Visual effects studio delivers 850 shots across eight episodes of the sci-fi prison break drama, spanning complex planet and city environments, a spaceship crash, hyperspace travel, creatures, and character enhancements.
Soho VFX studio renames longform team Freefolk Film & Episodic, promoting Steve Murgatroyd and Meg Guidon to lead the new group.
Company’s dedicated visual effects division for television and streaming hires MPC alumni Sheila Wickens as VFX supervisor and Rory Knight-Jones as VFX producer.
Five-day free virtual event running June7-11 treats fans to exclusive news, trailers, art, and drop-ins from stars of popular shows including ‘Stranger Things,’ ‘Castlevania,’ and ‘The Old Guard.’
Former Method Studios senior executive will be based in company’s Los Angeles office, working closely with Merzin Tavaria, President, Global Production and Operations.
Company’s dedicated VFX division for television and streaming adds to its senior London team with hires from Framestore, DNEG, and MPC Film.
‘Scream’ actress to star in the sleuthing, supernaturally infused mystery charting Wednesday Addams’ years as a student at Nevermore Academy; live-action, dark comedic coming-of-age series marks the famed filmmaker’s TV directorial debut.
Visual effects studio delivers 175 shots on the Starz series, including a terrifying locust swarm, stampeding buffalo, and epic storm.
Production Services division becomes Technicolor Creative Studios, with new leadership team focused on design, direction, and production in VFX, XR, and animation.
Can the bond between a man of violence and a hunted, hybrid deer boy searching for others like him survive a world ravaged by the worst in human behavior? Season 1 premieres June 4 on Netflix.
Executive producers Susan Downey and Robert Downey Jr. explore the post-apocalyptic fairytale about a hybrid deer-boy embarking on an epic journey; show, based on Jeff Lemire’s groundbreaking DC comic, premieres on Netflix June 4.
Award-winning visual effects company creates a mysterious alien ship, its crash wreckage, and a dimensional window, all obviously engineered by beings not of this world, for the new sci-fi mystery series.
We know the new season of Netflix’s hit sci-fi thriller is officially in production, Hopper may be alive, and there are some kids with telekinetic powers, in hospital gowns, playing in a sterile facility… with a special room just for Eleven?
Agency that represents visual effects and post-production HoDs and crews welcomes six new professionals as demand for VFX and post work continues to increase.
The ‘Snowpiercer’ scribe, an accomplished author, poet, and playwright, joins a growing roster of women in creative leadership positions at the studio.
Trailer drops for new series, set in a post-apocalyptic world, about a boy that’s half deer and half human; based on Jeff Lemire’s DC comic books and executive produced by Susan Downey & Robert Downey Jr., the story reminds viewers that family and humanity matter.
See snap from show's first socially distanced table read; long-awaited prequel series, based on George R. R. Martin’s 2018 book, ‘Fire & Blood,’ follows the fiery exploits of the oft-mad House Targaryen.
VFX supervisor Luke DiTommaso and VFX producer Michael Fernandes are responsible for everything from muzzle flashes to CG explosions on the CBS crime drama, starring Queen Latifah, which was just renewed for a second season.
VFX house announces promotions; Mark Nazal named director of digital content, and Astrid Eve named global HR manager.
MARZ VFX supervisor Ryan Freer will share the often-invisible VFX on Marvel’s first Disney+ series; three presentations will peek behind the curtain surrounding the year’s first blockbuster VFX-driven tentpole to see monster making up close and personal.
The full-service VFX house’s recent projects include the delivery of multiple shots for VES award-winning episode of ‘The Crown;’ company also delivered 100 shots for the popular series, ‘Pennyworth.’
VFX supervisor John Kilshaw’s NY team produced the color blossom transformation from initial black and white format, as well as various magic effects and photoreal CG characters like a stork and kaleidoscope of butterflies, on the hit Marvel Studios and Disney+ series.
Studio delivers 268 shots as primary vendor on the Netflix drama, helping visualize souls leaving their bodies with innovative 2.5D approach.
VFX house promotes seasoned EP who will help push the active production slate; film and TV projects including ‘The Northman,’ ‘The Great - Season 2, and ‘Becoming Elizabeth.’
Led by VFX supervisor Ralph Maiers, the studio helped ‘energize’ the magical battle between Agnes/Agatha and her coven of witches in the final episode of the hit Disney+ series.
