As we turn our attention this month to commercials, music videos and station IDs, Karen Raugust looks into how more and more vfx houses are brought onto commercial projects long before post-production.
As we turn our attention this month to commercials, music videos and station IDs, Karen Raugust looks into how more and more vfx houses are brought onto commercial projects long before post-production. And, with the continuing popularity of Maya, we begin excerpting chapters this week from LEARNING MAYA FOUNDATION. Also, Alain Bielik uncovers the noteworthy vfx behind FINAL DESTINATION 3, opening Friday.
Bill DesowitzEditor
Bill Desowitz, former editor of VFXWorld, is currently the Crafts Editor of IndieWire.
