Twenty-year veteran has worked on fan-favorite franchises from Marvel such as Joss Whedon’s ‘The Avengers,’ Kenneth Branagh’s ‘Thor’ and Jon Favreau’s ‘Iron Man.’
New video provides highlights of nearly 900 visual effects shots created by Industrial Light & Magic with an international crew of more than 300 artists and staffers.
Two-time Emmy nominee is serving as VFX Supervisor for ‘Turn,’ the Revolutionary War series now in its second season on AMC.
Growing Montreal team to spearhead visual effects for Lionsgate’s forthcoming supernatural action film, ‘The Last Witch Hunter.’
ILM alum will oversee all work at the company’s newly expanded New York studio.
Starting January 23, fans can experience’ Game of Thrones’ for the first time ever on the IMAX screen.
The marketing push for Marvel Entertainment’s forthcoming ‘Ant-Man’ feature begins in earnest with a new ant-sized poster, an Entertainment Weekly cover, and the first full-blown trailer.
‘Birdman,’ ‘The Grand Budapest Hotel,’ ‘The Imitation Game,’ ‘Mr. Turner’ and ‘Unbroken’ vie for top honors from American Society of Cinematographers.
The visual effects supe and second unit director discusses his work on Michael Bay’s biggest ‘Transformers’ film yet.
Led by VFX supervisor Mark Stetson, Vancouver and Los Angeles studios craft 155 shots for Tim Burton’s latest live action feature.
Seventeen-second preview teaser offers up dramatic shots but provides few clues to the film’s plot.
Rupert Sanders to direct live action adaptation of the anime classic from a script written by Bill Wheeler.
Peter Jackson’s ‘The Hobbit: The Battle of the Five Armies’ tops the North American box office for the third consecutive weekend with $21.9 million; new horror entry ‘The Woman in Black 2: Angel of Death’ opens in fourth place with $15.1 million.
Building on the success of the award-winning “Barry the Platypus” ads, new campaign features CG creatures developed by MPC.
Capable of shooting at 4K/UltraHD and 2K/HD resolutions, CION is the only camera on the market that captures internally to 12-bit ProRes 444.
Latest episode of web series produced by PBS Digital recreates the Millennium Falcon scene from the trailer for ‘Star Wars: The Force Awakens.’
VFX supervisor Doug Bloom breaks down the final battle of Brett Ratner’s mythological action-adventure.
Cover of the January issue of Fortune magazine features the first close-up image of the new Millennium Falcon from J.J. Abrams’ ‘Star Wars: The Force Awakens.’
Disney’s ‘Frozen,’ Warner Bros.’ ‘Gravity’ and Paramount’s ‘The Wolf of Wall Street’ top the list of most pirated films in 2014.
Peter Jackson's ‘The Hobbit: The Battle of the Five Armies’ once again rules the North American box office with $54.5 million for the four-day weekend; the New Line and MGM tentpole is on track to eventually cross $1 billion.
The Mill provides visual effects, including a fully CG reindeer, for Kohl’s new holiday campaign.
‘Fast & Furious’ director replaces Roberto Orci, who exited the project in early December but will still serve as producer.
Director of ‘Noah,’ ‘Black Swan’ and ‘The Wrestler’ will be recognized for outstanding contributions to the art of cinema at the 2015 MPSE Golden Reel Awards set for February 15.
MPC completes 250 shots for Shawn Levy’s ‘Night at the Museum: Secret of the Tomb, including the creation of a variety of characters, digi-doubles and CG environments.
Led by previs supervisor Eric Benedict, visualization house provides extensive previs and postvis services to 20th Century Fox’s latest release.
