Developer of tools for CG content creation hosting behind-the-scenes presentations from a raft of customers including Pixar Animation Studios, MPC and Sony Pictures Imageworks.
Fourth annual event offers exclusive behind-the-scenes look at VFX for hit films, games and television; sneak peek at live VR rendering tech.
Work by Deluxe-owned Iloura on ‘Game of Throne’s ‘Battle of the Bastards’ receives nomination for outstanding VFX.
Paramount Pictures, Skydance and Bad Robot to produce fourth installment; returning cast members to be joined by Chris Hemsworth as Captain Kirk’s father, George Kirk.
Project management platform now provides integration with MAXON’s Cinema 4D digital content creation package, allowing 3D artists to gain powerful production tracking functionality for creative projects.
London-headquartered VFX house boosts its Vancouver presence with the addition of executive producer Kelly L‘Estrange; and appointment of Jenny Rodgers as general manager.
Los Angeles-based visual effects house delivers 250 VFX shots providing seamless integration between the practical photography the digital effects for the first season of AMC’s new dramatic series.
São Paulo-based creative design and animation studio expands to New York with executive producer Luis Ribeiro at the helm.
New release includes the same shaders and lighting tools used for lighting and look development on Pixar’s ‘Finding Dory’ and ‘Piper.’
Incumbent governor Jon Bloom re-elected to the Short Films and Feature Animation Branch; Craig Barron returns to the Visual Effects Branch.
New GPU-enabled PixMover outfitted with a dual-processor server and NVIDIA M6000 GPU card and recently on display at the HPA Tech Retreat UK operates two-to-four times faster than a CPU-only server.
Sydney-based digital studio creates visual effects for Honda’s ‘Dream Chaser’ from director Nathan Price and Goodoil Films.
VFX supervisor Jeff Baksinski leads the team of artists at Zoic Studios to create effects to fully engulf viewers in a distorted 1960s America, handling extensive environment work and amplification of key action sequences.
Vancouver’s largest VFX studio taps Michelle Grady and Ryan Pollreisz to oversee growing roster of top talent, brings on experienced artists Sue Rowe and Daniel Cox.
Overseen by creative directors Jonah Hall and Kevin Lau, Timber's team of artists provides editorial, design, animation and visual effects to new visual piece directed by Partizan's Grady Hall.
Award-winning software brings greater efficiency to studios of all sizes with new Windows port; professional look development and lighting tool is now easier to install and supports plug-ins for RenderMan, V-Ray, Arnold and 3Delight.
Nominations for Outstanding Animated Program are given to FX’s ‘Archer,’ Disney’s ‘Phineas and Ferb Last Day of Summer,’ Comedy Central’s ‘South Park’ and Fox TV’s’ Bob’s Burgers’ and ‘The Simpsons.’
New trailer for director J.A. Bayona’s fantasy feature showcases stunning VFX created by El Ranchito, MPC, Headless and Glassworks Barcelona.
Fabric Engine user group meeting to be held July 26; joint presentation with Oculus Story Studio at DigiPro demonstrating how characters rigged with Fabric can add realism to VR experiences within Epic’s Unreal Engine takes place July 23.
Digital art festival running September 15-19 in Tróia, Portugal to host some of the world’s top talent, including Doug Chiang, Steve ‘Spaz’ Williams, Kevin Lima, Brenda Chapman, Ralph Eggleston, Christian Alzmann, Frank Tzeng and Alberto Mielgo.
Veteran Sony Pictures Imageworks VFX supervisor discusses Disney’s latest fantasy-adventure, the largest and most sophisticated project of his career.
London-based commercial VFX house delivers concept design, on-set supervision & art direction as well as CG work and final delivery of VFX-driven ad.
SIM Group facility provides post-production finishing for the sixth season of HBO’s Emmy Award-winning series including visual effects integration, editorial conforming, final color grading and deliverables.
Mill+ -- an integrated team of Mill directors and designers focused on concept-to-delivery creative partnerships -- helps deliver a cinematic new brand identity for Sky Cinema with a series of fully CG-animated IDs.
Working with longtime collaborators director David Yates and VFX supervisor Tim Burke, Academy Award-winning VFX house delivers more than 700 shots for the new Warner Bros. adaptation, including complex jungle environments, digi-doubles, and intricate creature animation.
