VFX house tackles complex mix of shots to create feats of digital sorcery for the Disney+ supernatural anthology, inspired by R.L. Stine’s graphic novels, now streaming.
VFX house creates campaign and 3-minute anthem film that showcases its ‘sales reel’ from 1981 complete with fictional relics from the past.
Streaming giant takes a giant leap in production horsepower with the purchase of one of the industry’s leading visual effects studios.
A team of visual effects houses, led by DNEG, created 4,000 shots, complete with new worlds, the mysterious Vault artifact, and the enormous Invictus ship, in David Goyer’s expansive and enthralling new series, based on the famed author’s seminal sci-fi book series, now streaming.
Live-action adaptation of Nickelodeon’s popular franchise has kicked off production using Pixomondo’s custom-built, state-of-the-art virtual production facility in Vancouver, allowing for real-time in-camera VFX, setting a new standard for immersive storytelling.
The episodic MCU continues to expand, as learn of the studios’ expansive slate of series renewals and new series coming in 2022/2023 series, including ‘Moon Knight,’ ‘Ms. Marvel,’ and ‘She-Hulk’ as well as the first ever ‘X-Men’ under the Disney banner.
Who’s not thrilled to hear once again the fateful phrase, ‘Danger Will Robinson… Danger’ as the third and final season of the reimagined 1965 Irwin Allen sci-fi classic is soon in hand; Netflix launches the space opera’s concluding episodes December 1.
Exec joins leading visual effects and animation studio from Legendary Entertainment; will oversee client relationships and team of VFX and stereo supervisors.
Company mixes it up with president Tom Kendall changing hats as new head of business development; new hires include Paul Richards as EVP of Technology, and Crys Forsyth-Smith as EVP of Global Production.
Set in one of the industry’s major VFX hubs, new location to play key role in recruitment while providing closer proximity to existing and potential clients; Peter Muyzers to head operations.
The Bristol-based VFX studio developed its own software tools to create over 700 shots in a new genre-defining style for the show’s host, ‘Game of Thrones’ star Aiden Gillen.
Technology is honored for elevating photorealistic VFX to new heights in episodic productions; the award will be presented by the Television Academy Engineering Committee live at their annual event on October 21
The VFX and animation studio credits the dedication of talented artists, engineers, and support staff as its highlights some of the company’s most memorable work.
Streamer orders a new season of its hit series based on Isaac Asimov’s famed Hugo Award-winning sci-fi future history trilogy.
Big rocks, wrecked ships, and at least one unfortunate person careen through space in the streamer’s first official glimpse of their acclaimed sci-fi series’ third and final season, premiering December 1.
Group representing visual effects professionals signs six new artists to their already extensive roster; the new signings coincide with the company’s 1-year anniversary.
The leading visual effects studio delivers 450 shots, including key Time Variance Authority, Gobi Desert and The Expanse sequences requiring digital characters, CG set extensions and live-action plate integration, on Marvel Studios and Disney+’s raucous new MCU outing.
The streamer’s inaugural virtual fan event, coming September 25, will host 145 of its biggest stars and creators, with first looks and exclusives from over 70 series, films, and specials; check out the hour-by-hour breakdown so you don’t miss a beat.
The streamer’s inaugural epic virtual fan event, coming September 25, will host 145 of its biggest stars and creators, with first looks and exclusives from over 70 series, films, and specials.
Design and VFX studio delivers high-tech retro and futuristic time-travel 3D graphics on Marvel Studios and Disney+’s hit MCU series.
Strategic alliance with French visual effects house bolsters MPC’s global market presence, increasing the company’s international reach; the studio will continue to offer pre-production and VFX services for the French features and episodic industry.
As the main visual effects vendor, the company’s London studio creates a digital Trident nuclear sub and water effects for the BBC’s new conspiracy thriller series.
The award-winning studio announces UK operations will launch this month; former Framestore managing director will be joined in London by CEO Jonny Slow to directly support company’s VP services expansion in Europe.
The visual effects giant delivered 500 shots on Marvel Studios and Disney+’s latest MCU episodic adventure, creating the pyroclastic-like trans-temporal monster, Alioth, along with Alligator Loki and the cloudy, ambiguous world where everything pruned by the TVA is deposited.
Previous managing director will now oversee the studio’s worldwide expansion efforts; five new senior hires include VFX supervisors Freddy Chaleur and Yancy Lindquist, animation director Jay Boose, head of look development Sonja Burchard, and producer Audrey Ford.
