'Garfield': Bringing a CG Cat into the Real World
Mary Ann Skweres lets the fur fly about how the vfx artists on Garfield brought the fat cat to life on the big screen.
VFXWorld Magazine
'Inspired 3D: Lighting and Compositing': Lighting a Production Shot
In another excerpt from the Inspired 3D series, we step through the collaborative efforts involved in lighting and compositing a shot.
'Lorenzo' Visual Development Gallery: Part 1 — Backgrounds
In part one of the Lorenzo visual development gallery, VFXWorld provides an exclusive look at some of Mike Gabriels stunning background paintings for this groundbreaking short.
Landreth on 'Ryan'
Chris Landreth discusses with Greg Singer many of the artistic and personal issues that have made Ryan such an acclaimed short on the festival circuit this year.
Tippett on Directing 'Starship Troopers 2': The Bugs are Back
Bill Desowitz chatted with vfx legend Phil Tippett about his move to the director's chair for Starship Troopers 2.
Predicting 'The Day After Tomorrow'
Henry Turner ventures into the storm of vfx that makes up the disaster flick, The Day After Tomorrow.
The Pixel Priestess: Copenhagen’s 3D Festival as Mini-SIGGRAPH
The Pixel Priestess explores the 3Es of Copenhagens 3D Festival -- education, entertainment and enlightenment.
E3: A Gaming Novice’s Perspective
Self-described gaming novice Rick DeMott traveled to the L.A. Convention Center for a crash course in gaming mania that is the Electronic Entertainment Expo E3.
'Troy': Innovative Effects on an Epic Scale
Alain Bielik confronts the army of vfx artists that created the massive battle sequences for Troy using artificial intelligence, not the Trojan Horse.
On the 3D Cutting Edge with Shanghai SFS Digital Media
Bill Desowitz spotlights the burgeoning vfx and 3D-animated feature work being done by Chinas Shanghai SFS Digital Media.
'Blueberry': Searching for Your Inner Soul
Alain Bielik meets the visual effects supervisor behind the hallucinatory images of Blueberry, a French western with a twist.
'Inspired 3D': Getting Started: The Animated Short
Find out how to get started on your animated short in our latest excerpt from the Inspired series.
'Shrek 2': A Visual Development Gallery
Taking visual cues from Gustav Dore and other classical artists, the look of Shrek 2 has more detail, richness and lighting bounce than its blockbuster predecessor, as evidenced by this exclusive visual development gallery.
'Hoodwinked': Anatomy of an Independent Animated Feature
J. Paul Peszko talks to the makers of Hoodwinked, the first independently produced 3D animated feature in the Philippines.
Monster Mash: ILM’s Jeannette Unveils 'Van Helsing' Hit List
Ellen Wolff reveals how ILM was pushed to the digital limit in reimagining the Universal monsters for Van Helsing.
3D Festival Awards 'Nemo' & 'King' Top Honors
The 2004 edition of the 3D Awards names 'Finding Nemo' the best 3D animated feature film; 'The Lord of the Rings: The Return of the King' is crowned with the prize for best feature film visual effects.
'Inspired 3D: Lighting and Compositing': An Interview with Jim Berney
In another excerpt from the Inspired 3D series, Sony Pictures Imageworks Jim Berney is interviewed about lighting and compositing.
Harryhausen Returns to Discuss 'An Animated Life'
Bill Desowitz sits down with the pioneering Ray Harryhausen to discuss the continuing influence of his special effects animation on todays creature features.
NAB2004: An Overview
Bill Desowitz provides an inside look at NAB2004, including some of the latest digital advancements and a revealing case study of Van Helsing.
Big Game Hunting in the U.K.
Mark Ramshaw looks at the realtime 3D asset and coding trends in the U.K. videogames industry at the moment.
'Sudeki': Magic and Martial Arts
Mary Ann Skweres talks with the developers of the role-playing game Sudeki about their creative and technical processes.
The Pixel Priestess: Game'Girl'
The Pixel Priestess looks at how the world of VFX fits into its sister (brother?) universe of games.
A 'Passion' for VFX
Bill Desowitz sits down with Ted Rae, the visual effects supervisor and 2nd unit director on The Passion of the Christ, to discuss the digital challenges of Mel Gibsons surprising biblical blockbuster.
Gaming Cinematics: Adventures in Photorealism and Emotion
Henry Turner investigates the advancing and detailed production of gaming cinematics.
Sketchbook Pro and the Wacom Cintiq 18sx as a Working Pair
John Cawley interviews David DePatie about the creation and evolution of the Pink Panther.
