For launch weekend of Hulu’s highly anticipated animated cartoon series reboot, Firefly used next generation holoprojector devices to create first-of-its-kind 3D hologram experiences in iconic locations.
Virtual Vloggers, Lexi the Aye Aye and Eric the Pangolin host weekly short-form diaries to engage and entertain young viewers while highlighting the realities of endangered species; Doppelganger technical collaborative provides cutting-edge real-time mocap technology to animate the characters.
By supporting nearly 1,000 teams and individuals so far, Epic Games cements commitment to furthering the progress of a range of creators to do outstanding work with Unreal Engine or contributing to open source capabilities for the 3D graphics community.
Coming to Shanghai December 19, the ‘Bilibili Macro Link-Virtual Release 2020’ will feature anime, comics, and game-oriented acts as well as holograms in the first-of-its-kind livestream event.
Executive producer Matthew Beans rethinks the entire ‘Trolls’ world, bringing all the tribes together with a new visual style in DreamWorks Animation’s new series, now available on Hulu and Peacock.
Latest version of Kdan Mobile’s animation software, with updated editing interface, new drawing tools, and a larger work area, has been released.
Innovative real-time facial animation will allow Unreal Engine creators to develop the most advanced character assets on any platform.
On November 20, Shocap’s XR concert event with singer Jill Barber marries live music, greenscreens, mocap cameras, Unreal Engine, and proprietary technology to transport audiences back 90 years.
Machine learning-generative scheduling and asset lifecycle management will to be built into Autodesk’s cloud-based Forge platform, driving creativity while meeting ever evolving workflow challenges.
Studio’s Toronto branch head of 2D Eric Covello details their visual effects work on Netflix’s hit dysfunctional superhero family adventure series, which last week was renewed for Season 3.
Newly named global CTO will be responsible for creating a new and innovative technological vision to help guide the visual effects and animation company through a period of unprecedented global growth.
12-week virtual program taught by Aardman professionals will provide world-class education for aspiring animation professionals.
New augmented reality app connects users with their own Daemon, fueling further fan excitement over the Season 2 debut of ‘His Dark Materials’ coming to HBO and HBO Max on November 16.
Based on Dan Yaccarino’s popular book series, the Apple TV+ animated preschool series features a young robot, Doug, who unplugs, and with his best friend Emma, journeys into the human world of adventure.
Seasoned legal and entertainment professional will be tasked with overseeing legal operations across all departments and productions.
Full three-part release features updates in direct and procedural modeling, rendering, animation, and rigging; update review webinar set for November 17.
Creatives can now visualize CGI objects immediately, allowing for increased flexibility on-set; portability of app allows it to be easily accessed from anywhere.
Company’s innovative new technology platform marries live-action human performance with CGI to bring unprecedented level of emotion and fidelity; four-episode miniseries gets Veteran’s Day release on Netflix.
Visualization services company brings innovative postvis and visual effects production pipeline support to Adam Mason’s new dystopian romance thriller, shot this past summer in Los Angeles during the COVID-19 lockdown.
The veteran VFX editor and supervisor talks about his two latest projects, Ethan Hawke’s Civil War-era period Showtime series, and a fully animated feature inspired by ‘Love, Death & Robots.’
The Oscar-winning creative studio brings their renowned creativity to Misselthwaite Manor and its spellbinding grounds for new reimagining of Frances Hodgson Burnett’s famous novel, premiering now on Sky.
Studio once again teams up with Anomaly and Pacific Rim Films’ Shawn Levy to bring back animated characters for a DICK’S Sporting Goods adventure.
VFX house’s new addition brings passion and experience with intimate knowledge of the VFX pipeline; his credits include titles such as ‘Batman v Superman: Dawn of Justice,’ ‘Suicide Squad,’ and more recently, ‘Mary Poppins Returns.’
Submission forms now available for entering VFX projects in Film, Television, Special Venue, Games, Animation, VR and New Media created between January 1 and December 31, 2020.
Emmy Award-winning production designer James Pearse Connelly uses previs to design virtual sets, which are integrated with real-time rendering, Unreal Engine, and VFX to create the extended physical worlds of many new, safely produced TV shows.
