Academy Award-winning VFX industry veteran has contributed to more than 30 feature films, including blockbuster hits ‘Men in Black,’ ‘Pearl Harbor,’ ‘Hook’ and ‘The Maze Runner.’
Unlimited rendering power for 3D artists and designers with no hidden fees.
In new spot, tiny, toy-like animated Lottery Vending Machine warmly greets various people around town who benefit from game proceeds.
Media and entertainment trade union BECTU calls for new industry code of practice to better protect freelance workers when companies go into administration.
VFX producer Becca Scott and VFX supervisor James Rustad to oversee new Montréal studio.
RSP teams with Weta Digital for new film’s lunar battle and zero-gravity training sequences.
VFX supervisor Paul Lambert, DFX supervisor Tristan Myles, miniature effects supervisor Ian Hunter and special effects supervisor J.D. Schwalm receive Academy Awards for their contributions to director Damien Chazelle’s historical biopic.
‘First Man’ wins Oscar for Best Visual Effects; ‘Black Panther’ wins three awards including Costume Design, Production Design & Original Score.
Firm’s analysis projects hardware acceleration and improved algorithms will enable ray tracing software to dominate rendering market by 2023.
Noted Oscar-winning production designer will be joined by Patrick Hanenberger from ‘The LEGO Movie 2’ in sharing their latest work.
From the floating city of Zalem and the vast Iron City to the massive crowd-filled Motorball stadium, Framestore delivers a broad range of visual effects for Robert Rodriguez’s action-packed dystopian feature.
To produce believable looking and sounding fireworks for director Jon Chu’s final shot, VFX supervisor Nhat Phong Tran broke new ground with his ‘Crazy Niche Equations.’
Former lead executive on the VFX Oscar-winning ‘Life of Pi’ returns to Method to oversee the studio’s global feature film and episodics production operation.
‘Roughhouse’ by Jonathan Hodgson wins BAFTA for British Short Animation.
‘Late Afternoon,’ ‘Danger Mouse,’ ‘Space Chickens in Space’ and ‘Angela’s Christmas’ lead nominees for 3rd biennial ceremony taking place in Dingle on March 23th.
Take a closer look at the winners of the 17th annual VES Awards, both onstage and off, at this year’s Visual Effects Society gala.
Adobe After Effects and Photoshop, the Medusa Performance Capture System, and -- for the first time -- Maxon Cinema 4D among nine scientific & technical achievements to be honored at this year’s annual presentation.
‘Avengers: Infinity War’ garners top feature film with four awards; ‘Spider‐Man: Into the Spider‐Verse’ is top animated feature film; ‘Lost in Space’ leads broadcast wins.
Mike Chambers returns as Board Chair; Brooke Lyndon-Stanford is first elected officer from outside North America.
Sony Pictures Imageworks VFX supervisor Danny Dimian will present work on hit animated feature; animators Sophie Koto Gate, Michael Frei, Boris Labbé and Tomek Popakul will share their distinctive work.
Leading up to Oscar Sunday on February 24th, catch up on AWN’s coverage of the films and creative teams nominated for Best Visual Effects at the 91st Academy Awards.
‘Sonic the Hedgehog’ and ‘Jump Street 22’ writer Oren Uziel tapped to write the screenplay.
Open-source, high-performance render manager based on Sony’s in-house queuing system, Cue 3, is purpose-built for the needs of the visual effects and animation industry.
James Cameron and Robert Rodriguez’s long-awaited epic sci-fi thriller opens in theaters February 14.
Veteran artist previously earned VES Award and Primetime Emmy nominations for work on Netflix series ‘Lost in Space.’
