The streamer marks ‘Star Wars Day’ by more teasing of the highly anticipated series that begins 10 years after the saga of ‘Star Wars: Revenge of the Sith;’ mark your calendar for the May 27 premiere.
Episode 1, ‘A Grain of Truth,’ wins for Special, Visual & Graphic Effects; award goes to Cinesite, Hivemind, Platige Image, and Pioneer Stillking Images.
Photorealistic cat sows trail of destruction in episodes of the network’s hit crime drama; one gruesome scene was completed with a CG human leg and added gory details using Houdini, with final compositing in Nuke.
Former BOT VFX exec will lead studio’s creative, production, and sales teams while setting strategic direction; plans include increasing company profile and recruiting high-level creative and production talent.
The limited series about the Tiger King, Joe ‘Exotic,’ uses cruelty-free computer-generated imagery instead of real tigers; produced by Universal Content Productions and starring Kate McKinnon, the show is now streaming on Peacock.
Talent added across company’s design, post-production, and live-action teams, bolstering presence in Los Angeles, Singapore, Vancouver, and Toronto.
Emmy Award-nominated tech and VFX startup raises CAD$6.5 million to grow core services, accelerate R&D of AI for visual effects technology, and bolster work force.
VFX house tackles complex mix of shots to create feats of digital sorcery for the Disney+ supernatural anthology, inspired by R.L. Stine’s graphic novels, now streaming.
The Bristol-based VFX studio developed its own software tools to create over 700 shots in a new genre-defining style for the show’s host, ‘Game of Thrones’ star Aiden Gillen.
Latest VFX and animation reel showcases some of the year’s best work from film, tv and advertising; included are clips from feature films, ads and episodics from companies including Scanline VFX, Goodbye Kansas, and Blur Studio.
Strategic alliance with French visual effects house bolsters MPC’s global market presence, increasing the company’s international reach; the studio will continue to offer pre-production and VFX services for the French features and episodic industry.
Long-time leaders from VFX company’s New York facility go south, bolstering team at growing Georgia location; Kubovick assumes role as head of studio and senior VFX supervisor with Seguin serving as head of production and executive producer at her new post.
Company continues to expand its teams across creative and production departments to service growing slate of film and TV projects; new hire brings 20+ years of visual effects experience to his new role.
Global growth triggers L.A. staffing shift; VP of production, Johnny Fisk, takes new active role in global business development group.
The VFX house welcomes Craig Wentworth as VFX supervisor, Patricia Binga as animation supervisor, and Adam Harrison as VFX producer; recent Epic MegaGrant helps continued development of innovations in LED technology for virtual production and filmmaking.
New hire to drive studio’s expansion in TV animation and VFX with his expertise in production and management.
New augmented reality app connects users with their own Daemon, fueling further fan excitement over the Season 2 debut of ‘His Dark Materials’ coming to HBO and HBO Max on November 16.
The next edition of the Post New York Alliance’s free ‘Post Break’ webinar series will look at practical issues on how to produce and deliver VFX for film and TV; panelists include VFX producer Leslie Lerman and Powerhouse VFX executive producer Ryan Cunningham.
Projects from Cinesite, MPC, and Framestore are among animation and VFX studios to receive multiple honors at the annual Australian celebration of visual effects, animation, games, and immersive technology.
Company carbonizes and de-carbonizes Jeremy Iron’s character, turning the actor into a golden statue, in Damon Lindelof’s highly acclaimed series.
Led by VFX supervisor Serkan Semiz, Turkish studio delivered over 600 shots, including nearly 150 in full CG, on Karga Seven’s six-episode docu-drama released worldwide on Netflix.
