Paul Fierlinger talks to David Kilmer about his amazing life as a Czech growing up in America during World War II and then as an American living in Czechoslovakia during the Cold War. He also discusses life as an independent animator with all of its ups and downs.
On March 25, 1999, 7-10 pm, you are invited to join Santa Monica-based DHInstitute of Media Arts (DHIMA) in celebrating demo reels of new graduatesand current work produced by our students. After a ton of hard work, theseDHIMA students are ready to blow off some steam with staff, students,alumni, and industry. See why SIGGRAPH '97 and '98 recognized 11 of DHIMAstudents with awards. Past graduates have gone on to work at companies suchas Digital Domain, Pixel Envy, SEGA, Namco, Square, Alias|Wavefront, etc.
On March 25, 1999, 7-10 pm, you are invited to join Santa Monica-based DH Institute of Media Arts (DHIMA) in celebrating demo reels of new graduates and current work produced by their students. After a ton of hard work, these DHIMA students are ready to blow off some steam with staff, students, alumni, and industry. See why SIGGRAPH '97 and '98 recognized 11 of DHIMA students with awards. Past graduates have gone on to work at companies such as Digital Domain, Pixel Envy, SEGA, Namco, Square, Alias|Wavefront, etc. DHIMA will provide drinks, snacks and music.
The sixth installment of Barry Purves' production diary as he chronicles producing a series of animated shorts for Channel 4. An Animation World Magazine exclusive.
The fifth installment of Barry Purves' production diary as he chronicles producing a series of animated shorts for Channel 4. An Animation World Magazine exclusive.
On October 29, 30 and 31, 1998, the Los Angeles-based art gallery and book store, Storyopolis will host English Soup, a performance featuring six actors and a cast of hand-made puppets, devised and directed by Edward Gorey, followed by Dramatis Artifacti, a one-month exhibition of original art work and ephemera by the artist.
How is Barry Purves getting on with his Channel 4 production? Find out in this month's installment.
Melissa Chimovitz profiles the healthy independent animation scene in New York, focusing on the work of seven animators: George Griffin, John Canemaker, Kathy Rose, Debra Solomon, Steve Dovas, Lewis Klahr, Janie Geiser.
Wendy Jackson reviews the 1998 book Anima Animus Animation, a collection of creative works by the Czech surrealist filmmaker Jan Svankmajer and painter Eva Svankmajerov.
Karl Cohen interviews the Disney legend, Maurice Noble, and discusses his career, working with Chuck Jones and the animation industry today.
Karl Cohen interviews the Disney legend, Maurice Noble, and discusses his career, working with Chuck Jones and the animation industry today.
Where there is a will, a way can sometimes be created...
Educators Amy Kravitz, Roger Noake and Rolf Bhler offer points of view regarding the student dilemma of choosing a direction for thesis films.
A blue-haired girl eats a passenger train in Kutchae!, an animated i.d. directed by Isao Nishigori for MTV Japan. © 1996 Music Channel Co., Ltd. This year's film selections at the SIGGRAPH '97 Electronic Theater in Los Angeles celebrated the expanding diversity of storytelling talent and production technique now possible with software-based animation tools. The "CG" animation genre of the late `80s and early `90s (typically denoting some robotic, overly geometric sci-fi scenario) is giving way to some traditionally-inspired techniques, expressive characterization, and more...
Rose Bond interviews Joanna Priestley and reveals the unique relationship between the filmmaker and her films.
Seattle's first animation festival gets a glowing review by Doug Ranney. His tales of hobnobbing with animation's biggest stars in a casual setting are sure to make you green with envy.
The impact that CTW and MTV has had on one another, the industry and beyond is the subject of Chris Robinson's in-depth investigation.
Compiled by Animation World Magazine and Dark Horse Comics. Before sending unsolicited work and ideas to a publisher, there are standards and specifications that one should know about to avoid the dreaded "unopened returned mail" response. Following are sample guidelines for submitting art, proposals and scripts to Dark Horse Comics, one of the industry's leading publishers. All guidelines herein are courtesy of Dark Horse Comics. Other companies will have different guidelines and regulations. Be sure to contact individual publishers for information. First...
Richard Taylor hosts a tour of Britain's healthy animation education system.
Ann C. Phillipon talks with "quintessential independent American animator, George Griffin" about his life and art.
The Thief and the Cobbler: A Modest Proposal
Dutch filmmaker Piet Kroon contributes the first in an occasional series devoted to a day in the life of an animation artist. Herein, Kroon explores the whys and wherefors of how he balances working as an independent filmmaker while holding down a full-time job at Warner Bros.
Wherein the Museum of Modern Art's Adrienne Mancia reminisces to Mark Langer about her past efforts in animation programming and her thoughts about the state of the craft today.
Attorney Nicolas Valluet explores the whys and wherefores of having your work put on the Internet.
Once of America's most prominent independent animators, Robert Breer continues to explore historical perspectives and experiment with new techniques. Jackie Leger looks at his career, past and present.
