‘Birds of Prey and the Fabulous Emancipation of One Harley Quinn,’ Coming to Digital March 24
Margot Robbie is back in the title role of Warner Bros.’ latest DC comic book-inspired action-adventure, also hitting Video On Demand services April 7.
Margot Robbie is back in the title role of Warner Bros.’ latest DC comic book-inspired action-adventure, also hitting Video On Demand services April 7.
Led by VFX supervisor Aleksadar Pejic, the studio’s London team delivered digital demons and more in more than 250 shots across all eight first season episodes.
Veteran hire to partner with creative studio and parent company, Cutter Studios, on still undisclosed production venture.
Led by VFX supervisor Derek Spears, the studio filled the sea and sky around Midway Atoll with the devastating tools and action of war in Roland Emmerich’s harrowing tale of the decisive 1942 battle between the U.S. and Japan in the Pacific Theatre of WWII.
VFX supervisor John Heller discusses how his FuseFX team delivered over 800 shots of invisible, photorealistic visual effects on the otherworldly Stephen King crime thriller.
25th Anniversary Edition of leading industry conference has been canceled because of the worldwide coronavirus Covid-19 pandemic; 2021 edition is set for May 4-7, 2021.
Disgruntled online fans demand Brie Larson step down as Captain Marvel, citing bad personality and a need for a queer woman of color.
Third-generation special effects supervisor Jeremy Hays talks about producing realistic snow, rivers and cracking ice on the new film adaptation of Jack London’s famous novel.
Led by VFX supervisor Aladino Debert, the Oscar-winning studio delivered around 160 shots for the second season of Netflix’s popular reimagined sci-fi adventure series.
130 artists now working at the company’s ninth location, bringing their employee total to over 1,500 worldwide.
Bristol-based studio continues its work as the ‘go-to’ natural history visual effects provider on streaming giant’s new documentary series showcasing the wonders of our nocturnal world.
Led by VFX supervisor Max Riess, teams from Frankfurt, Stuttgart, Toronto and Los Angeles delivered more than 268 final shots over a 22-month period.
New version includes UI and tool improvements, CARA VR node performance improvements through Blink and BlinkScript update, and speed improvements for artist and team reviews.
Scottish studios bring together collective talents to serve UK domestic and international Marketplace.
The Visual Effects Society is not amused about the catty comments presenters James Corden and Rebel Wilson made towards VFX artists at the 92nd Annual Academy Awards.
‘1917’ also takes home Oscars for Best Cinematography and Sound Mixing in the final ceremony of the 2020 awards season.
Veteran animation director returns, bringing his extensive feature and 3D animation experience to studio’s growing creative team.
Industry veteran to oversee Los Angeles team’s art department, visualization, real-time production and VFX.
Heading into this coming Oscar Sunday on February 9th, catchup on AWN’s coverage of the films and creative teams nominated for this year’s Best Visual Effects.
Heading into this coming Oscar Sunday on February 9th, catchup on AWN’s coverage of the films and creative teams nominated for this year’s Best Animated Feature Film.
Production VFX supervisor Roger Guyett talks creating Princess Leia, the benefits of practical shooting, and bringing the saga to a close.
Production VFX supervisor Guillaume Rocheron discusses the special challenges involved in creating the illusion of grim reality in Sam Mendes’ Oscar-nominated epic World War I drama.