Sharon Katz's Recent Posts
Hisko Hulsing Talks About His Rotoscoping Process
The ‘Undone’ director combines rotoscope and hand-drawn animation, live-action performance, and oil-painted backgrounds to capture the subtle intricacies of human emotions within a dream-like, 'unreal' aesthetic; watch the animatic of his upcoming short, ‘Resurrection,’ to be released in 2025.
‘Letter to a Pig’: Traumatic Memory Through the Eyes of Youthful Imagination
Filmmaker Tal Kantor’s first solo short film uses live-action and hand-drawn animation to tackle the heavy and complex subject of a Holocaust survivor addressing a classroom full of students, sharing a letter he wrote to the pig who saved his life, and how reality, memory, and imagination blend together in one young schoolgirl’s reaction.
A Quick Look at ‘The Boy, The Mole, The Fox and The Horse’
Charlie Mackesy and Peter Baynton’s Annie Award-winning and Oscar-nominated feel-good short film, about the unlikely friendship between a boy, a mole, a fox, and a horse as they explore the meaning of kindness, courage and compassion, brims with comforting, heartwarming messages of hope.
A Look at ‘My Year of Dicks’
Created and written by Pamela Ribon, and directed by Sara Gunnarsdóttir, the Annecy Cristal winner and Oscar-shortlisted animated short, a refreshing tale of a 15-year-old girl’s discovery of sexuality and her fearless rite of passage, is now a Staff Pick on Vimeo.
Madi Piller’s ‘My Elliot:’ 24 Hours in the Life of Elliot Yarmon
Alice Walker once wrote, ‘Time moves slowly, but passes quickly.’ How do you pack a 24-hour narrative into a 3-minute film? By animating time. In conversation with the filmmaker.
Holiday Gifts for Your Animator
Snow in the north, sunny and hot in the south? It must be time for gift giving! Here’s my 2022 indie animator gift-giving guide – this year, it’s about books!
A Quick Overview of Uri Lotan’s ‘Black Slide’ Short
In this Oscar- qualified film, courage against terrifying odds at the water park can mean much more than becoming a hero to your friends.
It’s a Wrap: My OIAF 2022 Competition Diary
There’s nothing like it – immersed in the dark theater, engrossed in OIAF competition films, popcorn greasy fingers tapping out notes in the dark.
Thomas Renoldner Definitely Knows What He’s Doing
Director mixes slapstick with elegant avant-garde in ‘Dont Know What,’ his OIAF 2019 grand prize-winning experimental animated short film.
Quirky, Unique and Compelling: OIAF 2019 is More than Just About Films
From September 25-29, Ottawa plays host to kindred spirits, collaborators and experts in all things animated, sharing tall tales and lots of good Canadian ale.
Films to Watch: Ottawa Animation Festival Competition Highlights
Many notable shorts and features standout in a competition artistic director Chris Robinson calls ‘weird, disorienting and divisive.’
Interview: Composer Judith Gruber Stitzer Talks About Her Creative Process
Catching up with Judith Gruber Stitzer, whose music is as varied and exciting as the many animated and live-action films and TV productions she's created soundtracks for.
Catching up with Janet Perlman
What’s new in the world of indie animators? I tracked down heavy hitter Janet Perlman at the Ottawa festival last fall and we continued by email this past week...
Holiday 2017: Gifts for the Indie Animator
From hands-on tools and supplies to digital software and cutting-edge AI games, the AWN 2017 Holiday Gift Guide has everything you need for your indie animator.
Steven Woloshen’s ‘Casino’ Gambles with Flux and Feeling
The latest short by the renowned hands-on animator is inspired by his father’s obsessions and the work of legendary director Norman McLaren.
Side-by-Side: Animation Duo Brings Hand-Painted ‘Loving Vincent’ Feature to Life
Director Dorota Kobiela details the production process for creating 65,000 oil paintings comprising the film’s 853 shots alongside co-writer, co-director and producer Hugh Welchman for their first animated feature about the life of celebrated Dutch post-Impressionist Vincent Van Gogh.