Exhibition of costumes and props from popular Marvel Studios films including ‘Iron Man’ and ‘The Avengers’ runs through June 28.
Award-winning director and screenwriter working with Humble on the development of ‘Sydney Levy’s Sacred Things,’ a coming-of-age transmedia series that uses memory recall as a departure from linear storytelling.
Not To Scale Amsterdam and BSUR directors Pierre & Bertrand rebrand the original Peperami into a more modern, adventurous and tastier character.
Rebuilt from the ground up, The Foundry’s KATANA 2 becomes the powerful core of an advanced but flexible pipeline.
The VFX studio tackles Finnish director Jalmari Helander’s action adventure tale of a young boy who rescues the U.S. president.
Render farm management software adds faster bulk submission, Yosemite OS X platform support, and variable controls for submitted jobs.
The animation arm of the NASA/Goddard Space Flight Center uses Shotgun Software to simplify remote project review processes with NASA scientists.
Creative 3D lighting software gets major update including new UI and preview renderer.
Following the first ‘Avengers’ movie, Marvel’s ‘Age of Ultron’ scores second-biggest sophomore weekend of all time in North America.
Rounding off four days of speakers and presentations, the 20th Anniversary edition of the FMX Conference on Animation, Effects, Games and Transmedia concludes with a special screening of ‘Avengers: Age of Ultron’ with Marvel VFX Supervisor Christopher Townsend in attendance.
Veteran Flame artist Toby Brockhurst has worked on effects-driven spots for major brands such as Kia, Guinness, Volvo, EA Sports and BMW.
Led by executive producer Peter Steinzeig and Brickyard VFX partners Dave Waller, Patrick Poulatian, Kirsten Andersen and Steve Michaels, newly-launched Los Angeles commercial production company signs Snorri Bros.
Five years in the making, 3D/VFX generalist Andy Lefton’s CG-animated short was created using Maxon Cinema 4D and the Adobe Creative Suite.
New introductory online courses are free for entire month of May.
VFX supervisor Alessandro Cioffi and animation supervisor Simone Kraus of Trixter Studios discuss their work for Marvel's super powered ‘Avengers: Age of Ultron.'
The Third Floor studio manager Duncan Burbridge discusses the company’s previs business as well as their recent work on ‘300: Rise of an Empire.’
Fuelled by the company’s parks and resorts, Disney beats analysts’ predictions, pushing the company’s shares to new highs of more than $113.
Xbox creative director Habib Zargarpour talks about moving from the feature film business into the gaming industry as part of AWN’s series of exclusive video interviews from FMX 2014.
London-based animation and production studio signs Liviu Berechet Antoni and Alexandra Stancu, the co-creators of Altergaze VR headset, to bolster the studio’s VR offerings.
NYU Department of Computer Science Media Research Lab Professor Ken Perlin discusses the extensive use of graphical user interface technology in our daily lives and what types of innovative GUI applications he envisions for the future.
Entering retirement, humility and grace continue to define the FMX Conference founder and creator of the world-renowned Animationinstitut in Baden-Wuerttemberg.
Martin Preston discusses the use of the Arnold renderer from Solid Angle on 'Gravity,’ and his role as head of research and development at Framestore.
Double Negative’s effects supervisor Nathan Ortiz talks about the company’s work on ‘Rush.’
Leading online community for computer graphic artists unveils redesigned home page, refreshed features and news pages, and renewed passion.
Fabric Software announces Fabric Engine for MODO at FMX 2015.
