Netflix joins The Foundry to support new chapter helmed by Glassworks’ Chris Kiser; studio coalition aims to promote diversity within the VFX industry.
British Columbia’s only Oscar-accredited festival is back as a hybrid event, with an expansive program of talks, presentations, screenings, and career networking events, running October 27 – November 30; submissions still being accepted through September 16.
The annual event returns in-person as well as online, running October 27 to November 30; the deadline to submit films is September 16.
With the feel of classic 1990s real-time strategy game franchises, Zoic Studio’s new spot teases Frost Giant Studio’s upcoming PC game set hundreds of years in Earth’s future.
VFX supervisor John Gajdecki and VFX producer Matthew Gore, working with more than a dozen vendors as well as an inhouse team of 44 artists, increased the Season 1 shot count by 25%, across a wide array of complex visuals, in The CW show’s Season 2 production.
In Marvel Studios’ new series, dissociative identity disorder creates a world of madness for its protagonist and a world of possibilities for its VFX team.
Technology is honored for elevating photorealistic VFX to new heights in episodic productions; the award will be presented by the Television Academy Engineering Committee live at their annual event on October 21
Given only three months, the Oscar-winning animation director worked quickly to capture the Grammy-winning artist’s signature moves, weaving a hazy, noirish 80s journey through her hometown into ‘Happier Than Ever: A Love Letter to Los Angeles,’ her cinematic concert experience performed on stage at the Hollywood Bowl, now streaming on Disney+.
Emmy Award-winning entertainment company delivers nearly 1,000 visual effects shots, including CG tigers, elephants, and Bobbie the hybrid human-groundhog, on Netflix’s post-apocalyptic adventure series.
The VFX house welcomes Craig Wentworth as VFX supervisor, Patricia Binga as animation supervisor, and Adam Harrison as VFX producer; recent Epic MegaGrant helps continued development of innovations in LED technology for virtual production and filmmaking.
The next edition of the Post New York Alliance’s free ‘Post Break’ webinar series will look at practical issues on how to produce and deliver VFX for film and TV; panelists include VFX producer Leslie Lerman and Powerhouse VFX executive producer Ryan Cunningham.
Senior technologist brings vast experience in delivering innovative solutions for theme parks, broadcasting, production, gaming, mobile, and big data analytics in mission-critical environments.
Emmy Award-winning studio scares up a compilation of some of their most grotesque and horrifying VFX creations from films like ‘The Haunting of Bly Manor,’ ‘Legion,’ and ‘N0S4A2.’
15-year veteran joins leadership team in new B.C. division, bringing expertise in management and collaboration to studio’s growing network of work-from-home teams of artists.
Studio’s new fully CG spot drops viewer into frantic video game race to find loved one after realizing unsecured gun is missing from a drawer.
AI-infused thriller comic to be developed for TV and cross-platform adaptation.
After a year of steady growth, visual effects house bolsters its NYC office roster with hiring of two new VFX supervisors.
Sister company to Emmy-winning entertainment company Zoic Studios teams with boutique consulting firm for strategic business development.
Legendary Glen Keane to receive lifetime achievement award
Industry veteran brings decades of feature film experience to the studio’s rapidly growing high-end television clients.
Emmy Award-winning VFX house gives a behind-the-scenes glimpse into how they brought Episode 1’s shocking removal of one of Arya’s ‘many faces’ to life.
VFX veteran has lent his talents to a slew of major feature films including ‘The Avengers,’ “Harry Potter and the Deathly Hallows: Part 2,’ and ‘Pirates of the Caribbean: On Stranger Tides.’
Emmy-nominated VFX Supervisor with more than 30 years’ experience in post-production working in film and video editing, set supervision and visual effects earned a 2016 Emmy nomination for the pilot of Amazon series ‘The Man in the High Castle.’
Imaginative new comedy series from the Oscar-winning director of Disney’s ‘Feast’ combines live action with CG animation produced by Vancouver’s Zoic Studios.
Fire, smoke, liquid and ocean simulations now possible directly in Maya; FLIP Solver tops new feature set.
