Join the May 13 interactive event on Netflix’s YouTube channel - first 15 Minutes of Zack Snyder’s highly anticipated zombie heist thriller will be revealed.
Tom Hardy returns to the big screen as Marvel’s lethal protector Venom in Columbia Pictures’ action thriller, only in theaters, September 24, 2021.
Highly anticipated MCU Phase Four action flick comes to theaters and Disney+ with Premier Access July 9, 2021.
Led by VFX supervisor Aldo Ruggiero, the visual effects studio helped recreate the signature barbershop storefront, a library, and other New York environments that couldn’t be shot due to the pandemic, in Eddie Murphy’s ‘Coming to America’ sequel now streaming on Amazon Prime.
Agency that represents visual effects and post-production HoDs and crews welcomes six new professionals as demand for VFX and post work continues to increase.
Digitized shots of Icelandic snow, glaciers, and misty weather, coupled with real-time camera tracking and Unreal Engine, meant high-resolution environment projections, and lighting, could be captured in-camera to provide unprecedented realism for onstage shooting, in George Clooney and Netflix’s Oscar-nominated sci-fi drama.
VFX house announces promotions; Mark Nazal named director of digital content, and Astrid Eve named global HR manager.
‘Love and Monsters,’ ‘The Midnight Sky,’ ‘Mulan,’ ‘The One and Only Ivan,’ and ‘Tenet’ vie for this year’s Best Visual Effects Oscar.
Star Simu Liu shares reveal on social to celebrate his birthday; ‘Shang-Chi and The Legend of The Ten Rings,’ which also stars Awkwafina, Tony Leung, and Michelle Yeoh, hits theaters September 3, 2021.
Filmed entirely on greenscreens, the feature film project took five years to write, choreograph, film, and produce; Renaissance Dance Theatre used Epic MegaGrant to bring classic artform into the virtual production age.
MARZ VFX supervisor Ryan Freer will share the often-invisible VFX on Marvel’s first Disney+ series; three presentations will peek behind the curtain surrounding the year’s first blockbuster VFX-driven tentpole to see monster making up close and personal.
The full-service VFX house’s recent projects include the delivery of multiple shots for VES award-winning episode of ‘The Crown;’ company also delivered 100 shots for the popular series, ‘Pennyworth.’
Zack Snyder’s live-action adventure follows a mercenary heist that goes awry during a zombie outbreak in Las Vegas; starring an all-star international cast, the movie hits theaters and Netflix May 21.
VFX house promotes seasoned EP who will help push the active production slate; film and TV projects including ‘The Northman,’ ‘The Great - Season 2, and ‘Becoming Elizabeth.’
In the third and final discussion, VFX supervisors Steve Meyer and Brad Kalinoski share insights into their innovative visual effects work on shows like ‘Criminal Minds’ and ‘CSI: Crime Scene Investigation.’
Leading VFX company continues its expansion efforts with purchase of Australia-based high-end visual effects studio; combined companies will have close to 800 artists in eight locations around the globe.
Who ya gonna call? Mini-Pufts are out of the bag, as new chapter in the ‘Ghostbusters’ Universe hits theaters November 11.
Free resource provides in-depth look into virtual production workflows, new methodologies, remote collaboration, in-camera VFX, animation, and what’s coming next in Unreal Engine 5.
Studio’s business growth enhanced by Australia’s strong COVID-19 response, generous government incentives, and Australia’s PDV offset; creative team to top 225 at Adelaide location.
Hitting theatres and Disney+ simultaneously July 9, Marvel Studios’ often delayed and hotly anticipated spy thriller tells the mysterious backstory of the MCU’s most enigmatic and compelling Avenger.
Nominated animated shorts include ‘I, Barnabé,’ ‘The Great Malaise,’ and ‘4 North A;’ winners will be announced and honored at a series of events set for May 17-20.
Belén Palos is named head of production and Chris Kiser is named COO; Kiser will remain active in creative efforts while mapping out the strategic growth opportunities for the studio.
The action star shares news about his ‘unstoppable global force’ coming to Warner Bros.’ DCEU in 2022.
Using Unreal Engine-based virtual production tools, VFX supervisor Kevin Baillie helps the Oscar-winning director pre-shoot every live-action scene needing digital characters, including mice, chickens, and a cat.
25-year industry veteran brings technical and creative skills acquired while working at the forefront of emerging visual effects technology; his hire comes on the heels of continued growth in the media company’s VFX division.
