The VFX/animation company’s latest acquisition significantly increases its talent roster and global capacity and follows recent additions of Canadian-based studios L’Atelier Animation and Squeeze Animation.
Tagged With: Trixter
On the heels of its July deal for Studio L’Atelier, the animation and VFX company expands its production capabilities even further with the acquisition of the Quebec City and Montreal-based animation and mocap studio.
Expanding its international footprint with another acquisition – previous buys include Image Engine and TRIXTER - the independent animation and VFX company plans to build on the Montreal studio’s existing footprint to meet growing demand for animated content.
The new spot cues fans into everyday struggles one might expect as a single, 30-something, superhuman lawyer.
Leading VFX studio creates the mythical Great Protector dragon, demonic Dweller-in-Darkness, and an army of little demons for Marvel Studios’ first film to feature an Asian super hero.
The VFX studio delivers 237 shots, including the adorable, faceless, and furry four-winged Dijiang sidekick, in Marvel Studios’ first Asian super hero film.
Joce Capper will oversee London studio, working in tandem with her Montreal colleagues; Rebecca Manning joins visual effects team following tenure at FuseFX as digital effects supervisor & head of 2D.
VFX supervisor Ben White and his team tackle a CG BMW, a nasty arm-wrestling match, and a Russian prison guard attitude adjustment, in Marvel Studios’ latest MCU adventure.
Emmy Award-winning VFX producer brings over two decades experience on projects ranging from ‘Muppet Treasure Island’ to ‘A Discovery of Witches;’ in his new role, he will work directly with clients while overseeing day-to-day operations.
Former Blue Sky and Disney veteran named Group Head of CG for Feature Animation; Holger Voss upped to Group Head of CG for Visual Effects, Alexander Savenko to Group Head of Production Technology, and Danny Smith to Group Head of Infrastructure Technology.
Melissa Taylor, Siobhan Bentley and Tamara Boutcher will oversee feature animation and VFX services in London and Montreal studios.
Writer-director will present his Oscar-nominated film, Netflix’s first original animated feature; ‘Mulm,’ the first 2020 conference trailer, is released.
25th Anniversary Edition will focus on visions of the future for media & entertainment; Oscar-winning VFX supervisor Volker Engel and Annecy Cristal-winning animation director Regina Pessoa among first confirmed speakers.
Led by VFX supervisor Simon Stanley-Clamp, the studio delivers 264 visual effects shots for Marvel’s record-breaking box office hit, ‘Avengers: Endgame.’
Marking the company’s tenth collaboration with Marvel Studios, Munich-based VFX house Trixter delivers CG spaceships, downtown LA environments and a CG cat named Goose for ‘Captain Marvel.’
Privately-owned digital entertainment studio acquires 100 percent of leading European provider of VFX and animation for an undisclosed amount.
Young creatives in film, animation, games, VR, motion graphics and 3D visualization offered evaluation by top professionals and exposure to the industry.
Production VFX Supervisor Geoff Baumann assembled and managed the movie’s heavy-hitter vendor lineup to complete more than 2,000 visual effects shots for Marvel’s most recent hit.
Oscar-nominated VFX supervisor details the myriad challenges in bringing director James Gunn’s blockbuster sequel to the screen.
Companies will offer their services together to grow their business in Germany and around the world.
Event confirms Phil Tippett and Aardman’s David Sproxton as speakers at the annual conference set for April 24-27 in Stuttgart, Germany.