Visual effects studio delivers 175 shots on the Starz series, including a terrifying locust swarm, stampeding buffalo, and epic storm.
Production Services division becomes Technicolor Creative Studios, with new leadership team focused on design, direction, and production in VFX, XR, and animation.
Can the bond between a man of violence and a hunted, hybrid deer boy searching for others like him survive a world ravaged by the worst in human behavior? Season 1 premieres June 4 on Netflix.
Executive producers Susan Downey and Robert Downey Jr. explore the post-apocalyptic fairytale about a hybrid deer-boy embarking on an epic journey; show, based on Jeff Lemire’s groundbreaking DC comic, premieres on Netflix June 4.
Award-winning visual effects company creates a mysterious alien ship, its crash wreckage, and a dimensional window, all obviously engineered by beings not of this world, for the new sci-fi mystery series.
We know the new season of Netflix’s hit sci-fi thriller is officially in production, Hopper may be alive, and there are some kids with telekinetic powers, in hospital gowns, playing in a sterile facility… with a special room just for Eleven?
Agency that represents visual effects and post-production HoDs and crews welcomes six new professionals as demand for VFX and post work continues to increase.
The ‘Snowpiercer’ scribe, an accomplished author, poet, and playwright, joins a growing roster of women in creative leadership positions at the studio.
Trailer drops for new series, set in a post-apocalyptic world, about a boy that’s half deer and half human; based on Jeff Lemire’s DC comic books and executive produced by Susan Downey & Robert Downey Jr., the story reminds viewers that family and humanity matter.
See snap from show's first socially distanced table read; long-awaited prequel series, based on George R. R. Martin’s 2018 book, ‘Fire & Blood,’ follows the fiery exploits of the oft-mad House Targaryen.
VFX supervisor Luke DiTommaso and VFX producer Michael Fernandes are responsible for everything from muzzle flashes to CG explosions on the CBS crime drama, starring Queen Latifah, which was just renewed for a second season.
VFX house announces promotions; Mark Nazal named director of digital content, and Astrid Eve named global HR manager.
MARZ VFX supervisor Ryan Freer will share the often-invisible VFX on Marvel’s first Disney+ series; three presentations will peek behind the curtain surrounding the year’s first blockbuster VFX-driven tentpole to see monster making up close and personal.
The full-service VFX house’s recent projects include the delivery of multiple shots for VES award-winning episode of ‘The Crown;’ company also delivered 100 shots for the popular series, ‘Pennyworth.’
VFX supervisor John Kilshaw’s NY team produced the color blossom transformation from initial black and white format, as well as various magic effects and photoreal CG characters like a stork and kaleidoscope of butterflies, on the hit Marvel Studios and Disney+ series.
Studio delivers 268 shots as primary vendor on the Netflix drama, helping visualize souls leaving their bodies with innovative 2.5D approach.
VFX house promotes seasoned EP who will help push the active production slate; film and TV projects including ‘The Northman,’ ‘The Great - Season 2, and ‘Becoming Elizabeth.’
Led by VFX supervisor Ralph Maiers, the studio helped ‘energize’ the magical battle between Agnes/Agatha and her coven of witches in the final episode of the hit Disney+ series.
The live-action adaptation of Mark Millar and Frank Quitely’s graphic novel follows the world's first generation of superheroes that must look to their children to continue their legacy and keep mankind safe; series premieres globally on May 7.
In the third and final discussion, VFX supervisors Steve Meyer and Brad Kalinoski share insights into their innovative visual effects work on shows like ‘Criminal Minds’ and ‘CSI: Crime Scene Investigation.’
Leading VFX company continues its expansion efforts with purchase of Australia-based high-end visual effects studio; combined companies will have close to 800 artists in eight locations around the globe.
By using distinctive visual effects as a core series element, almost as a ‘character’ itself, Guillermo del Toro and Netflix’s Emmy Award-winning animated series has garnered an Annie Award nomination for Best FX for TV/Media.
Star-studded virtual ceremony, hosted by barb-slinging Patton Oswalt, included 25 category awards and special honors for VFX supervisor Rob Legato and director Sir Peter Jackson.
VFX supervisors Brigitte Bourque and Marshall Krasser share insights into their innovative visual effects work on shows like ‘Upload’ and ‘9-1-1: Lone Star.’
This year’s set of animated and VFX-driven TV series and video games represents top visual design and production work that rivals feature film visual effects in both quality and quantity.
