DreamWorks Animation shares never-before posted online video revealing some of the digital magic behind a number of the Oscar-nominated film’s signature shots.
Led by overall VFX supervisor Michael Shelton, teams at the studio’s Los Angeles and Toronto facilities handled 546 shots over a 4-month period.
Two-time Daytime Emmy Award-winning writer/director Eric Darnell talks about Baobab Studios’ Annie Award-winning immersive VR experience and the sometimes confusing world of virtual reality.
Hosted by Escape Studios, the celebration of visual effects, animation, games and motion graphics returns to London’s Southbank Centre with panels, talks and recruiting sessions.
The Advanced Imaging Society honors outstanding achievement in immersive storytelling using advanced visual technology at their 11th annual awards ceremony held at Warner Bros. Studios.
The company’s London studio creates a nasty arachnoid, Golden Dragon, zombie-like Striga and wicked battle scenes for the hit Netflix fantasy series starring Henry Cavill as Geralt of Rivia.
Creator Parker Simmons explores identity, friendship, and hybrid sky pirates in Cartoon Network and Titmouse’s Annie Award-nominated series, ‘Mao Mao: Heroes of Pure Heart.’
Studio produces all the visual effects on Blumhouse Productions new supernatural holiday horror film.
Cute CG short about hijinks on the high seas from six ESMA students snags a VES nomination for Outstanding Visual Effects in a Student Project.
National Academy of Television Arts and Sciences honors pioneering software system used for live performance-based animation.
SCAD’s Munkhtsetseg “Muunuu” Nandigjav named Conference Chair; event set for August 7-11, 2022 at the Vancouver Convention Centre.
Technology leader’s APEXX T3 workstation one of first in industry to ship with new processor, with performance enhancements built to accelerate and optimize creative workflows.
Former Disney executive to oversee editorial content and market development from company’s head office in Paris.
Core engine rewrite boasts faster operations; new USD integration tools and customized shading groups among numerous other improvements
UK-based visual effects house tackles St. Peter’s Square, the Basilica and Michelangelo’s masterpiece, the Sistine Chapel ceiling.
Polish director Tomek Popakul’s Annie Award-nominated short film is a jagged, hypnotic Eastern European road trip viewed through a depressing but entrancing cartoon shaded daze.
Winners in 25 categories will be announced January 29 at the 18th Annual gala awards ceremony being held at the Beverly Hilton Hotel.
Rosana Sullivan and Kathryn Hendrickson’s heartwarming short, about an unlikely connection between a stray kitten and pit bull, deftly illustrates the inherent beauty and power of 2D animated storytelling.
Leading visual effects studio completes 2,168 shots for Disney and Angelina Jolie’s fantasy adventure follow-up to their 2013 hit, ‘Maleficent.’
Led by VFX supervisor Dave Morley, the studio delivered more than 700 shots for James Mangold’s faithful and exciting depiction of the famous 1966 24 Hours of Le Mans.
Studio crafts fully digital helicopter as it battles the Rev-9 Terminator and a stolen C-5 cargo plane in Tim Miller’s sci-fi action-adventure.
New suite combines and builds on Masterpiece Creator and Masterpiece Motion for faster, easier rigging that allows users to create 3D content in minutes.
The ripple is forming. The tsunami is coming.
Can Rudolph, now a fallen hero, will himself back to former glory as the leader of Santa’s reindeer team?
Company rolls out significant set of updates across their 3D texturing suite: Substance Painter, Alchemist, Source and Designer
