The live-action adaptation of Mark Millar and Frank Quitely’s graphic novel follows the world's first generation of superheroes that must look to their children to continue their legacy and keep mankind safe; series premieres globally on May 7.
In the third and final discussion, VFX supervisors Steve Meyer and Brad Kalinoski share insights into their innovative visual effects work on shows like ‘Criminal Minds’ and ‘CSI: Crime Scene Investigation.’
Leading VFX company continues its expansion efforts with purchase of Australia-based high-end visual effects studio; combined companies will have close to 800 artists in eight locations around the globe.
By using distinctive visual effects as a core series element, almost as a ‘character’ itself, Guillermo del Toro and Netflix’s Emmy Award-winning animated series has garnered an Annie Award nomination for Best FX for TV/Media.
Star-studded virtual ceremony, hosted by barb-slinging Patton Oswalt, included 25 category awards and special honors for VFX supervisor Rob Legato and director Sir Peter Jackson.
VFX supervisors Brigitte Bourque and Marshall Krasser share insights into their innovative visual effects work on shows like ‘Upload’ and ‘9-1-1: Lone Star.’
This year’s set of animated and VFX-driven TV series and video games represents top visual design and production work that rivals feature film visual effects in both quality and quantity.
The MCU’s favorite trickster must work alongside the Time Variance Authority to fix his Tesseract-related, time-altering mistakes; series debuts June 11.
Free resource provides in-depth look into virtual production workflows, new methodologies, remote collaboration, in-camera VFX, animation, and what’s coming next in Unreal Engine 5.
This year’s batch of animated and VFX-driven feature films shows that despite the pandemic, artists around the world continued pushing the boundaries of visual storytelling.
Studio’s business growth enhanced by Australia’s strong COVID-19 response, generous government incentives, and Australia’s PDV offset; creative team to top 225 at Adelaide location.
VFX supervisors Ariel Altman and Josh Miyaji share insights into their innovative visual effects work on shows like ‘Mr. Robot,’ ‘Barry,’ and ‘I Know This Much is True.’
Familiar favorites Nenneke, Philippa Eilhart, Dijkstra, Rience, and Codringher will appear alongside original character Ba’lain and a gender swapped Fenn.
German visual effects studio's new highlight reel showcases their work on funky ‘60s planet, menacing robots, and White Room prison cell from hit HBO horror fantasy series.
Founder Piotr Chomczyk discusses his new visual artist and team cloud workplace that provides high-performance computers for real-time media sharing on animation and VFX projects.
Dana Murray wins for outstanding producer of animated theatrical motion pictures; ‘Queen’s Gambit’ wins in limited series TV category.
25-year industry veteran brings technical and creative skills acquired while working at the forefront of emerging visual effects technology; his hire comes on the heels of continued growth in the media company’s VFX division.
Cortney Haile named VP of business development, Albert Soto named chief engineer, and J.R. Benson senior colorist; new hires will support increased offerings including scripted VFX and on-set supervision.
To support the Oscar-winning creative studio, leading Network as a Service provider quickly and efficiently enables on-demand multi-cloud connections that access cost effective computing power for VFX projects.
Legendary Academy, DGA, PGA and VES Award-winning filmmaker to be recognized for his valuable contributions to filmed entertainment at the upcoming April 6/7 VES Awards.
Visual Effect Society names veteran VFX supervisor, second unit director and DP as this year’s recipient of the VES Creative Excellence Award; innovative filmmaker won Oscars for ‘Titanic,’ ‘Hugo,’ and ‘The Jungle Book.’
Studio designs two dragons, inspired by a rescue puppy, armadillo, and jumbo jet, for the BBC America fantasy police procedural TV series that draws on many creations from Terry Pratchett’s ‘Discworld’ book series.
The one-hour special goes deep behind-the-scenes to see the Marvel show’s groundbreaking recreations of classic sitcoms and use of early TV filmmaking methods.
Global growth triggers L.A. staffing shift; VP of production, Johnny Fisk, takes new active role in global business development group.
While whom the ‘Game of Thrones’ actress will play remains unknown, speculation points to Kenobi’s lover Satine Kryze, or ‘Clone Wars’ villain Asajj Ventress.
