After 26 years, founding member Sir William Sargent is stepping down to focus on the Framestore Company 3 Group; Claire Price assumes role of CFO as of July 1.
Tagged With: VFX for films
The company adds Melinka Thompson-Godoy to helm studio’s Canadian efforts; Chloe Grysole is upped to MD Canada, Film & Episodic, tasked with oversight of Vancouver and Montreal studios.
Starring Tom Hanks as Geppetto, the live-action retelling of the classic story of a woodcarver who builds a wooden puppet and treats him as his own son is slated to hit the streamer September 2022.
Visual Effects studio produces 527 shots on Peter Thorwarth’s harrowing tale of an airplane hijacking gone astray because of one passenger with an unnatural thirst for blood.
Strategic alliance with French visual effects house bolsters MPC’s global market presence, increasing the company’s international reach; the studio will continue to offer pre-production and VFX services for the French features and episodic industry.
VFX supervisor Daniel Rauchwerger and his DNEG teams in London, Montreal, and Mumbai delivered 2,200 gravity defying visual effects shots, from flipping multiple trailers to shooting rocket car into space, in Justin Lin and Universal Pictures’ latest ‘Fast & Furious’ feature film franchise outing.
Renown animation and VFX specialist whose career includes work on iconic movie franchises like ‘Star Wars’ and ‘Pirates of the Caribbean’ will share insights from the visual effects on ‘The Mandalorian’ Season 2; free live online event coming September 4.
Studio prevised over 3,000 shots, postvised over 700, and techvised countless others, working 83 straight weeks until the COVID-19 lockdown, then quickly transitioned to a remote pipeline to complete production on Universal and Justin Lin’s ninth ‘Fast & Furious’ franchise action thriller.
To celebrate National Superhero Day, the actor looks back at the career of alter ego Natasha Romanoff; highly anticipated action-packed spy thriller hits theaters and Disney+ with premier access on July 9.
Once again, the technology company’s professional GPUs are behind all five VFX Oscar nominees; the 93rd annual Academy Awards take place this Sunday, April 25.
The next saga in Vin Diesel’s action-adventure franchise takes the crew on a race across the globe; Justin Lin returns to direct and Grammy-winning Cardi B joins the cast as a woman with a connection to Dom Toretto’s past – in theaters June 25.
James Gunn’s high-profile reboot features the most degenerate line-up of DC delinquents ever assembled; film gets released in theatres and on HBO Max August 6.
The VFX house welcomes Craig Wentworth as VFX supervisor, Patricia Binga as animation supervisor, and Adam Harrison as VFX producer; recent Epic MegaGrant helps continued development of innovations in LED technology for virtual production and filmmaking.
Shade VFX founder and industry veteran brings over 20 years business and artistic experience to his new post; VFX supervisor credits include ‘Joker,’ ‘Sonic the Hedgehog,’ and ‘Wolverine.’
The 20-year industry veteran comes full circle as she returns to the studio where she began her career armed with an impressive list of film credits.
The next edition of the Post New York Alliance’s free ‘Post Break’ webinar series will look at practical issues on how to produce and deliver VFX for film and TV; panelists include VFX producer Leslie Lerman and Powerhouse VFX executive producer Ryan Cunningham.
Long-time VFX supervisors join studio’s Los Angeles and Vancouver offices, respectively; company bolsters team to deliver upcoming projects including ‘Eternals;’ ‘The Suicide Squad;’ ‘The Batman;’ ‘Lisey’s Story;’ ‘Fengshen Trilogy;’ ‘The Jade Earring;’ and ‘The Nevers.’
Company strengthens its creative offerings by naming new heads of 3D and 2D departments, respectively.
Visual effects veteran Gillian Pearson named lead studio manager at new Vancouver state-of-the-art facility.