Shepperton, England-based The Magic Camera Company has produced 92 digitaleffect shots for the 19th James Bond film, THE WORLD IS NOT ENOUGH. One ofthe effects sequences done by Magic involves Bond (Pierce Brosnan) andChristmas (Denise Richards) hurtling through miles of unused oil pipelineon board a service Rpig' (a trolley-like vehicle used to safety check theinside of the pipeline) while chasing another one. Shooting the tunnel as aminiature was not a viable option, so Magic Camera was given the task of
Category: Visual Effects
Dream Quest Images, the visual effects division of The Walt Disney Companysince 1996, will join creative forces with Disney's in-house FeatureAnimation computer graphics unit to form a new entity called The Secret Lab(TSL). The Secret Lab, which will be based at Feature Animation's Northsidefacility in Burbank, California, will provide state-of-the-art CGIcharacter animation and visual effects for a variety of the Studio'slive-action projects in addition to producing computer-animated features.
Toronto, Canada-based TOPIX/MAD DOG has completed the visual effects forMary J. Blige's music video "All That I Can Say." Shot on location in NewYork City, the dreamscape for the music video integrates live-action, timelapse photography, stock footage, and 3D clouds which were modeled andrendered in 3D Studio Max. Softimage artist Sean Montgomery created andanimated orbs in which Mary and the city are reflected. In addition,TOPIX/Mad Dog composited the singer into scenes featuring Times Square, a
Santa Monica, California-based effects studio METHOD completed the visualeffects for Lauryn Hill's music video, "Everything is Everything."Supervised by senior visual effects artist Alex Frisch, the Method teammade New York City rotate around the Empire State Building like a spinningvinyl record, and one of the city's bridges was transformed into a giantarm that descends from the skies. Method used CGI to create the arm's giantshadow, and Maya software to create all the wide shots of the spinning
Dream Quest Images, the feature film visual effects division of The WaltDisney Company, has wrapped production on more than 300 visual effectsshots for INSPECTOR GADGET, Walt Disney Pictures' live-action version ofthe '80s Saturday morning cartoon. The film follows the escapades ofInspector Gadget, the bumbling bionic detective, played by MatthewBroderick and his nemesis, the villainous Claw, played by Rupert Everett.The film is directed by David Kellogg and produced by Jordan Kerner, Roger
Cyclotron has completed a new open for CBS' "Late Show with DavidLetterman." It features a sweeping night view of the illuminated StatenIsland Ferry, the Manhattan skyline, and the newly renovated Grand CentralStation. It was shot on High-Def in preparation for future broadcasts ofthe show in HD. On-set supervision was conducted by Visual Effects ProducerRobert Buganza and Digital Composite Artist Tim Farrell during shoots ofthe Staten Island Ferry, the Manhattan Skyline and Grand Central Station to