VFX studio builds photoreal replica depicting famous ’24 Hours of Daytona’ racetrack for James Mangold’s thrilling historical auto racing drama.
Veteran VFX supervisor Steve Goldberg returns to Arendelle to once again wrangle resources for a formidable array of challenging effects sequences.
Celsys’ all-in-one paint tool provides intuitive, customizable features that help transfer an artist’s touch to their graphic design, manga/comics, animation or other digital art.
Debuting today on Netflix, the ‘Despicable Me’ co-creator’s passion project, almost 10 years in the making, shows that with hard work, patience and a bit of new technology, 2D animated filmmaking is as compelling, and spellbinding, as ever.
World’s largest photogrammetry asset library and bundled toolset will become free for all Unreal Engine use.
Highly anticipated event for onsite attendees offered an exclusive look at the newest company research initiatives.
Vietnam-era indie flick Finding Jack adds deceased ‘Rebel Without a Cause’ actor to the cast, and people are outraged.
Immersive cinematic exploration of the ‘Frozen 2’ world, from ‘Cycles’ director Jeff Gipson, weaves music and visuals together to take viewers on a magical Arendelle forest experience.
Acquisition of award-winning remote viewing tool should foster collaborative development of powerful new workflow solutions for the creative industries.
New technology supercharges over 40 apps, including Adobe Dimension, Substance Alchemist and Premiere.
With support from Cubic Motion’s Persona, Riot Games’ real-time animated ‘Rogue Assassin’ performs and answers questions at Pro League Regional Finals in Shanghai.
Minnow Mountain director Craig Staggs and producer Steph Swope talk hand-drawn frame by frame animation and their unique contribution to Amazon Prime’s acclaimed new series.
Grab your notepad and fashionable wool scarf; a packed roster of talent led by Brad Bird, Dean DeBlois and Rob Legato will rub elbows and share insights at the digital media conference and symposium set for October 21-25 in Turin, Italy.
Lead VFX studio on James Gray’s outer space thriller tackled scientifically accurate, realistic rocket takeoffs, landings, a Mars base and the rings of Neptune.
DreamWorks Animation and Pearl Studio’s just released US-China co-production shows animation’s true power to cross cultural boundaries with an entertaining, relatable and emotional story.
Last minute confirmations pack an already expanded roster featuring top industry speakers; directors Jill Culton, Brad Bird, Dean DeBlois, Conrad Vernon, Sergio Pablos, Peter Ramsey and Eric Darnell lead an all-star lineup.
Award-winning fourteen-minute CG-animated film, now being developed as a feature film, was created in Autodesk Maya and Adobe CC and rendered in GPU renderer Redshift.
Submission forms now available for entering VFX projects in Film, Television, Special Venue, Games, Animation, VR and New Media created between January 1 and December 31, 2019.
Starting with upcoming 18th annual awards, Society will recognize special (practical) effects in photoreal projects and allow more category eligibility for animation projects.
The conference, taking place is Brisbane, Australia from November 17 -20, will feature a wide array of sessions with industry luminaries in animation, VFX and technology.
Leading VFX studio shares a comprehensive selection of exciting before / after images from Lionsgate’s hit neo-noir action thriller starring Keanu Reeves.
Glass, glass and more glass… visual effects supervisor Glenn Melenhorst and team show their CG chops by shattering a ton of glass in Lionsgate’s hit neo-noir action thriller starring Keanu Reeves.
With release of his long-awaited animated feature only a month away, renown director and ‘Despicable Me’ co-creators tells AWN, ‘The wait is almost over!’
New app release, with improved versioning across all ftrack’s Adobe Creative Cloud integrations, optimizes efficiency while accelerating creative workflows.