Winners in 24 categories will be announced Feb. 13 at a gala awards ceremony at the Beverly Hilton Hotel.
Montreal VFX studio collaborates on sequel to classic family film.
Each year, the VES Awards recognizes and honors the most outstanding visual effects of the year as well as the creative professionals responsible for creating them.
FMX, running April 24-27, 2018, continues to bring together creative professionals at the forefront of digital entertainment. This year, it sharpens its focus on virtual and augmented realities as well as the best world-class animation, VFX, gaming and related education, entertainment and technology.
VFX supervisor Stephane Paris oversees a full CG train crash, extensive environments and digital doubles for director Jaume Collet-Serra.
Creative teams from 10 Oscar hopefuls present their contributions at the Academy’s annual Visual Effects Bake-off held on Saturday, January 6 at the Samuel Goldwyn Theater in Beverly Hills, CA.
U.K. animation and visual-effects house breathes life into the titular fully CGI protagonist.
Tickets now on sale for Feb. 16 debut of Marvel Studios’ most-recent comic book adaptation.
Industry mainstays Rob Churchill and Danny DelPurgatorio join as firm grows into the second largest VFX and design studio in Second City.
U.K. company’s animation middleware added to the realism of the hyper-reality experience, now open at three locations worldwide.
MPC VFX supervisor Bob Winter oversees the creation of CG environments, digital doubles, and a deadly jaguar attack for director Jake Kasdan’s ‘Jumanji: Welcome to the Jungle.’
Free course Jan. 20 at Gnomon School of VFX will cover building and optimizing CG worlds for real-time performance.
Group also will present Distinguished Leadership Awards to 13 women for their accomplishments in technology and business at Jan. 16 ceremony.
Jonathan Erland to receive Gordon E. Sawyer Award Feb. 10 at annual awards ceremony.
Iloura delivers one of the studio’s most complex sequences ever, including CG environments and effects, CG rhinos and helicopter, and digital doubles.
Hand-in-hand with filmmakers, FotoKem’s creative and technical teams supported global production on a massive scale.
This winter offers a franchise reboot, massive destruction on a global scale, and the return of Paddington the bear, but the real story just might be the worlds of wonder conjured up for the Disney adaptation of ‘A Wrinkle in Time.’
VFX supervisor Stuart Lashley oversees 200 shots for the third instalment of the God of Thunder franchise, including wormholes, fiery crashes and attacks, high-rise apartment views, and the vast wasteland of Skakaar.
From digital signage and sci-fi cityscapes to a completely remade Las Vegas locale, Rodeo FX delivers 75 visual effects shots for the sequel to Ridley Scott’s classic 1982 feature film.
Visual Effects Branch’s Executive Committee narrows down the list to 10 films that will be voted on for nominations for the 90th Academy Awards.
Led by production VFX supervisor Ben Morris, visual effects powerhouse Industrial Light & Magic confidently seeks to honor the innovative spirit of the series without losing its heart.
New hires bring more creative and technical firepower via their roles as head of CG, VFX supervisor and head of technology.
Filmmakers Miguel Ortega and Tran Ma spent three years making their crowdfunded indie short, which was realized with support from Chaos Group’s Partners in Art program.
Pop culture event brings superheroes from the TV screen and the comic book page to the nation’s capital for two days of screenings, panels and celebrity guests.
Shotgun 7.6 adds new analytics feature set for VFX and animation.
