Fusion 8 release opens the door to millions of motion graphic artists, broadcast designers, video editors, visual effects compositors and 3D animators.
NUKE Non-commercial is a free, non-watermarked version of the entire NUKE product family, with some light functional restrictions, available to anyone who wants to learn, explore and have fun with NUKE.
Conference on Animation, Effects, Games and Transmedia celebrates its 20th Anniversary with ‘20 Years of ‘Toy Story,’ presentation from VFX luminary Joe Letteri, ‘20 years of Weta Digital,’ and ‘40 years of Industrial Light & Magic.’
Enhanced version of powerful node-based VFX, editorial and finishing suite NUKE STUDIO to be showcased at NAB 2015.
Award-winning visual effects studio promotes Jason Cohon to Executive Producer and welcomes producer Zack Whitley to the BP team.
Autodesk engineer and designer Evan Atherton creates ‘Star Wars’-inspired short using RED Epic and Scarlet cameras, as well as a DGI drone and Movi free fly gimbal for aerial shots.
London-based visual effects house to begin production on ITV’s 13-part warrior drama ‘Beowulf,’ FOX TV’s ‘The Bastard Executioner,’ BBC’s ‘Doctor Who’ series nine, and feature film ‘Poltergeist’ from 20th Century Fox and MGM.
Vancouver-based VanCG meetup group taps Shotgun production management and review software for its latest open-movie live-action/CG project, ‘Galactic Battles.’
FX Lead Tomas Slancik builds a robust custom feather system that allows artists to specify feather shape and easily populate designated areas.
Newly built, 7,000-square foot headquarters features state-of-the-art proprietary software as well as hardware capable of delivering short-form creative media via integrated global dark-fiber services housed within a secured environment.
Shotgun review and asset management software enables efficient production management for Hong Kong-based VFX and animation studio.
David Morin, a driving force at Autodesk in virtual production standards and technology, talks about the growing significance and future role of virtual production technologies in moviemaking as part of AWN’s series of exclusive video interviews from FMX 2014.
VFX studio handles 50 shots including crowd sims and Berlin Olympic Stadium virtual replica.
As part of AWN’s Professional Spotlight series -- a series of exclusive video interviews shot during FMX 2014 – Max Solomon, an animation supervisor at Framestore, talks about the animation, previs and onset virtual technology used on the Oscar-winning film ‘Gravity.’
Russell Earl, a visual effects supervisor at Industrial Light & Magic, discusses the extensive previs and visual effects work done on Marvel’s 'Captain America: The Winter Soldier' and more as part of AWN’s series of exclusive video interviews from FMX 2014.
The creator of the now Autodesk-owned 3D sculpting tool, Mudbox, Cardwell was a recipient of the Academy’s Technical Achievement Award in 2013.
Latest version of markerless camera tracking and previs solution for real-time visual effects and on-set visualization to be showcased at Dubai conference.
‘Captain America: The Winter Soldier’ and ‘Interstellar’ lead nominations for the 41st Annual Saturn Awards with 11 and 10 nominations, respectively; ‘Guardians of the Galaxy’ follows with nine nominations.
Sales and marketing specialist Thayer Jester joins award-winning production company specializing in virtual production and visual effects.
Academy Award-winning films are part of the Lighting & Rendering track, a recurring series of presentations among the most relevant and successful components of every FMX program.
Industry veteran has worked on feature films including ‘Tron’ and ‘X-Men: First Class,’ and commercials for high-profile brands such as Nike, Microsoft, and Mercedes-Benz.
Christopher Nolan’s Oscar-nominated sci-fi drama ‘Interstellar’ wins the Oscar for Best Achievement in Visual Effects.
Christopher Nolan’s Oscar-nominated sci-fi drama ‘Interstellar’ wins over the scientific community by depicting the most accurate black hole ever seen.
New video showcases visual effects created for the final installment of Peter Jackson’s ‘Hobbit’ trilogy, including key battle sequences and the destruction of Laketown.
Sixteen-year ILM veteran will oversee all operational matters for Lucasfilm, ILM and Skywalker sound, reporting directly to Lucasfilm president Kathleen Kennedy and Walt Disney Studios president Alan Bergman.
