“When Cartoons Were Cartoony:” John Kricfalusi Presents

Posted In | Columns: DrToon

On September 7 and 8, 2004, the Egyptian Theater on Hollywood Blvd. in Los Angeles. will be hosting a special two-night presentation by director/animator John Kricfalusi. The first night includes a retrospective of his recent and past work, while the second night showcases John's favorite cartoons, directors, and animators. John was kind enough to provide this in-depth sneak peek to AWN readers. Here's what we'll see… and why!

Dr. Toon: Let's start with the cartoons you chose for the retrospective and why you chose them.

John Kricfalusi: Well, there are two nights. The first night I'll show my cartoons and on the second night I show my favorite classic cartoons. I wanted to show an assortment of stuff; it's a retrospective and you don't want to show everything that's the same, so it's not back-to-back Ren & Stimpys — although I am running some of the Spike TV Ren & Stimpys that no one has ever seen before. These will be premieres, I guess. The first cartoon I'm going to show is "Naked Beach Frenzy", because every time I've run that one in the theater, it's brought the house down. Hopefully that will put everyone in a good mood so that they'll like my crappy cartoons that follow!

That episode is just like its title — it's got lots of naked girls running around bouncing all over the place. If you ever want to see an animated naked girl, it's in this one. This it what you wish "Red Hot Riding Hood" would have done. Basically, Ren & Stimpy go to the beach, Stimpy thinks that Ren is there for the fresh air and sunshine and he's proud of him, but it turns out that Ren's really there to see the half-naked girls in their string bikinis. And they don't even stay on for very long. Then they get jobs as shower attendants in the women's shower room — it's like a luxury shower room for girls. Ren & Stimpy attend to their every imaginable need.

After "Naked Beach Frenzy" I go into a history of Spumco. I'm going to start with an episode of the Ralph Bakshi Mighty Mouse. It's my favorite episode, one that Bob Jaques and I came up with. Jim Reardon and I wrote the script. It's called "Mighty's Benefit Plan," but I always refer to it as "Elvy and the Tree Weasels," because that's really what it's about. It's a takeoff on Alvin and the Chipmunks. This is a restored film in terms of content. There were a couple of scenes that we wrote and actually animated that were too much for even Ralph, and he cut them out for fear that the network would come after us and kill us - this was 1987. I put them back in for retrospectives.

Then we'll have a commercial reel where we're going to show the Old Navy commercials and a Nike commercial and maybe some station IDs for NBC, some stuff like that. Cuter than some of the stuff people know me for.

DT: Were you contacted by agencies to make those commercials or were you just hiring yourself out as a free agent?

JK: Some of the commercials Ron Diamond got for us, like the Nike commercial. I don't remember how we got the Old Navy commercials; it might have been through Ron. We didn't work with an ad agency on those; we worked directly with the Old Navy guys.

"Man's Best Friend" comes after that. That's the banned episode of Ren & Stimpy that has aired on Spike but not everyone has seen it and that's a pretty good crowd pleaser. That's the famous "George Liquor episode" that got all of us at Spumco fired from The Ren & Stimpy Show. My favorite character to animate, that's George Liquor — American.







Comments


John Kricfalusi wrote a tremendous tribute to me in one of your issues. I live in Greece now where someone had sent it to me. John, thanks! I'm still involved with color, doing architectural designing for Hilton hotels and for cruiseship. Curiously enough, a client said "Nobody uses color the way Lozzi does." Would like to hear from you. art lozzi
ART (Arminio) LOZZI (not verified) | Sun, 10/16/2005 - 23:00 | Permalink
sir, which was your starting point to start making cartons. i mean when you started making cartoon animation series and what was your first job ofered to you. and how you reached on this position please tell me about you from start.
saurabh kashyap (not verified) | Wed, 05/25/2005 - 23:00 | Permalink
While Kricfalusi has a well rehearsed sense of animation history, his choices for best cartoons and his own "creative" content illustrate his obsessions with issues of race, gender, and sexual orientation. Coal Black, and other films of that ilk, clearly speak of societal values held in a past gone era, values which American society should not be proud of; values which devalue non-whites and non-males. While he speaks of valuing change, his films do not reflect that value. Kricfalusi, in my opinion, is emotionally reacting, via his medium, to postmodernism, to racial tolerance and integration, to gender equality, and to choice in sexual orientation. His "agenda" however, backfires. A screening of "Boo Boo Runs Wild" at the UCLA School of Theater, Film and Digital Media in 1999 for graduate students elicited comments such a "There is so much gay tension in that film", and "He MUST be a closet homosexual". While I ardently defend his right to say it, I do not agree with his evaluation of how the world is, or how it should be. I cringe at the thought of him making "educational films" in a medium that is traditionally perceived of as targeting children as an audience, and I abhor his attitude (arrogance?) about knowing what is "true, good and right", when in actuality, he might not know any of those things. Don't misunderstand me, Kricfausi is an amazing draftsman and his sense of timing is second to none. I learned a great deal about animation timing when I worked for him, but my year at his studio was one of the most conflict laden and tense years in my life. I learned nothing about how to become a "better person" as a result of our interactions. But then, that just says something about my own values, and I should have know that before I took the job.
Fred Cabella (not verified) | Wed, 11/03/2004 - 00:00 | Permalink
I would love to see this in Australia. Any chance? I saw John Kricfalusi when he came to Sydney to present a showing of "Man's Best Friend" and some other 'Ren and Stimpy' cartoons at the Museum of Contemporary Art. The place was packed!
Steven Cateris (not verified) | Fri, 10/22/2004 - 23:00 | Permalink
I love the work and the show rocks
drew kingsley (not verified) | Tue, 09/28/2004 - 23:00 | Permalink
I have a question. What are you asking exactly, or more to the point--suggesting? "Why do show new Ren & Stimpy cartoons?" That doesn't make any sense in more than one way. Try asking that question again with a little more thought. But if what you're implying is what I am understanding, Ren Stimpy were epic--and always will be. You may have your own opinion, it's a free country (for the most part). But if the Simpsons had only do one show, it tragedy would be. Now, see if can you guess what I'm implying or more to the point--asking.
Ryan Richmond (not verified) | Sun, 09/26/2004 - 23:00 | Permalink
John K. & Spumco Artists in person at Petition signing party Sat Sept. 11 John Kricfalusi (K.), and his cohorts from Spumco will be appearing in person Sat. Sept. 11 at 3PM at Golden Apple (7711 Melrose Ave.) to host a “Petition Signing Party”. John is trying to convince the powers that be at Spike TV to authorize new episodes of the “Ren and Stimpy Adult Party Cartoon”. The “Party” will include autographs, free mini-posters commemorating the event and declaring the petition signors “undying love and devotion” to Ren & Stimpy, screening of unaired and preview episodes, lively and rabble rousin’ Q&A, self aggrandizing speeches and surprise guests. For more information, go to: http://www.goldenapplecomics.com/upcoming.html Contact: Bill Liebowitz, Golden Apple (323) 658-6047
Bill Liebowitz (not verified) | Sun, 09/05/2004 - 23:00 | Permalink
I have a question. Why do show new Ren & Stimpy cartoons?
Kylie Paton (not verified) | Thu, 09/02/2004 - 23:00 | Permalink

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