Leading VFX and post-production studio joins more than a dozen production companies that have opened facilities in Las Palmas, taking advantage of local film production incentives.
The animation and VFX studio adds the 18-year industry veteran to help manage and expand its client base.
Hear how it all began… discover why our world went quiet. And don’t make a sound. Hitting theaters this June.
VFX supervisor Luc-Ewen Martin-Fenouillet and his team jumped headfirst into the famous battles of Toulon and Waterloo, delivering warring armies of French and British soldiers, their encampments and tents, the smoke from their muskets and cannons, as well as the iconic moment when the infamous general’s horse gets shredded by a cannonball.
VFX supervisor Simone Coco’s team took on the French general’s famous Battle of Austerlitz, stitching together three different locations, as well as creating thousands of unique, accurately outfitted CG soldiers and horses.
Caption Marvel forms an unlikely trio with Captain Rambeau and Ms. Marvel to save the universe this Friday, November 10... and guess who shows up?
In ‘Journey to The Marvels’ see Caption Marvel journey to team up with Captain Rambeau, Ms. Marvel, as the unlikely trio must team up to save the universe… of course; the movie hits theaters in November.
The 3D camera tracking VFX app joins the Boris FX Suite, which already boasts Sapphire, Continuum, Mocha Pro, Silhouette, Optics and CrumplePop; live SynthEyes demos slated for IBC September 15-18.
The unlikely trio - Ms. Marvel, Captain Marvel and Captain Rambeau - must team up to save the universe… of course; the movie hits theaters this fall.
Collaborators Jonathan Rothbart, Janelle Croshaw Ralla, and Michael Ralla talk incendiary shotgun shells, a blind assassin’s eyeballs, a CG dog, and hundreds of ring finger removals, on Chad Stahelski and Lionsgate’s shoot ‘em up in volume action-adventure.
Led by VFX supervisor Axel Bonami, the studio’s team delivers 500 shots on Jonathan Goldstein and John Francis’ action adventure, including a multi-creature-transformation castle escape sequence, the cavernous, lava-filled Underdark, Themberchaud the dragon, a host of magical spells and one really cool portal.
The studio wrangles facial mocap performances into its proprietary suite of AI tools to tackle one of Marvel Studios’ most unique villains, a 5-foot-tall flying face, in ‘Ant-Man and The Wasp: Quantumania.’
Production VFX Supervisor Ben Snow discusses key visuals on Paramount’s new fantasy adventure, including Industrial Light & Magic’s work on a shapeshifting Owlbear, a Gelatinous Cube, the surreal Ethereal Plane, and lots of magical spells.
‘Three Billboards Outside Ebbing, Missouri’ writer/director Martin McDonagh taps the studio as sole visual effects vendor on his award-winning film starring Colin Farrell and Brendan Gleeson; the invisible VFX included creating 1920s environment digital matte paintings and various CG objects and elements.
The industry veteran takes the reigns to optimize the VFX studio's proprietary toolsets including machine learning software and AI-driven creations.
Brie Larson returns as Captain Marvel this Fall alongside Teyonah Parris, Iman Vellani, Samuel L. Jackson, Zawe Ashton and Park Seo-joon.
The Australian-based visual effects studio delivers 270 shots for Peyton Reed and Marvel’s MCU Phase 5 kick-off, including augmenting and then destroying the massive Celestium fortress and visualizing Kang’s 3D multiverse map.
An early adopter of real-time tech, the London-based VFX studio promotes its Head of Studio to serve alongside creative director Chris Lunney and founder Nic Hatch.
Based on the genre-defining roleplaying game, the action-adventure film starring Chris Pine, Michelle Rodriguez, and Hugh Grant now hits theaters March 31, 2023.
Slated to open in early 2023 with award-winning VFX Supervisor and Australian national Andrew Jackson at the helm, the studio will lead the visual effects production on George Miller’s highly anticipated ‘Mad Max’ prequel ‘Furiosa’ - coming in 2024.
For director Joseph Kosinski and Netflix’s crime drama, VFX supervisor Ryan Tudhope managed a group of studios that produced 900 visual effects shots, including the prison facility, UI graphics and monitor replacements, CG environmental assets, and various set extensions.
The acclaimed commercial helmer will make his feature debut with the third chapter of the family film series, replacing Paul King, who recently departed as director of the project to take on ‘Wonka’ with Timothee Chalamet.
Leading visual effects studio delivered nearly 400 shots, adding CG elements to everything from icy lakes to forests and high-speed car chases, in MGM’s latest action-packed James Bond spy thriller.
Montreal and London studios create iridescent weaponized gas that descends on James Bond as he’s caught in a beam of light surrounded by party goers in the hit MGM thriller.
Company brings on VFX supervisors Khalid Almeerani and Carlos Caballero Valdés, and VFX producers Lisa Purisima and Florent Villegas, to bolster its high-end visual effects production efforts.
