New update to Blackmagic Design’s professional editing and color correction software adds direct support for Apple ProRes decoding on Windows, allowing users to remove QuickTime 7 from their workflows.
Two new VFX-specific apprenticeships to be launched in Fall 2016 at five world-class studios including Framestore, Double Negative, Jellyfish, Lexhag and The Mill.
New feature integrates motion capture software functionality into third party animation and biomechanical analysis production workflows.
Garnering a third Emmy nomination, award-winning Montreal studio delivers visual effects for the sixth season of HBO’s epic fantasy drama, including the creation of a vast CG Dothraki Horde and a pivotal battle scene at the gates of Meereen.
Discover how filmmakers created this riveting return to the whimsical world of ‘Underland’ in interviews, behind-the-scenes videos, and side-by-side comparisons of raw production footage and final scenes.
Former Th1ng managing director brings an impressive roster of global animation talent, including London-based Hush, directorial duo David & Boris, animation and mixed media director Alon Ziv, and stop-motion director Anthony Farquhar Smith.
More than 20 of this summer’s most anticipated movies including ‘Independence Day: Resurgence’ and ‘Jason Bourne’ employed Blackmagic Design’s digital film cameras, VFX and motion graphics software Fusion Studio and DaVinci Resolve Studio on-set, editing, color correction and finishing tools to shoot, composite and grade the films.
Animated short film created by students from New Zealand’s Media Design School takes the prize for Best Animated Film at the 2016 Comic-Con International Independent Film Festival
U.K.-based boutique visual effects house delivers a range of shots for the fifth installment of the ‘Bourne’ franchise, including digital matte paintings and crowd replication for two action-packed sequences.
Award-winning multi-disciplinary production company based in Johannesburg and Cape Town, and with a U.S. affiliate office in Chicago, launches a new website showcasing its strong collection of motion graphics, animation and visual effects artistry.
Blu-ray Combo Pack and DVD includes two reversible turtle masks in all four colors.
Goldcrest Post London employs Blackmagic Design’s DaVinci Resolve Studio to complete the edit, color grade and HDR finishing for Universal Pictures’ ‘Jason Bourne.’
Cinesite recruitment team will be visiting Toronto August 8 & 9 to meet with talented individuals interested in roles at its Montreal studio.
Unique workflow automatically formats, distributes media and metadata to multiple VFX houses at unprecedented speeds.
Dani Zeitlin named Executive Producer of Color; Elissa Norman joins as Senior Producer.
Award-winning Australian digital animation and visual effects production studio partners with the University of Technology Sydney to deliver a ground-breaking industry-led postgraduate program in digital animation and visualization.
New 2D-animated campaign for international beverage brand Mirinda features trippy spots, GIFs, and insane loops.
New quarters can accommodate more than 50 artists; VFX facility currently creating effects for television projects including ‘Mr. Robot,’ ‘The Get Down’ and ‘Luke Cage.’
Berlin-based filmmaker Jannis Funk relies on Shotgun to manage a team of 300 remote VFX artists, a library of 900 miniature models, and overall production tracking and review.
Talks and workshops at the 2016 edition of Italy’s largest computer graphics conference to include ‘Finding Hank’ with Pixar supervising technical director John Halstead, The Visual Design of ‘The Good Dinosaur’ with director of photography Sharon Calahan, and The Making of ‘Open Season: Scared Silly’ with director David Feiss.
Free A/V syncing tool update provides EDIUS Pro support, a new music video workflow, support for GoPro spanning media, batch clip deletion, and the ability to turn off automatic drift-correction.
Boutique VFX and animation studio taps Autodesk Maya and GPU-accelerated biased renderer Redshift to complete previs, design and animation for the new Volkswagen spot, ‘Graph.’
Bicoastal integrated content studio its in-house sister shop for design and VFX bring a new multi-spot campaign for LensCrafters to life through intricate in-camera effects.
Growing Vancouver facility adds ILM alum Shawn Hillier as Senior VFX Supervisor and former DNeg staffer Maya Roza as Compositing Supervisor.
Producer and VFX supervisor John Dietz discusses one of China’s biggest-ever visual effects movies.
