Supported by Post New York Alliance and NY State VFX/Animation tax credits, visual effects providers eye a post-COVID-19 comeback.
With extensive experience in design and project management, Ostwald will oversee production at the independent animation and VFX studio.
Original Nickelodeon series creators Michael Dante DiMartino and Bryan Konietzko have exited the streaming giant’s production, citing an ‘unsupportive environment.’
Upgrade to company’s flagship video/audio editing, color grading and FX platform include AI-driven effects, GPU accelerated workflows, advanced motion tracking and other major enhancements.
Goodbye Kansas recreates the legendary fortress of Arthurian mythology in the new fantasy adventure series based on Frank Miller’s graphic novel.
Powered by a new end-to-end multi-threaded architecture, update is designed to deliver an easy and logical workflow to artists.
Pixar co-founder and CG pioneer will speak at the 21st edition of annual conference, being held October 18-23, online and on-site in Torino, Italy.
VFX supervisor Everett Burrell breaks down the Netflix series’ almost 2,000 VFX shots, a mix of nuclear holocausts, digital characters, time jumps, and a goldfish.
At the recent Foundry Live event, the Katana team shared a sneak peek at their ground-breaking new lookdev and lighting software release slated for later this year.
Updated production renderer allows users to composite renders, incorporate light path expressions, and interactively relight scenes in the new V-Ray Frame Buffer.
Game and Unreal Engine giant announces new financing round that pegs value of company at $17.3 billion.
On same day they announce a staggering $3.5 billion quarterly loss, studio opts to offer live-action epic on their SVOD platform for $29.99 beginning September 4.
As described by Jon Peddie Research, the digital graphics market is dominated by CAD/CAM, with visual effects in games and movies accounting for only a small market share.
Submit your animated shorts, commercials, game cinematics, trailers, motion graphics, VFX sequences and reels now; if computers played a key role in production, CAF wants to see your work!
Visual effects studio delivers almost 700 shots, plus main titles, for the Netflix fantasy adventure about a young dead woman, miraculously resurrected then flung into in a battle between good and evil.
Studio delivers 200 shots, during lockdown, on new Netflix fantasy adventure series based on Frank Miller's young adult novel.
‘Big Mouth,’ ‘Bob’s Burgers,’ ‘BoJack Horseman,’ ‘Rick and Morty’ and ‘The Simpsons’ receive nominations for Outstanding Animated Program.
The Oscar-winning ‘Jojo Rabbit’ and ‘Thor: Ragnarok’ helmer describes his new ‘Thor’ franchise installment, coming February 11, 2022, as ‘so insane’ but also ‘very romantic.’
New 3D paint tools optimize creative workflow allowing users to paint across UV Tiles, import UDIM images from existing sources and export easily to renderers or engines that supports UDIMs.
In first year, $42 million in financial support has gone to more than 600 recipients for their projects using Unreal Engine, 3D graphics tools and open source software.
Another major summer theatrical release gets swallowed whole by COVID-19, as the $200 million animated-feature remake is delayed once again, following on the heels of recent postponements for ‘Tenet’ and ‘Avatar 2.’
Bill and Ted team up for the third time on a gnarly time traveling adventure to totally bring harmony to the universe, On Demand and in theaters September 1, 2020.
HP, Intel and Movidiam’s #PowerYourBreakthrough is an artist-led initiative designed to inspire new and upcoming creative artists in the VFX and film industry.
New service, based in New Zealand, brings together LED live stage expertise and real-time game engine-based workflows to expand what can be done safely and creatively on set.
After moving to a virtual event this December, the festival is now accepting submissions in most every category of CG animation through August 15.
