USC Professor Mark Bolas, a virtual reality pioneer, discusses applications for VR beyond entertainment and the challenges that virtual reality faces along the path to widespread consumer adoption.
Kim Libreri, CTO, and Ray Davis, Unreal Engine GM, from Epic Games, talk about opportunities for Unreal Engine in VR.
Interactive 360-degree video and Virtual Reality experience tied to the upcoming live-action film now also available in select IMAX theaters at AMC locations across the U.S.
Filmakademie graduate and Disney/Pixar Character TD Tanja Krampfert discusses the creation of Joy in ‘Inside Out,’ while DoP Patrick Lin illuminates the special camera set-up designed to parallel the main character’s emotional journey.
Sebastian, a visual effects and digital media technologist, discusses consumers' acceptance of virtual reality and what the technology means for creators.
New animated virtual reality series blends the action of video games with the comedy of animated feature films.
Autodesk launches Stingray Game Engine v1.2 and Maya LT 2016 Extension 3 with feature improvements at GDC 2016.
Former CEO and co-founder of mobile gaming technology developer Yvolver to oversee all aspects of development, strategy and technology for the division.
Low latency, high precision motion capture system enables large scale, multi-player VR games with real-time rigid body tracking into Unreal Engine.
Jon Peddie and Kathleen Maher discuss how computer graphics and VR technologies affect the entertainment industry.
Created in collaboration with Google ATAP’s Spotlight Stories and Evil Eye Pictures, animated short made for mobile and VR devices contains hidden surprises, including a musical homage to Queen.
Cineversity releases CV-VR Cam plugin; new tutorials help streamline Cinema 4D workflow for Virtual Reality.
Rob Bredow, VFX supervisor and head of new media at Industrial Light & Magic / Lucasfilm, talks about the work his team is doing with virtual reality and what it means for the film industry.
Paul Debevec, chief visual officer at the USC Institute for Creative Technologies, discusses some of his lab's recent research work, potential legal concerns over digital doubles and what excites him most about virtual reality.
Ken Perlin, professor of computer science at the NYU Media Research Lab, discusses where virtual reality may be used in years to come and what that could mean for our society.
Advanced, mobile-first, video technologies to be developed into custom-built solutions for the company’s brand and agency clients.
Free online celebration of independent games streaming exclusively on YouTube and YouTube Gaming to provide a sneak peak of a new VR game for HTC Vive from ‘Rick and Morty’ creator Justin Roiland.
New digital business unit to produce a slate of original content for digital and mobile formats; studio teams with top Virtual Reality and 360-degree video destination Littlstar to create exclusive trailblazing immersive animated stories & technology.
Vision VR/AR Awards recognized 21 of the most innovative virtual and augmented reality projects across eight categories, including Best Film/Interactive Story, Best AR experience, and Artistic Achievement.
Native support of SteamVR extends reach of Unity Developers.
Brazilian production and post house uses DaVinci Resolve 12 Studio to color grade Ivete Sangalo’s new virtual reality music video, ‘O Farol.’
Artanim delivers new technology allowing users to experience, physically interact, and collaborate in a virtual 3D environment using Vicon motion capture technology.
Five-minute VR film experience created by developers Jack Caron, Todd Bryant, Omer Shapira and Uros Otasevic and shot in 6K is rendered using the Unreal Engine 4 game engine accelerated by NVIDIA Quadro M6000 GPUs.
Industry survey highlights need for affordable consumer headsets and high-quality, interactive content.
MPC’s content production arm produces a film and VR experience for CES 2016 highlighting the performance of Faraday Future’s technology platform with the FFZERO1 high-performance electric dream car.
