Graphics industry analyst Dr. Jon Peddie speculates about the UK tech giant’s future amid growing rumors of a Softbank sale.
Director Niki Caro walks through selected segments of the big-budget live-action remake, which will be available as a premium purchase starting September 4 on Disney+.
The Oregon-based studio behind ‘Missing Link’ and ‘Kubo and the Two String’ has let go 15% of their staff due to the COVID-19 pandemic.
Free sessions spotlight the latest CG technology, trends, and techniques as well as practical discussions about navigating a changing industry in the shadow of the global pandemic.
VES Rules and Procedures announced; submission requirements are adapted in response to a year of unprecedented global health challenges for the VFX and entertainment community.
Supported by Post New York Alliance and NY State VFX/Animation tax credits, visual effects providers eye a post-COVID-19 comeback.
With extensive experience in design and project management, Ostwald will oversee production at the independent animation and VFX studio.
Original Nickelodeon series creators Michael Dante DiMartino and Bryan Konietzko have exited the streaming giant’s production, citing an ‘unsupportive environment.’
Upgrade to company’s flagship video/audio editing, color grading and FX platform include AI-driven effects, GPU accelerated workflows, advanced motion tracking and other major enhancements.
Goodbye Kansas recreates the legendary fortress of Arthurian mythology in the new fantasy adventure series based on Frank Miller’s graphic novel.
Powered by a new end-to-end multi-threaded architecture, update is designed to deliver an easy and logical workflow to artists.
Iconic comic book company hit with massive layoffs, including editor-in-chief; streaming service effectively dead as majority of staff let go.
Pixar co-founder and CG pioneer will speak at the 21st edition of annual conference, being held October 18-23, online and on-site in Torino, Italy.
The company-wide restructuring that began Friday continues today as hundreds of employees are being let go.
VFX supervisor Everett Burrell breaks down the Netflix series’ almost 2,000 VFX shots, a mix of nuclear holocausts, digital characters, time jumps, and a goldfish.
At the recent Foundry Live event, the Katana team shared a sneak peek at their ground-breaking new lookdev and lighting software release slated for later this year.
Updated production renderer allows users to composite renders, incorporate light path expressions, and interactively relight scenes in the new V-Ray Frame Buffer.
Game and Unreal Engine giant announces new financing round that pegs value of company at $17.3 billion.
As described by Jon Peddie Research, the digital graphics market is dominated by CAD/CAM, with visual effects in games and movies accounting for only a small market share.
Former Rhythm & Hues executive, noted director and producer joins Mindy Johnson for new ‘Primary Sources’ interview, one of the many online events hosted by the professional network offering creatives a place to learn and connect.
Submit your animated shorts, commercials, game cinematics, trailers, motion graphics, VFX sequences and reels now; if computers played a key role in production, CAF wants to see your work!
MIPCOM ONLINE+ will enable the international community to connect and share the MIPCOM experience, in Cannes or anywhere worldwide.
Visual effects studio delivers almost 700 shots, plus main titles, for the Netflix fantasy adventure about a young dead woman, miraculously resurrected then flung into in a battle between good and evil.