Real-time 3D animation and cinematic rendering tool adds support for Substance, SpeedTree, PhysX and Indigo Render with 10x faster production speed.
First-of-its-kind specialized diploma program features industry-standard curriculum implementing the process and pipeline used at MPC and other Vancouver-area visual effects studios.
Led by VFX supervisor Stu Aitken and art director Jon Beeston, Bristol and Glasgow-based visual effects studio creates the visual effects for the brand-new BBC sci-fi series ‘Eve.’
Framestore's London and Montreal teams deliver over 500 shots to help realize the Wachowski’s lavish and beautifully designed sci-fi universe, including CG hero characters, CG environments, digital doubles, and a host of CG space ships and planets, along with all manner of explosions, fireballs, shattering glass and liquid nano-technology.
Short film narrated by Patton Oswalt is chock-full of visual effects both obvious and subtle, all powered by Red Giant technology.
Hollywood-based VFX facility completes production on a new commercial for Chinese car manufacturer Qoros Automotive using Cospective’s Frankie and cineSync to help cross The Great Firewall.
‘Big Hero 6’ garners five awards; ‘Games of Thrones’ and SSE “Maya” lead in broadcast and commercial wins.
Montreal-based post house delivers 90 minutes of ‘invisible effects’ for Oscar-nominated feature.
Red Giant’s Magic Bullet Suite 12 delivers GPU-accelerated, real-time color correction and grading, 198 new Looks presets, Streamlined UI and UX, and an all-new Magic Bullet film.
Toronto-based visual effects shop provides feature-quality effects on a television budget with the use of Blackmagic Design’s Fusion Studio.
The Oscar-nominated VFX supervisor breaks down some of the key grand finale action on Marvel’s second ‘Captain America’ hit.
Industry veteran joins boutique VFX and design house specializing in “invisible” visual effects.
Independent VFX and design house promotes visual effects producer/compositing supervisor to newly-created post of Head of Operations and Strategy.
Oscar-nominated VFX supervisor discusses the challenges of creating two believable CG action heroes.
Visual effects festival, conference and job fair to include presentations on the invisible effects of ‘Birdman,’ ILM’s work on ‘Captain America: The Winter Soldier,’ the making of ‘Dawn of the Planet of the Apes,’ the miniature effects of ‘Interstellar,” and more.
Award-winning executive producer has worked with prominent directors including Traktor, Nicolai Fuglsig, Jake Scott, Stacy Wall, Dante Ariola and Harold Einstein on campaigns for leading brands such as Nike, Budweiser, Adidas, Target and Coca-Cola.
Santa Monica-based visual effects studio provides invisible effects for Carl's Jr. “Au Naturel” ad.
Visual Effects Society affirms noted character company’s successful digital makeup effects techniques.
New appointment reflects Framestore’s expansion into virtual reality and other immersive content.
Leading provider of high-quality visualization services provides extensive previs and postvis services for Oscar VFX nominees ‘Guardians of the Galaxy’ and ‘Captain America: The Winter Soldier.’
Studio’s work on the film’s Quicksilver “Kitchen” scene also garners BAFTA, VES and AACTA nominations.
Award-winning independent visual effects producer and freelance VFX consultant Mike Chambers is elected Board Chair.
Its leaders citing a lack of financial support, a campaign to end international VFX subsidies to U.S. studios has ended.
Nominees for Best Animated Feature are Disney’s ‘Big Hero 6,’ LAIKA’s ‘The Boxtrolls,’ DreamWorks Animation’s ‘How to Train Your Dragon 2,’ Cartoon Saloon’s ‘Song of the Sea,’ and Studio Ghibli’s ‘The Tale of the Princess Kaguya.’
Director James Cameron plans to have scripts for the three highly-anticipated sequels completed this month.
