The streamer also announced that the series, which follows the former Jedi Knight Ahsoka Tano as she investigates an emerging threat to the galaxy, will debut on August 23 with the first two episodes.
Using Unreal Engine, the studio helps create authentic sequences of smoke and fire to Netflix’s miniseries inspired by the 1997 Delhi cinema tragedy that took 59 lives.
Watch the breakdown real showcasing how the visual effects studio delivered 500 shots on the Paramount+ series, based on the novel ‘The Blue’ by Lucy Clarke, creating a foreboding seascape for the fleeing friends who find themselves in dangerous waters with seemingly ‘no escape.’
Rosario Dawson stars in Lucasfilm’s next entry to the ‘Star Wars’ universe, set after the fall of the Empire, which debuts August 23; streamer showcases some major galactic girl power in the new teaser, ‘Begin.’
Series stars Rebecca Romijn, Ethan Peck, Celia Rose Gooding, and Melissa Navia delivered the video during an MCM London Comic Con panel to support the hit series’ June 15 Season 2 premiere on the streamer.
The HPA Award-winning industry veteran brings over 20 years’ experience across commercials, film, and TV with credits on BAFTA Award nominee Emerald City, the Emmy and BAFTA winning series Outlander, and the crime drama Death in Paradise.
The Cal State LA alum’s credits include ‘Stranger Things,’ ‘The Amazing Spider-Man,’ and ‘The Hunger Games,’ among others.
With co-founders Lucy Ainsworth-Taylor and Angela Barson stepping down from day-to-day operations, the studio welcomes new board members Tracy McCreary, Henry Badgett, and Nic Birmingham.
Anson Mount returns as Captain Christopher Pike, Rebecca Romijn as Number One, and Ethan Peck as Science Officer Spock in a new season following the crew of the U.S.S. Enterprise in the years before Captain Kirk took the helm; new episodes drop weekly beginning June 15.
The industry veteran takes the reigns to optimize the VFX studio's proprietary toolsets including machine learning software and AI-driven creations.
From fairytale digital characters to monstrous transformation sequences and crowd simulations, the visual effects studio delivered 123 shots and over 50 character and environment assets for Season 2 of Prime Video’s fantasy series starring Cara Delevigne and Orlando Bloom.
The London-based studio celebrates 15 years with its first international expansion after delivering VFX on projects such as ‘For All Mankind,’ ‘The Irregulars,’ and HBO Max’s award-winning ‘The Banshees of Inisherin.’
Leading visualization company provides key techvis to help the production team make informed creative and financial decisions by first enabling exploration of virtual scenes and providing what amounted to a ‘digital storyboard.’
Based in the Los Angeles office, the animation, VFX and live-action producer will lead nationwide business development for Streamland Media’s visual effects division.
Company to represent both filmmakers in North America and the UK; Lee’s recent credits include multi-award-winning project ‘The Hiring Chain,’ while Stafford’s include Emmy Award-winning short ‘One Shot.’
The cybersecurity company’s in-house creative team and VFX studio Framestore use a not-so-metaphorical ‘Trojan horse’ to deliver a message to millions about the real and pervasive threat of cyberattacks.
The company brings on 6 new visual effects post-production experts, including Basia Lalik; Barney Curnow; Theo Demiristz; and Andrew Lim.
The studio transforms London into a dilapidated landscape dwarfed by towering statues of Greek Gods, creating the backdrop for the sci-fi series starring Jack Reynor and Chloë Grace Moretz, now streaming on Prime Video.
An early adopter of real-time tech, the London-based VFX studio promotes its Head of Studio to serve alongside creative director Chris Lunney and founder Nic Hatch.
The VFX studio helps enhance the drama, add realism, and ensure continuity on Showtime’s legal drama starring Bryan Cranston as a disgraced judge, now airing and also streaming on Paramount+.
The award-winning entertainment company launches a new Vancouver office led by Emmy-nominated head of 2D Michael Porterfield, who joined the company last summer.
CG supervisor Bryant Reif and his team created ‘The Shortcut,’ an entirely CGI transatlantic ocean liner modeled after the Queen Mary, along with digital people, oceans, docks, wakes and waves, for Season 2 of the series, now streaming on Disney+.
Studio serves as lead VFX vendor on Eric Garcia’s new nonlinear, eight-part Netflix crime series inspired by the true story of a $70 billion Manhattan bank heist during Hurricane Sandy; challenging effects-heavy shots included creating a swarm of digital bees to camouflage a character’s movements through a super-secure bank vault.
VFX Supervisor David Bowman and VFX Producer Hannah Dakin will help expand studio’s film and episodic division; company will soon move to a new facility boasting state-of-the-art production servers and workstations to streamline workflow and increase capacity.
The Oscar and BAFTA-winning industry veteran’s credits include Jordon Peele’s ‘Nope,’ Sam Mendes’ ‘1917,’ and Michael Dougherty’s ‘Godzilla: King of the Monsters;’ will work out of the studio’s Los Angeles office.
