The VFX and animation studio settles into its new Manhattan Beach digs, offering small shop creative/budgetary advantages with the underlying muscle of extensive European roots; The Mill alumni Aurelien Simon and Gawain Liddiard will head new office.
After an 8-year stint as director, the professor and filmmaker will take on a new teaching role, Head of Animation Directing, at the institute, beginning in the upcoming academic school year.
Wētā FX’s Guy Williams and Mark Gee talk about bringing the scene-stealing avian sidekick to life for James Gunn's celebrated DCEU spinoff series, now streaming on HBO Max.
Cinema 4D updates, in tandem with Redshift development, offer users greater platform stability, workflow enhancements, bug fixes, and added value offerings to Maxon One subscriptions.
To create dynamic vampires and immersive battle scenes, the award-winning FX hub made improvements to the same tech it used to make Thanos in the ‘Avengers’ films.
The second half of Denis Villeneuve’s hit two-part sci-fi saga will now arrive a month later than expected, while Adam Wingard’s ‘Godzilla vs. Kong’ follow-up finally gets a theatrical release date.
The company’s creative team transformed footage shot in Atlanta into a Manhattan-bound hellscape for the streamer’s four-part miniseries based on the DC comic book series of the same name.
The VFX studio was instrumental in balancing realism with fantastical elements in the IMDb TV teen spy series’ second season; check out the breakdown reel.
The Oscar-winning VFX studio improved existing performance capture techniques and invented brand-new facial animation technology to elevate the look of Supermassive Games’ ensemble-driven slasher.
Offered in partnership with Epic Games, the online program provides skills-building training based on the Unreal Fellowship curriculum, opening up new career opportunities in an industry ripe with demand for UE artists; the program runs August 15-September 9.
New event pays homage to the talent behind action movies and TV, featuring screenings, panels, Q&As and surprise guests; Proof will present a behind-the-scenes look at the VFX of ‘Jurassic World Dominion.’
The web3 collective strikes deal to produce animated short series based on the real-life love story of Oscar-nominated ‘Anomalisa’ producer Rosa Tran and Emmy Award-winning VFX artist Derek Smith.
Women in Animation’s president addresses the U.S. Supreme Court’s ruling to overturn Roe v Wade with a call on membership to come ‘Together in Resistance.’
The free online workshop offers advice on how to land a dream job in the animation, games, and VFX industries; presented via ZOOM on June 29, the program is open to the public.
The ‘Shang-Chi and the Legend of the Ten Rings’ director and ‘Brooklyn Nine-Nine’ writer-producer join the Marvel Studios production, which will delve deeper into the long-running story of Marvel’s antagonist-turned-Avenger, who made his first appearance in the comics in the 1960s.
Academy Award-winning industry veterans Eric Brevig and Greg Butler join the visual effects and animation company at a time of unprecedented growth.
The cutting-edge technology company joins other leading organizations in the open Forum designed to foster industry-wide cooperation on interoperability standards, laying the foundation for and tapping the potential of the Metaverse.
Sony’s new trailer showcases the titular croc’s singing skills and introduces the family who embraces him as one of their own; film hits theaters this Fall.
VFX supervisor John Gajdecki and VFX producer Matthew Gore, working with more than a dozen vendors as well as an inhouse team of 44 artists, increased the Season 1 shot count by 25%, across a wide array of complex visuals, in The CW show’s Season 2 production.
Foundation’s Diversity & Inclusion Working Group develops new plan to increase representation across gender identity, race, and ethnicity within the organization’s highest levels.
Demographics will shift to 54% women and 28% underrepresented racial or ethnic groups when the appointees take office at the first board meeting of the 2022-2023 term.
The VFX and animation company expands upon its presence in the UK, Bulgaria, and across North America and India in response to global clients’ demands for creative services.
The studio’s team shares how it created the Showtime sci-fi series’ stunning space bound shots, alien skin suit technology, and deformed faces.
The company’ 3D MoMa inverse rendering pipeline will be presented tomorrow during the Conference on Computer Vision and Pattern Recognition in New Orleans.