Montreal’s Modus FX recently completed visual effects for James Gunn’s SUPER, an eccentric superhero-comedy film starring Rainn Wilson as Frank D’Arbo, a.k.a. “The Crimson Bolt.”
Press Release from Modus
Montreal, Que: Montreal’s Modus FX recently completed visual effects for James Gunn’s SUPER, an eccentric superhero-comedy film starring Rainn Wilson as Frank D’Arbo, a.k.a. “The Crimson Bolt.” Frank is a bumbling everyman who fashions himself into a superhero with the hope of setting things right with his wife, who has become involved with a drug dealer. SUPER premiered to rave reviews at the Toronto International Film Festival last September, and is being rolled out this month in US theatres. A team of 15 artists at Modus delivered all 131 VFX shots for the film within a tight four-month postproduction schedule.
“Modus are one of the most incredible companies I’ve worked with in this industry,” said James Gunn, director of SUPER. “What they were able to do for SUPER was amazing, especially considering the budget we did it for. Every time I watch the film, I’m still blown away by their work.”
Integrating CGI with Special Effects and Live ActionThe offbeat film highlights Modus FX strengths in integrating live action and special effects with invisible CGI. One of the key visual effects scenes depicts a moment where Wilson’s character has a vision of meeting God. Appearing with tentacles rather than hands, the deity opens Frank’s skull and illuminates his brain by touching it. The shot includes a stunning, life-like model of Wilson’s head with a hinge at the back created by MASTERSFX in Los Angeles.
Modus worked closely with the film’s producers to develop the right aesthetic for the sequence. “Originally, they had planned to do it more in a cartoon style as a 2D animation,” said Jacinthe Côté, production manager at Modus. “We felt we could get a look and feel that worked better with the narrative style of the story using 3D tools. They liked the idea, so we modeled the CG tentacles, textured them, rendered them and integrated them into the shots.”
One of the challenges was that the tentacles had to interact with the live-action plates of the actor’s face, shot in close-up, and then transition seamlessly to the prosthetic head built by MASTERSFX. “We had to model a CG face and exactly match facial movements so that when we animated the tentacles, they had something to interact with,” said Côté. “You don’t actually see the 3D face in the final composite, but creating the 3D environment as a stepping stone allowed us to create more natural-looking movement.”
Modus’ visual effects supervisor Eloi Brunelle explained that the scene is a wry wink at Japanese Hentai films. “It’s the moment in the story where the character experiences a divine revelation that he’s destined to be a hero,” said Brunelle. “I worked on the design with our lead concept artist, Sylvain Lorgeou, to create tentacles that would have a certain look: kind of a cross between a snake and a worm. There is something repulsive about them, but that is the intention. It’s part of the ironic comedy style of the film.”
Liv Tyler in the ToiletIn one cringe-inducing sequence, Frank throws up, while imagining the face of his wife. The artists at Modus manipulated the vomit in the toilet so that is appears to form itself into the face of Liv Tyler’s character speaking to Frank.
As they had done with the tentacles scene, the Modus team treated the sequence as a 2D element but built the shot in 3D space in order to create a more realistic animation of the face. “That was a very difficult shot,” Brunelle explained, “but it worked well – and, yes, you can recognize Liv Tyler!”
“James Gunn is a very creative guy. He came up with some interesting challenges for us,” laughed Côté. “It was a really fun project for us, with some really unique shots – the kind of things that you don’t get to do everyday.”
SUPER is directed by James Gunn and produced by Ambush Entertainment and This is That. The film features a star-studded cast, including Rainn Wilson, Ellen Page, Liv Tyler and Kevin Bacon and opened in the U.S. in April 2011. SUPER was executive-produced by Matthew Leutwyler of Ambush Entertainment and Rainn Wilson. Louis Morin served as visual effects supervisor. Hanway Films is handling international sales and has already sold SUPER in over 15 foreign territories including: Italy (M2 Pictures), Australia (Village Roadshow), and Scandinavia (Svensk).
About Modus FXSince launching in 2007, Modus FX has become an industry leader in high-end feature film visual effects, boasting an international clientele and a talented team of hand-picked artists from around the globe. Led by co-founders Marc Bourbonnais and Yanick Wilisky, Modus has developed a unique approach to creating digital effects, combining a cutting-edge production pipeline with personalized ongoing project coordination. The studio collaborates with each director through the artistic process, from editorial script and on-set supervision to final delivery. Based just outside Montreal, Modus offers a full scope of services in its modern 12,000-square-foot studio. For more information, visit www.modusfx.com.