From July 13 through the 20th, 54 college age students and 6 professionals from the world of animation gathered in the picturesque village for workshops ranging from clay animation, hand drawn cartoon animation and Maya to sound design and composing music for animation. Vassilis Boutos, director of the European Animation Center, is the organizer and energy behind Animart.

Students from three different South Eastern European countries completed very creative films. Participants were not required to have any prior animation experiences, but with a combination of excellent instructors and some hard work by the students, everyone had a sense of accomplishment at the end of the week.

Blogs

GOOD NEWS FROM FRIENDS

I arrived back home after a week at the ARSENALS Film Festival in Riga, Latvia followed by another week teaching in Luzerne, Switzerland to find e-mails from Adam Elliott and Melonie Coombs, Karl Cohen, and Merlin Crossingham.  All of them had exciting news that I want to share with my readers so please read the three new articles and enjoy.

Blogs

Adam Elliot and Melonie Coombs Offer A sneak Peek at MARY AND MAX




While post production continues, viewers around the world are getting a seek
preview of the new feature film clay animation production from the Academy
Award winning team behind HARVIE KRUMPET. MARY AND MAX has been made in
Melbourne Australia, filmed over 57 weeks. The large team of set and model
builders, armature designers and sculptors have build over 1500 sets, props
and characters and now with actual production complete Writer, Director and
Designer Adam Elliot is welcoming the opportunity to share with you a sneak
peek at the world of MARY AND MAX.

The website features the story synopsis and character outlines, as well as
images from the film. The site also features links to all our partners and
details on our cast and crew. Also for fans of stop motion animation there
is a wealth of behind the scenes details including "Making of Mary and Max


and webisodes "that reveal the ugly truth" about the production, as well as a
news and comments page for your thoughts and of course a shop!


Blogs

Karl Cohen Wins ASIFA Prize

As a fellow member of ASIFA/San Francisco and a friend of Karl Cohen's for many years I am thrilled that he has received the 2008 ASIFA Laureate Award.  Karl, a true Renaissance Man of animation, is a historian, notable collector of animated films, and author of many authoritative articles published in periodicals throughout the world.  He is a professor of animation history at  San Francisco State University and the author of Forbidden Animation :  Censored Cartoons and Black Listed Animators in America.  Last, but not least, he has been the President and guiding light of ASIFA/San Francisco for over over two decades.  The ASIFA/San Francisco newsletter, which Karl edits and is the primary writer, is read by animation fans around the world for the wealth of information that he gathers each month.

Blogs

WHAT DO ANIMATORS DO WHEN THEY HAVE A WEEK OF FREE TIME ON THEIR HANDS?

I first met Merlin Crossingham when Wallace and Gromit invited him to accompany them to the wonderful Russian/Ukrainian animation festival that takes place each year on a cruise ship.  The three of them had the cabin across from Nik and I and in the course of the voyage we all became on first name basis.

 

Merlin was the second unit director on Curse of the Were Rabbit and also a key animator. Since then he has co-directed a series of Creature Comforts for CBS. It is nominated for an Emmy, and so he will be off to LA at the weekend for the awards. Recently he has also been directing stop motion commercials for Aardman. Currently he is supervising the animation on the latest Wallace and Gromit.  Merlin told me that it is “A half-hour special for Christmas this year, but not a Christmas-y story though, it’s a bread based murder mystery. Wallace and Gromit in 'A Matter of Loaf and Death”.

 

One thousand feet up, things are not as they should be……

Two men, one crane and a very big box.

 

Crained was created to fill a week in the life of two animators, shot with plasticine on glass in HD. In order to make an animated film in five days some rules were laid down. Shoot with whatever was to hand, shoot fast and blind (no video assist), and to live with whatever came out at the end.Cained is as close to guerrilla film making as animation can be.

 

Merlin has thrown down the gauntlet to any other animators who have a week of free time on their hands and are crazy enough to want to stay in the studio instead of going on holiday. 

 

To enjoy the fruits of their labor, visit:

 

http://www.4mations.tv/clip.aspx?key=72B72B8EA1FACEA4&ctx=medialist&type...

 

 

Blogs

A MONSTER OF A FESTIVAL PART 2

Monstra is a very civilized festival. During the day there were screenings for local school children. At the beginning of the second week competition screenings started, but not until 19h00 (7:00 PM). The seven competition sessions were packed full of such crowd pleasers as The Tale of How by the Black Heart Gang, Ree Treweek, Jannes Hendrikz, and Markus Smit, a trio of South African animators who call themselves a collective and Estonian animators Jellena Girlin and Mari-Liis Bassovskaja’s The Dress. Both of these films have won awards at several major festivals. There were also new treasures to discover, like award winning animator Koji Yamamura’s latest film A Child’s Metaphysics. Koji’s view of the serious business of childhood has both humor and sadness as he deals with the pitfalls and joys of being a child.

Blogs

Annecy 2008: A Truly Feature Festival

When I first learned that the 2008 Annecy Festival of Animation (9 – 14 June in Annecy, France) was spotlighting feature films I was quite apprehensive. An animated feature has to be really good to make me want to stay in my seat for an hour and a half without falling asleep or wishing that it was over, but I was in for a pleasant surprise at the festival this year. Of 40 features submitted to the selection committee, 9 were placed in competition, 12 screened out of competition, and 3 were shown as special premiers. It was a fine selection and the subject matter and styles were so varied that there was something to please everyone.

Nina Paley’s brilliant musical adaptation of the Indian epic Ramayana, Sita Sings the Blues, was an instant crowd pleaser. Drawing the film together with songs from the 1920’s songstress Annette Hanshaw, including the poignant Mean to Me, Nina tells the legend of the Indian god Rama from Sita’s point of view. Nina also weaves her own personal story of her husband’s mid-life crisis and subsequent dumping of her via e-mail throughout what she refers to as “the greatest break-up story ever told”.

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